Directed by

Kimo Stamboel
Made by

Rapi Films
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Read the complete plot summary and ending explained for The Queen of Black Magic (2019). From turning points to emotional moments, uncover what really happened and why it matters.
Follow the complete movie timeline of The Queen of Black Magic (2019) with every major event in chronological order. Great for understanding complex plots and story progression.
Collision and discovery
Hanif accidentally runs over something on the road but only finds a deer, not noticing a young bloodied girl lying in an unseen trench. The family continues toward the old orphanage, unaware of the danger ahead.
Arrival at the orphanage
The family is greeted at the orphanage by Hanif's childhood friends Anton and Jefri, their wives Eva and Lina, as well as caretakers Maman and Siti. The place is mostly empty except for older kids Hasbi and Rani, who watch them warily.
Rani's warning and Ibu Mirah's legend
While settling rooms, Rani mentions the clubfooted Ibu Mirah who went mad, claiming a runaway girl named Murni was spirited by a demon. The others suspect Mirah killed Murni and locked her in a room until she died.
Drive to the collision site
Hanif takes Jefri to the collision site and they find the girl and the bus carrying dead orphanage children. They place the girl in Hanif's trunk.
Anton's investigation and death
Anton investigates the bus en route to the police and is killed by black magic. The event reveals a web of supernatural danger connected to Ibu Mirah and Pak Bandi.
Possession at the orphanage
Lina and Eva become possessed and mutilate themselves, while Nadya drives them toward the hospital but keeps circling. Nadya recalls the escape attempt after being told Ibu Mirah had immolated three girls; the past echoes into the present.
Pak Bandi's dark secrets
Nadya discovers inappropriate photos under Pak Bandi's bed, including Siti, which raises suspicion of Siti practicing black magic. Siti denies wrongdoing but confirms Pak Bandi molested every girl and burned three as a warning. Ibu Mirah had resorted to black magic to protect the girls and kill Pak Bandi, but she died before succeeding.
Mustika's revelation about Murni
Mustika wakes and reveals the bus was intercepted by a woman who cursed the group; she survived because of headphones and ran out but was struck by Hanif's car. The information ties the accident to the broader haunting around Murni, Ibu Mirah, and Pak Bandi.
Murni's true identity
Murni appears and torments them for their ignorance of her family ordeal, claiming that such ignorance is a sin. She is revealed to be Ibu Mirah's biological daughter.
Nadya's choice and the final confrontation
Aided by Rani, Murni forces Nadya to choose between killing Hanif or saving her children. Haqi stabs Murni from behind, and Nadya decapitates her. Murni reattaches her head but is immolated by Nadya and tumbles into the incapacitated Pak Bandi. The family escapes from the collapsing danger.
Epilogue – echoes in the ruin
In the epilogue, Nadya sees a brief apparition of Murni when picking up Haqi from school. Back at the now-sold orphanage building, distant sounds of Ibu Mirah's clubbed foot echo through the halls.
Explore all characters from The Queen of Black Magic (2019). Get detailed profiles with their roles, arcs, and key relationships explained.
Haqi - Hanif's son (Muzakki Ramdhan)
Haqi is Hanif's child, curious and impulsive, who drives the family into the dangerous truth surrounding the orphanage. He becomes a focal point of the haunting after stumbling upon the girl in the trunk and witnessing the unraveling of the past. His quick reactions pull others into a web of dark secrets.
Nadya - Nadya (Hannah Al Rashid)
Nadya is the protective mother in the group, determined to keep her family safe even as the supernatural threats close in. She navigates possession, fear, and moral dilemmas, ultimately taking a drastic action to defend her children. Her resolve anchors the family through the chaos.
Rani - Rani (Shenina Cinnamon)
Rani is a wary, observant girl whose history with the orphanage hints at deeper family ties. She challenges the others' assumptions and helps uncover the truth about the dark past. Her presence adds a sense of resilience and pragmatic insight.
Mustika - Mustika (Gisellma Firmansyah)
Mustika is the bloodied bus survivor who wakes up in Hanif's trunk and becomes a key to understanding the curse. Her silence conceals a vital link between the living and the vengeful family history, and her testimony pushes the protagonists toward confrontation with the past.
Murni - Murni (Khayla Maharani)
Murni is the vengeful daughter who embodies the consequences of abuse and neglect within the orphanage. Her supernatural punishment of the adults underscores the moral price of ignorance and indifference toward the children's suffering. She is ultimately defeated by Nadya's decisive action.
Anton - Anton (Tanta Ginting)
Anton is Hanif's childhood friend who investigates the bus crash and uncovers the dark history surrounding the orphanage. His fate is sealed by the dangerous forces at play, marking a grim reminder of how the past refuses to stay buried.
Jefri - Jefri (Miller Khan)
Jefri is Hanif's loyal ally who accompanies the investigation and confrontation at the orphanage. He shares the group's perilous journey into the past, facing the same threats as the others.
Eva - Eva (Imelda Therinne)
Eva is Lina's wife who becomes possessed as the family is pulled deeper into the chilling events. She fights to maintain control and contributes to the tense, dangerous ride to the hospital.
Lina - Lina (Salvita Decorte)
Lina is Eva's wife and a fellow caregiver who is swept up in the haunting. Her possession intensifies the group's fear and forces difficult choices as they rush toward safety.
Siti - Siti (Sheila Dara)
Siti is one of the girls at the orphanage who faces suspicion and testimony about the abuses. She remains a symbol of innocence within a web of accusations, ultimately proving to be an important clue in the unraveling mystery.
Sandi - Sandi (Ari Irham)
Sandi is Haqi's brother who shares in the peril and mystery of the orphanage's past. He contributes to the family's efforts to understand what happened and ensure their survival.
Dina - Dina (Adhisty Zara)
Dina is one of the children within the group who confronts the terrifying legacy of the orphanage. She demonstrates courage in the face of danger and becomes part of the family's struggle to survive.
Maman - Maman (Ade Firman Hakim)
Maman is a caretaker at the orphanage who becomes entangled in the dark history and acts as a catalyst to the unfolding events. His role underscores the complicity and failures of those who run the facility.
Pak Bandi
Pak Bandi is a former caretaker whose actions set the haunting in motion. He is revealed as a key figure behind the tragic events, though his exact status is left ambiguous in the story.
Ibu Mirah
Ibu Mirah is the clubfooted caretaker whose alleged black magic ties to the runaways and the orphanage's dark history. She dies in custody but continues to influence events through the legends and the truth about the family.
Learn where and when The Queen of Black Magic (2019) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Orphanage (Pak Bandi's old facility), Collision site, Hospital, School
The action centers around a long-abandoned orphanage where past traumas resurface. The story moves between the orphanage, the collision site where a girl is found, and the hospital as dark secrets unfold. The closing scenes take place in a now-sold building, underscoring how memory clings to place.
Discover the main themes in The Queen of Black Magic (2019). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🩸
Revenge
Trauma and vengeance drive the plot as past abuses come back to haunt the living. The revelation of Ibu Mirah and Pak Bandi's actions shows how cycles of harm propagate through generations. Mustika and Murni embody a sacrifice of safety to balance the scales of wrongs.
👻
Supernatural
Black magic, possessions, and vengeful spirits shape the events. The Ibu Mirah/Murni haunt the living with warnings and punishments, while Mustika's survival hints at an unseen dimension. The orphanage becomes a site where the supernatural mirrors human cruelty.
💔
Family
The film centers on chosen family bonds and the moral costs of protection. Nadya's fierce will to safeguard her children leads to brutal choices. The revelation of abuse and the option to forgive clash with the desire to heal.

