Directed by

Elio Petri
Made by

C. C. Champion
Read the complete plot summary and ending explained for The 10th Victim (1965). From turning points to emotional moments, uncover what really happened and why it matters.
In the 21st century, after World War III has recently ended, society tunes in to a shocking form of entertainment: The Big Hunt. Those with violent tendencies are given a platform to compete, while crowds worldwide chase fame and fortune through the drama. The competition unfolds across ten rounds, with each participant experiencing five rounds as hunters and five as victims. The last person standing after ten rounds becomes unimaginably wealthy and can retire from this ruthless world of spectacle.
Caroline Meredith, Ursula Andress as the victim, has just claimed her ninth kill and is now pursuing the tenth with a hard-nosed resolve, backed by a substantial sponsorship from the Ming Tea Company. Her ruthlessly efficient mindset sets the tone for the final stretch of the game, where every move is broadcast to the public and every risk is measured in ratings and rewards.
Marcello Polletti, Marcello Mastroianni, is selected as the next target; yet his winnings from six kills have already been spent by his mistress, Elsa Martinelli as Olga, and by his ex-wife, Luce Bonifassy as Lidia. The tension escalates as alliances blur and personal vendettas collide with a ritualized, televised contest that treats violence as entertainment. The looming confrontation between Caroline and Marcello intensifies the pressure on both sides, layering ambition, desire, and danger in equal measure.
To carry out her plan, Caroline travels to Rome and assumes the role of a reporter studying the sexual preoccupations of Italian men. She requests an interview with Marcello at the Temple of Venus, a symbolic setting that underscores the game’s blend of myth, performance, and danger. Suspecting something amiss, Marcello schemes to stage a dramatic attack by a crocodile on live television for a rival network, but Caroline proves elusive and escapes. She then lures Marcello to the beach, convincing him of love, and after drugging him, brings him back to the Temple of Venus for a final, fateful showdown.
In a dramatic twist broadcast to millions, Caroline shoots Marcello on live television, only to discover that he loaded the gun with blanks. Marcello retaliates with a shot of his own, but her bulletproof armor saves her from harm. With the danger momentarily behind them, the two decide to break free from The Big Hunt and board a plane, choosing to pursue a life together. The story culminates with a jubilant, almost surreal image as the pilot showers them with a cascade of flowers, signaling a fragile but hopeful escape from the game that consumed so many lives.
Follow the complete movie timeline of The 10th Victim (1965) with every major event in chronological order. Great for understanding complex plots and story progression.
End of World War III and The Big Hunt is unleashed
In the aftermath of World War III, the global elite launch The Big Hunt as the world’s most popular form of entertainment. The show converts violent tendencies into a televised spectacle that promises fame and wealth. The premise sets the stage for a ruthless, highly watched competition.
The Big Hunt format explained
The competition spans ten rounds, with each participant playing five rounds as a hunter and five as a victim. The last person standing after ten rounds wins immense wealth and the chance to retire. The event is broadcast worldwide, turning danger into entertainment.
Caroline Meredith seeks the flawless kill
Caroline Meredith is nearing her tenth kill and aims for a flawless display on live television to maximize a sponsorship from Ming Tea. She positions herself as a top contender and plots a spectacular end to the game. Her plan centers on delivering a perfect kill for the cameras.
Marcello Poletti is selected; winnings gone
Marcello Poletti is chosen as the next victim. His six previous kills have already been spent by his mistress Olga and his ex-wife Lidia, adding a personal twist to the target. The producers expect a dramatic and profitable confrontation.
Caroline travels to Rome to become a reporter
Caroline travels to Rome and assumes the role of a reporter studying the sexual preoccupations of Italian men. She plans to interview Marcello at the Temple of Venus, using the set piece to manipulate the outcome. The trip marks a shift from participant to observer with a dangerous edge.
Marcello suspects a trap and plans a crocodile attack
Marcello grows suspicious of Caroline and schemes to have her attacked by a crocodile in front of rival network cameras. Caroline detects the danger and manages to escape the trap, keeping control of the narrative. The tension between participants intensifies the televised drama.
Caroline leads Marcello to the beach and drugs him
Caroline plays the role of a loving ally to lure Marcello to the beach and convinces him of her affection. She drugs him and brings him back toward the Temple of Venus for the final deception. The sequence showcases the manipulation and risks of The Big Hunt.
Caroline shoots Marcello on live TV with blanks
In a dramatic twist, Caroline shoots Marcello on live television, only to reveal that the gun is loaded with blanks. The stunt backfires as viewers realize the danger has not ended. The failed kill exposes the fragility of the confidence in the show.
Marcello fires back but armor saves Caroline
Marcello retaliates by firing back, but Caroline is protected by bulletproof armor. She survives the shot, and the confrontation shifts to a rethink of their involvement in the hunt. The moment deepens their desire to escape the game.
Escape plan and flight from The Big Hunt
Caroline and Marcello decide to break free from The Big Hunt and board a plane to leave the game behind. The moment signals a turn from participants to fugitives seeking a new life. The decision foreshadows a possible wedding as part of their escape.
Final wedding and celebration on board the plane
The flight becomes a surreal finale when the pilot showers them with flowers. Caroline and Marcello choose to marry and leave The Big Hunt behind. The ending suggests a fragile, hopeful future beyond the deadly spectacle.
Explore all characters from The 10th Victim (1965). Get detailed profiles with their roles, arcs, and key relationships explained.
Marcello Polletti (Marcello Mastroianni)
A seasoned contestant who has already racked up six kills, yet finds his wealth dwindling as his mistress Olga and ex-wife Lidia cash in on his fame. He is resourceful, wary of manipulation, and willing to bend the rules to survive The Big Hunt. Despite the odds, he holds a pragmatic, cool-headed approach to the deadly game and the cameras watching his every move.
Caroline Meredith (Ursula Andress)
A victim-turned-strategist who travels to Rome and adopts the persona of a reporter to study Italian men's sexual preoccupations. She engineers a dramatic live-fire moment by drugging Marcello and intends to kill him on air, but the plan backfires. Her drive for fame and fortune makes her both dangerous and daring.
Olga (Elsa Martinelli)
Marcello's mistress who has spent his winnings on a lavish lifestyle. She represents the personal cost of the game’s glamour and demonstrates how wealth and romance can complicate strategic planning within The Big Hunt.
Lidia (Luce Bonifassy)
Marcello's ex-wife, a participant in the web of financial and romantic entanglements that surround the game. Her role underscores how wealth and fame affect relationships, and how past choices continue to factor into present schemes.
Learn where and when The 10th Victim (1965) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
21st century
The story unfolds after World War III in a post-war, high-gloss society. Violent tendencies are channeled into a televised competition that runs across a global, media-saturated landscape. The world’s elite seek fame and fortune through ten rounds of perilous engagement, with retirement as the ultimate prize.
Location
Rome, Temple of Venus, the beach
In the near-future Rome serves as the main urban stage for The Big Hunt. The Temple of Venus is a key public backdrop for interviews and staged dangers, reflecting the game’s blend of mythic imagery and media spectacle. Beach locations appear as glamorous sets where seduction and danger play out in front of the cameras.
Discover the main themes in The 10th Victim (1965). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🎭
Media Spectacle
The film exposes how reality is manufactured for audiences and sponsors. The Big Hunt is designed to deliver high ratings, blending violence with glamour. Characters manipulate events and themselves to perform for the cameras, blurring the line between life and entertainment.
💰
Wealth & Power
Money drives every move, from sponsorships to personal vendettas. Past winnings being spent by lovers and ex-spouses highlight the fragility of wealth in a fame-obsessed world. The pursuit of retirement riches fuels betrayals, schemes, and alliances.
❤️
Love & Escape
Romance emerges amid manipulation as Caroline and Marcello drift from prey and hunter to partners. Their plan to break free from The Big Hunt culminates in a spontaneous marriage, suggesting that human connection can outlive the spectacle. The finale, with a celebratory shower of flowers, reframes the game as a miracle of escape rather than conquest.

