The Devil’s Chair 2007

Nick West, played by Andrew Howard, lights a cigarette in the dark and speaks directly to an unseen audience, presenting his recollection as the truth from his point of view and casting himself as the central victim of a terrifying sequence of events.

Nick drags Sammy, portrayed by Pollyanna Rose, to the abandoned Blackwater Asylum with the aim of using acid and exploring a reckless sexual thrill. Among the ruins they discover a peculiar chair, and Nick suggests bringing it into their intimacy. The device abruptly traps and kills Sammy, leaving Nick in shock and confusion. He is arrested, branded insane, and sent to the Hildon Mental Institute, stubbornly insisting that supernatural forces were responsible for Sammy’s death.

Four years pass. Cambridge professor Dr. Willard, played by David Gant, proposes an unconventional plan: release Nick under his custody for an experimental procedure designed to bring the truth to light by returning him to the crime scene. Nick’s psychiatrist, Dr. Clairebourne, embodied by Nadja Brand, initially resists the arrangement, worried that Nick’s delusions are still intact. Yet she ultimately agrees. Willard makes it clear he intends to document Nick’s experiences for a book and assigns Melissa as his research assistant, with students Rachel Fowles and Brett Wilson joining the expedition. The group, including Nick, Willard, Clairebourne, Melissa, Rachel, and Brett, makes their way back to the storied asylum, with the intention of confronting the past.

As they enter the dim corridors, Nick grows uneasy, though a compassionate Rachel hints that he can leave at dawn if he wishes, promising not to tell the doctor. The team locates the infamous chair, and Willard begins to reveal the warden’s controversial methods and the journal that suggests the chair was used to test a theory about the existence of the human soul. Nick wrestles with his memories, admitting that while he once thought he killed Sammy, he now doubts what really happened.

That night, Rachel sits on the chair to prove there is nothing supernatural at work. She is instantly pulled away from reality, transported into a dark building where she is hunted by a demonic presence. Melissa persuades Brett to try the chair as well, and he vanishes into the same shadowy space. Nick, convinced that he might be able to rescue Rachel, chooses to sit in the chair himself. The doctor and Melissa, it soon becomes clear, have plotted this entire sequence for their project. Willard betrays Melissa and forces her into the chair, then follows after.

The group fractures as Rachel fights the creature while others are incapacitated. The doctor subdues Nick and chants incantations, hoping to bend the beast to his will. In a dramatic turn, Nick reveals a chilling conviction: he is the one who controls the Demon. The supposedly supernatural events unravel as a construct of Nick’s imagination, exposing a darker truth about the night at the asylum.

What follows is a brutal and devastating revelation. It becomes evident that Nick assaulted the students and the doctor during the events at the asylum, killing Brett in the process. He then rapes Rachel and murders the doctor and Melissa, and finally ends Rachel’s life as she attempts to escape. The carnage leaves Nick bloodied and unhinged.

In the climactic aftermath, Nick stumbles into a car and speaks to a woman who resembles Rachel, asking whether she would mind driving off with a “crazy person.” She responds with a smile and a kiss, but the moment is revealed to be another of Nick’s hallucinations. The final image shows him driving away from the asylum alone, leaving the truth of what happened inside the haunted halls.

The story blends psychological manipulation, unreliable memory, and supernatural suggestion, blurring the line between what Nick truly witnessed and what he imagined. It invites reflection on the ethics of reopening traumatic cases for the sake of a sensational narrative, the peril of chasing certainty at the cost of reality, and the eroding boundaries between perception and madness.