Directed by

Claude Chabrol
Made by

TF1
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SDRead the complete plot summary and ending explained for The Cry of the Owl (1987). From turning points to emotional moments, uncover what really happened and why it matters.
Parisian illustrator Robert Christophe Malavoy becomes consumed by the image of a young woman, Juliette Mathilda May. Night after night, he sneaks around the house to catch a glimpse of Juliette, until one day he gathers the courage to introduce himself. Juliette realizes that she is not happy with her fiancé, Patrick Jacques Penot, and leaves him to be with Robert. Robert, however, is not happy with Juliette’s persistent advances, and the uneasy dynamic between them begins to tilt toward obsession rather than romance.
One night, Patrick attacks Robert in a deserted area; Robert defends himself and knocks Patrick unconscious, leaving him on the shores of a nearby river. The next day, the police question Robert, under the watch of the commissioner Jean-Pierre Kalfon. Patrick is missing, and suddenly Robert is the prime suspect. Unbeknownst to the investigators, Patrick has allied with Robert’s bitter ex-wife, Véronique Virginie Thévenet, to take revenge on Robert; Patrick hides while Véronique sows doubt to make the authorities believe Robert killed him.
Robert’s professional and private life rapidly deteriorate as the investigation tightens and rumor and fear spread through his circle. The mounting pressure coincides with a deeper emotional unraveling, and the situation escalates when Juliette dies by suicide, prompting Patrick to intensify his vendetta against Robert. In the aftermath, a final clash between the two men erupts, during which Véronique is accidentally killed, and although Patrick is ultimately defeated, Robert is left again as a suspect in an apparent crime scene. The film closes on a note of unresolved guilt and paranoia, as the truth remains elusive and the wounded artist faces the consequences of a desire that blurred the lines between passion and peril.
Follow the complete movie timeline of The Cry of the Owl (1987) with every major event in chronological order. Great for understanding complex plots and story progression.
Robert becomes obsessed with Juliette
Parisian illustrator Robert fixates on Juliette, secretly watching her at night from the shadows around her home. Night after night he sneaks around just to catch a glimpse of her. Eventually he gathers the courage to introduce himself to Juliette and begin a relationship.
Juliette leaves Patrick for Robert
Juliette realizes she is unhappy with her fiancé Patrick and breaks off the engagement to be with Robert. The two start a relationship that draws them closer and changes Juliette's life. The shift also heightens tension with those around them.
Robert grows uneasy with Juliette's advances
Robert is not happy with Juliette's obtrusive advances, and the relationship becomes strained. He wants more distance even as Juliette pursues him. The initial romance begins to feel uneasy for him.
Patrick attacks Robert by the river
One night, Patrick confronts Robert in a deserted area and attacks him. Robert defends himself and knocks Patrick unconscious, leaving him on the shores of a nearby river. The confrontation disrupts both men's lives and sets the plot in motion.
Police interrogation and disappearance
The next day, Robert is interrogated by the police as Patrick remains missing. With Patrick absent, Robert suddenly becomes the prime suspect in his mysterious disappearance. The investigation begins to probe Robert's involvement in the incident.
Patrick's alliance with Véronique
Unknown to Robert, Patrick has allied with his ex-wife Véronique to take revenge. They hide Patrick's whereabouts to make authorities think Robert killed him. The plan exploits the growing suspicion around Robert to derail his life.
Robert's life unravels under suspicion
Robert's professional and private life falls apart as the police treat him as the prime suspect. Friends and colleagues distance themselves as rumors and evidence are scrutinized. He fights to prove his innocence while his reputation crumbles.
Juliette's suicide and Patrick's vendetta
Juliette dies by suicide, deepening the tragedy and confusion surrounding the case. Patrick escalates his vendetta against Robert, seizing every opportunity to torment him. The cycle of revenge intensifies as secrets begin to surface.
Vendetta escalates toward a final clash
The animosity between Patrick and Robert builds toward a climactic confrontation. The tension spills into multiple encounters as both men push toward a decisive showdown. Véronique's scheming and the police investigation hang in the balance.
Final confrontation and Véronique's death
In the climactic confrontation, Véronique is accidentally killed and Patrick is defeated. The victory comes at a cost, leaving Robert's status as a suspect intact. The scene seals the tragedy and the sense that justice remains unsettled.
The aftermath: Robert remains a suspect
Even after the confrontation, the police suspect Robert again in the apparent crime scene. The death of Véronique and Patrick's defeat do not clear his name. The investigation casts a long shadow over his life and career.
Unresolved aftermath
Robert's life remains shattered as the truth stays murky. The film closes with him still entangled in suspicion, leaving his fate and the final truth unresolved. The cycle of jealousy, revenge, and tragedy lingers in the air.
Explore all characters from The Cry of the Owl (1987). Get detailed profiles with their roles, arcs, and key relationships explained.
Robert (Christophe Malavoy)
An urban illustrator whose fixation on Juliette grows into a dangerous obsession. He stalks Juliette, yet his own life unravels as the police close in and his professional reputation wavers. He struggles with a conflicted mix of desire and fear, making him unpredictable and volatile.
Juliette (Mathilda May)
A Parisian woman seeking independence who leaves her fiancé Patrick for Robert. Her choices trigger the conflict that drives the plot, and her happiness becomes entangled with danger as the relationship deepens.
Patrick (Jacques Penot)
Juliette’s fiancé, whose jealousy and sense of betrayal push him toward drastic actions. He disappears and collaborates with Véronique to deceive the police, orchestrating a vendetta against Robert. His schemes fuel the story’s escalating tension and tragedy.
Véronique (Virginie Thévenet)
Robert’s bitter ex-wife who teams up with Patrick to take revenge. She uses manipulation to mislead investigators and intensify the vendetta. Her involvement heightens the drama and contributes to the film’s tragic turn.
Le commissaire / Police commissioner (Jean-Pierre Kalfon)
Heads the police investigation into Patrick’s disappearance and Robert’s possible guilt. He navigates suspicion, procedure, and growing pressure from the case, trying to separate fact from rumor as the situation spirals.
The Doctor (Victor Garrivier)
A medical professional who interacts with the case, providing a clinical perspective on the events and the characters’ states of mind.
Le voisin de Robert (Dominique Zardi)
A neighbor who observes the rising tension around Robert and Juliette, offering an external, grounded viewpoint on the events.
Le directeur (Charles Millot)
A figure of authority who represents institutional oversight within the film’s world, contributing to the sense of control and structure amidst the chaos.
Learn where and when The Cry of the Owl (1987) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1980s
Set in a contemporary urban France of the 1980s, the story centers on relationships and social expectations of the era. Communication relies on face-to-face encounters, whispered conversations, and discreet interactions. The era’s social dynamics and fashion choices help convey a sense of personal and public paranoia.
Location
Paris, France
Paris serves as the urban backdrop where the obsession unfolds, with Juliette’s apartment, river shores, and the police district shaping the tense mood. The city’s balconies, dim streets, and riverfront locations contribute to a claustrophobic, watchful atmosphere. The setting emphasizes social masks and hidden intentions in a modern urban environment.
Discover the main themes in The Cry of the Owl (1987). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🕷️
Obsession
Robert’s fixation on Juliette drives the plot, blurring boundaries between affection and control. His stalking behavior creates a climate of fear and encroaching danger. The pursuit seeps into his professional life, threatening relationships and credibility. Obsession here corrupts judgment and escalates the cycle of mutual harm.
💔
Jealousy
Juliette’s departure from Patrick triggers jealousy and insecurity that ripple through the narrative. Patrick and Véronique manipulate events to provoke punishment of Robert. The vendetta escalates as love becomes weaponized, fueling deception and danger. The jealous impulses push characters toward drastic actions and misjudgments.
🎭
Perception
Reliance on appearances and rumors drives the investigation, with Robert becoming the prime suspect. Véronique’s alliance with Patrick muddies the truth and keeps secrets from the police. The story twists on misperceptions and hidden motives, revealing how easily a person can be misread. In the end, the evidence remains ambiguous, leaving the crime’s conclusion unsettled.