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Explore the mobile appDiscover the spoiler-free summary of The 10th Victim (1965). Get a concise overview without any spoilers.
In a sleek, near‑future society that has outlawed war, violence is funneled into a single, glittering spectacle: The Big Hunt. The sport turns the most dangerous instincts into a televised game where participants rotate between hunter and victim across ten rounds, each seeking fame, fortune, and ultimately a chance to leave the brutal arena behind. The world watches with a mix of awe and unease, the sleek neon‑lit streets and gleaming studios reflecting a culture that has turned survival into entertainment.
Caroline Meredith enters the Hunt with a razor‑sharp resolve, backed by a high‑profile sponsor that amplifies her public persona. She embodies the cold, calculated professionalism the audience expects, yet underneath her polished exterior lies a personal drive that hints at deeper motivations. The competition positions her as a rising star, and the ever‑watching cameras amplify every move she makes, turning her into both contender and celebrity within this hyper‑spectacle.
Across the continent, Marcello Polletti prepares for his own turn in the deadly dance, a charismatic figure whose past successes have already been spent on a tangled web of relationships. His presence adds a sophisticated, almost seductive counterpoint to Caroline’s steely determination, suggesting a clash of styles as much as a clash of wills. Together, they navigate a world where mythic settings, media manipulation, and the promise of ultimate escape create a tense, stylish backdrop—an arena where every glance, every whispered promise, and every strategic choice could tip the balance between triumph and oblivion.
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