Directed by

Melissa Martin
Made by

Interstate 5 Productions
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Read the complete plot summary and ending explained for The Video Dead (1987). From turning points to emotional moments, uncover what really happened and why it matters.
An unsolicited television is delivered to the writer, Henry Jordan, at his house. The single program the set can pull in is a seemingly endless, plotless, black-and-white zombie horror film titled Zombie Blood Nightmare. Despite being unplugged, the screen flickers back to life and spawns the film’s creatures—the undead named Jack, The Bride, Ironhead, Jimmy D., and Half-Creeper—who descend on the writer and end his life in a stark, chilling moment. The very next day, delivery men arrive to claim the set, revealing it was meant for the Institute for Paranormal Research; they discover only the writer’s body in the front hallway, dressed strangely in party clothes, a grisly reminder of the danger that lies inside that box.
Three months pass, and the narrative shifts to a new unsettled family dynamic. Teenagers Zoe Blair and Jeff Blair arrive at the haunted house ahead of their parents, who are moving back to the United States after years abroad. Jeff forms a connection with dog walker April Ellison, who accompanies him home, and the dog she’s watching bolts off into the woods. Soon the couple’s fear deepens as the dog—and then the woods themselves—become a grim nursery for the living dead. The zombies, having escaped the television’s confines, lurk in the trees and prey on anything that crosses their path, and they cruelly kill the dog before the remains are found by Jeff and Zoe, who realize the danger has crept beyond the screen and into the neighborhood.
Into this fragile moment steps a man named Joshua Daniels, who arrives claiming he bought the cursed TV at a yard sale and mailed it to the Paranormal Institute after it killed his wife. Jeff initially turns him away, but later that night the attic’s telecast reveals a pale, passing figure and a zombie woman who is promptly dispatched, exposing the unsettling truth that the set can birth additional terrors. The man who calls himself “The Garbage Man” appears, insisting that the only way to stop further outbreaks is to tape a mirror to the television—a counterintuitive and unnerving piece of advice that will prove pivotal.
The danger expands when the zombies break into April Ellison’s home. Ironhead strangles their maid, and the zombies move on to kill April’s father, while their neighbors also fall to the relentless onslaught. Jeff, Zoe, and April fortify their home, and Joshua returns, determined to reclaim the hazardous television. He explains the zombies’ disturbing psychology: they inhabit a liminal space between life and death, driven to kill out of envy and repulsion for their own decayed appearances; mirrors repulse them because they remind them of their grotesque state, and they attack the living when they sense fear. The creatures can be tricked into thinking they are dead by wounding and dismembering them, though they must remain unburied; they can also be corralled into an enclosed space, which drives them to turn on one another in a frenzied, cannibalistic state.
Despite their precautions, Jimmy D. bursts in and incapacitates April, and Zoe and Jeff manage to barricade the invader outside as the zombie leaves with April’s body. At dawn, Joshua and Jeff head into the woods with a plan: Joshua lays traps, takes up a sniper position, and uses Jeff as bait. With a bow and arrows, they manage to incapacitate all the zombies except The Bride, who pursues them in a deadly chase. Joshua is killed in the pursuit, and Jeff finds himself trapped in a shed, discovering April’s corpse inside. The Bride, arming herself with a chainsaw, closes in and decapitates Jeff just as the other zombies wake and shake off their deathly illusions, returning to the neighborhood with renewed hunger.
They storm back to the house where Zoe remains alone. Remembering the rule that the zombies strike only when fear is present, Zoe dares them in and, through a calculated calm, they become docile. She finds a mirror affixed to the basement door, luring the zombies into the basement, where they lose themselves in a frenzy and begin to consume one another. In the end, the grotesque remains are drawn back into the television, and the nightmare of Zombie Blood Nightmare appears finally to be over.
Sometime later, Zoe’s parents visit her in the hospital, unaware of the full gravity of what happened, bringing the possessed TV with them in hopes of comforting her. After everyone leaves, the screen flickers to life once more and the film plays again. In the final, chilling moment, Zoe stares at the screen as Jack, still trapped within the TV, growls directly at her, leaving the room in a suspenseful, unresolved scream.
Follow the complete movie timeline of The Video Dead (1987) with every major event in chronological order. Great for understanding complex plots and story progression.
Unsolicited TV arrives
An unsolicited television is delivered to a writer's house. The writer discovers the only program is a seemingly endless, plotless black-and-white zombie horror film titled Zombie Blood Nightmare. He begins watching it, and the film's zombies seem to spill into the real world.
Television spawns zombies during unplugging
The writer unplugs the set, but it reactivates on its own, and the film's zombies spill into the house and attack him. The writer is killed as the undead characters close in around him. The room fills with danger as the screen's imagery becomes real.
Delivery men arrive; body found
The next day, the delivery men arrive to claim the TV set, only to discover the writer's bound body in his front hallway. They realize the object was meant for the Institute for Paranormal Research, not a private home. The discovery marks the first consequence of the cursed device.