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Explore the mobile appDiscover the spoiler-free summary of The Cry of the Owl (1987). Get a concise overview without any spoilers.
In the sun‑drenched town of Vichy, a city that clings to the memories of its grand spas while hiding quieter streets, an architect‑artist seeks refuge from a recent separation. Robert arrives with his sketchbooks and a habit of observing the world as if it were a series of unfinished drawings, searching for a new rhythm to replace the one he left behind in Paris.
His wandering steps lead him to a modest house on the edge of a sleepy suburb, where the soft glow of a kitchen window draws his attention each evening. Inside, a young woman prepares meals with a practiced grace that seems to stitch together the fragments of her own life. Juliette moves through the space like a quiet song, unaware that a shadow lingers just beyond the threshold, watching the steam rise and the plates clatter.
Mistaking the unseen presence for an intruder, she confronts the source of her unease, only to discover a solitary figure lingering in the doorway. The tension crackles for a heartbeat, then unexpectedly dissolves as she gestures him inside, inviting conversation where there had been only observation. Patrick, her fiancé, occupies the background of this domestic tableau, his presence a steady counterpoint to the unspoken curiosity sparking between the two newcomers.
What begins as a tentative exchange of glances and quiet words hints at deeper currents beneath the surface of ordinary life. The house becomes a silent arena where desire, longing, and the fear of being seen intertwine, setting a tone that is both intimate and unsettling. In this delicate balance, every glance and half‑said remark carries the promise of something more, inviting the viewer to linger in the shadows just as Robert does, waiting to see what will emerge from the quiet corners of Vichy’s night.
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