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Discover the spoiler-free summary of The Queen of Black Magic (2019). Get a concise overview without any spoilers.
In a remote corner of the countryside, an aging orphanage stands as a silent witness to years of laughter, loss, and whispered rumors. When a small family decides to revisit the place, the atmosphere shifts from nostalgic reminiscence to unsettling foreboding. The crumbling walls seem to pulse with memories, and a lingering sense that something unseen still watches over the empty rooms. The film opens with a journey that promises reunion, yet the very air feels charged with an inexplicable tension that hints at a darkness deeper than the passage of time.
At the heart of this uneasy return are Hanif, his partner Nadya, and their children Sandi, Dina and Haqi. They are joined by a handful of familiar faces: the former caretaker Pak Bandi, the practical caretakers Maman and Siti, and an older generation of friends—Anton, Jefri, and their wives Eva and Lina. Among the children, Hasbi and Rani carry their own burdens, each echoing the orphanage’s layered history. Long‑standing bonds intertwine with lingering secrets, and the group’s shared past with the institution hints at unresolved grievances. Beneath the surface, rumors of a vengeful presence steeped in black magic drift through the corridors, suggesting that old sins may have birthed a relentless force that now circles the vulnerable.
The tone is a blend of atmospheric dread and melancholy, where every creak and distant footstep feels like a reminder of what the orphanage once endured. Shadows lengthen, and the gentle murmur of the wind becomes a chorus of unspoken stories. As the family settles in, subtle clues point toward a hidden legacy of grief and retribution, inviting them—and the audience—to wonder what will awaken when the past refuses to stay buried. The film promises a slow‑burning exploration of memory, guilt, and the uncanny, leaving viewers poised on the edge of a mystery that feels both intimate and otherworldly.
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