Three months later: Zoe and Jeff arrive
Three months pass as Zoe and Jeff arrive at the house to stay ahead of their parents' move back to the United States. Jeff befriends April, a dog walker who accompanies him home. The dog she watches escapes into the woods, setting off the first second wave of trouble.
Dog encounters zombies in the woods
The dog comes upon the zombies that escaped the television set and have been living in the woods. The zombies kill the dog, and Jeff and April, searching for it, later find the remains. This marks the zombies' return to the world of the living.
Zombies follow the teens to the neighborhood
That afternoon, the zombies trail Zoe and Jeff back to the neighborhood, spreading danger as they close in on the living. Jeff, Zoe, and April begin to realize the threat is moving beyond the woods. The eerie quiet of the town hints at the looming siege.
Joshua Daniels seeks the TV
A man named Joshua Daniels arrives, claiming he bought the television at a yard sale and mailed it to the Paranormal Institute after it killed his wife. Jeff initially dismisses him, sending him away. The encounter adds a mystery layer to the TV's cursed history.
Attic sighting and The Garbage Man reveals himself
That night, the TV mysteriously migrates to the attic. A bizarre woman briefly appears on screen, beckoning Jeff, then a man appears and kills her, revealing she is a zombie. The man calls himself The Garbage Man and says the only way to stop new zombies is to tape a mirror to the TV.
Zombies attack April's house
The next day, the zombies break into April's house. Ironhead strangles their maid to death, then the zombies go upstairs and kill April's father while the neighbors perish. The siege forces the survivors to barricade themselves inside.
The siege and zombies' psychology explained
Inside fortified homes, Joshua explains the zombies' psychology: they are in a liminal state between life and death, and fear triggers their aggression. They are repulsed by mirrors because mirrors remind them of their own ugliness. The zombies can be tricked into seeming dead and defeated only if left unburied, or trapped in enclosed spaces that drive them to cannibalize each other.
Jimmy D breaches, April is captured
Jimmy D breaks in and incapacitates April; Zoe and Jeff manage to lock the zombie out after it leaves with April's body. The immediate threat in the house shifts to protecting themselves from the remaining undead. The group braces for a final confrontation.
Wooded hunt; Bride pursued
Joshua and Jeff head into the woods to hunt the zombies. They set traps and use Jeff as bait, shooting and incapacitating all zombies except The Bride. They pursue The Bride, escalating the chase toward a final showdown.
The Bride's end; zombies return
Jeff decapitates The Bride with a hatchet in the shed, before she can kill him. Joshua is killed, and the remaining zombies wake up and begin their return to the neighborhood. The last assault ends with the living briefly regaining territory.
Basement mirror trap
Zoe recalls that the zombies attack when they sense fear and uses a mirror on the basement door to lure them inside. The zombies enter the basement and cannibalize each other, destroying themselves. Their remains are sucked back into the television, ending Zombie Blood Nightmare.
Epilogue: PTSD and TV replays
Sometime later, Zoe's parents visit her in the hospital, hoping to aid her recovery by bringing the possessed TV home. After they leave, the television replays Zombie Blood Nightmare. Zoe witnesses Jack within the screen and growling, and she screams in horror.
Explore all characters from The Video Dead (1987). Get detailed profiles with their roles, arcs, and key relationships explained.
Zoe Blair (Roxanna Augesen)
A resourceful teenage survivor who navigates the outbreak after the cursed TV releases the zombies. She demonstrating quick thinking, fear management, and a capacity to manipulate the undead’s psychology to his advantage, ultimately orchestrating a perilous trap in the basement. The ordeal leaves her with lasting trauma and a wary view of familiar objects becoming threats.
Jeff Blair (Rocky Duvall)
Zoe’s friend and fellow teen ally who helps barricade their home and confront the undead. He partners in the hunt, shows bravery under pressure, and meets a dramatic end during the pursuit of The Bride. His impulsive courage contrasts with Zoe’s calculated caution.
April Ellison (Victoria Bastel)
Dog walker and neighbor who becomes entangled in the crisis. She demonstrates loyalty and resolve, but is ultimately killed as the undead breach the neighborhood. Her death intensifies the stakes for the survivors.
Joshua Daniels (Sam David McClelland)
A man who pursues the TV to reclaim control and explains the zombies’ psychology—driven by envy and fear of being seen as monstrous. He helps develop a plan with traps and sniping, but is killed in the ensuing struggle.
The Bride (Diane Hadley)
One of the undead culminations—the zombie bride who wields a chainsaw and represents a top-level threat. She embodies the film’s grotesque, surreal tone and serves as a climactic obstacle for the protagonists.
Jimmy D. (Patrick Treadway)
A member of the initial wave of undead who breaks into the house, contributing to the chaos and danger the protagonists must endure.
Jack (Jack Stellman)
Another zombie figure from the created film within the film who participates in the assault on the house, reinforcing the helplessness of the living when confronted by the dead.
The Garbageman (Cliff Watts)
A zombie who pivots the plot with his unsettling presence and cryptic explanations about preventing more zombies. His appearance underscores the eerie connection between the living and the dead.
The Woman (Jennifer Miro)
A figure connected to the initial haunting in the film’s setup; she appears briefly on the TV before becoming another zombie menace. Her presence helps establish the film’s meta-horror tone.
Mr. Blair (Don Clelland)
Zoe and Jeff’s father, who epitomizes the family’s attempt to stay safe under siege and the broader threat facing the neighborhood.
Mrs. Blair (Jo Ann Peterson)
Zoe and Jeff’s mother figure in the home front, accompanying the family through the escalating danger and contributing to the group’s attempts at safety.
The Undead (Anthony C. Ferrante)
One of the countless undead who populate the liminal space between life and death, illustrating the film’s theme of envious, imperfect beings seeking to reclaim life through violence.
The Undead (Mark Rosseau)
Another member of the undead cohort, reinforcing the sprawling, chaotic nature of the outbreak and the threat to any who encounter them.
The Undead (Joanne Jarvis)
A further zombie figure, part of the extended ensemble of the undead that the survivors must contend with.
The Undead (Maurice Diller)
Another member of the undead cadre haunting the survivors, adding to the film’s survival-horror dynamic.
April Ellison's Father (not in cast list)
Not directly given in the cast, but referenced as killed by zombies; included here for context within the household here to reflect the stakes.
Learn where and when The Video Dead (1987) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Writer's House, Suburban Neighborhood, Woods, Attic, Basement, Hospital, Paranormal Institute
The story centers on a writer's house where an unsolicited television unleashes a zombie film into reality. It expands into a nearby suburban neighborhood, then moves through woods, attics, and basements as the living try to contain the outbreak. The tale also touches on a hospital setting and references an Institute for Paranormal Research as part of the TV's mysterious origins.
Discover the main themes in The Video Dead (1987). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Paranormal Horror
A cursed television blurs the line between fiction and reality, releasing zombies into ordinary life. The narrative hinges on the fear, desperation, and quick reflexes of the characters as they confront beings that should be fictional. The zombies’ unpredictable nature drives the suspense and action, turning a quiet house into a battleground.
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Mirror Fear
Mirrors become a recurring motif as the zombies are repulsed by their own reflections, symbolizing mortality and self-awareness they lack. The living manipulate reflections to outwit the undead, using the mirror as a tool to trap and confuse them. The theme explores vanity, decay, and the fear of what stare backs from the glass.
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Containment
Containment drives the plot: barricades, confined spaces, and traps attempt to halt the onslaught. The zombies can be driven into a psychotic state or forced to cannibalize each other when squeezed into enclosed areas. Survival hinges on stubborn sheltering and controlled exposure rather than sheer brute force.

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Discover the spoiler-free summary of The Video Dead (1987). Get a concise overview without any spoilers.
On a quiet, tree‑lined street the ordinary rhythm of suburban life is interrupted by an unexpected delivery: an old television set that seems to have a mind of its own. When plugged in, the screen locks onto a single, grainy channel that loops a nameless black‑and‑white horror film without pause. The flickering images cast an uneasy glow over the neighborhood, and a low, relentless static hints that the broadcast is more than a faulty signal—it feels almost like an invitation.
The first occupant to grapple with the cursed box is Henry Jordan, a reclusive writer who lives alone in the house that now shelters the eerie device. Henry’s solitary routine and his habit of watching the static for inspiration quickly give way to a growing sense that something unseen is seeping through the glass, turning idle curiosity into an unsettling pressure. The television’s relentless loop becomes a silent antagonist, its presence warping the familiar comfort of his home into a stage for something far darker.
Months later, a new family moves in, bringing with them a fresh set of eyes and anxieties. Teenagers Zoe Blair and Jeff Blair arrive ahead of their parents, eager to settle into the unfurling mystery of their new surroundings. They are soon joined by April Ellison, a dog walker whose routine strolls through the nearby woods begin to feel like a descent into an ever‑changing labyrinth. As the group navigates the shifting dynamic of house‑mate camaraderie and tentative trust, the television remains a constant, humming backdrop—a silent witness to the subtle changes seeping into the streets.
Within this tight‑knit community, the ordinary blends with the uncanny. The broadcast’s strange allure seems to ripple outward, coaxing the dead from their graves and drawing them into the neighborhood’s quiet corners. Shadows lengthen, fear becomes palpable, and the characters find themselves caught between the comfort of familiar routines and the disquieting knowledge that the screen’s endless loop may be feeding something that should have stayed buried. The tone remains tense and atmospheric, promising a battle between the living’s fragile resolve and the relentless pull of a terror that watches from the glow of a single, unblinking channel.
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