Directed by

Maurizio Lucidi
Read the complete plot summary and ending explained for The Designated Victim (1971). From turning points to emotional moments, uncover what really happened and why it matters.
At the peak of his career, ad executive Stefano Augenti Tomas Milian finds his personal life in upheaval: a tempestuous marriage to Luisa Augenti Marisa Bartoli, a socialite who resents his ongoing affair with the French citizen Fabienne Bélanger Katia Christine. On the street, Stefano crosses paths with the enigmatic Count Matteo Tiepolo Pierre Clémenti, who coldly warns that destiny will force another meeting if they meet four more times. And they do. At a party, Matteo speaks with Stefano alone during a boat ride home, hinting that he expects something in return for their tenuous “friendship.”
By their fourth encounter, Matteo lays out a chilling proposition: they each know people in their lives who cause trouble—Marco, the name here is incidental; the core idea is simple and terrifying—kill the other’s family and walk away with the “perfect crime.” Stefano initially refuses, but the shadow of deceit tightens around him as he forges Luisa’s signature to push a project forward, then brings home the German woman Christina Müller Alessandra Cardini.
After a fierce argument with Luisa—fueled further by Matteo’s orchestration, sending Luisa flowers that hint at Stefano’s infidelity—Stefano storms out while Matteo arrives soon after and persuades Luisa to let him in. When Stefano returns, his world collapses: police flood the apartment, the place is trashed, and Luisa lies dead in her bed, strangled with a stocking in what looks like a botched robbery. Stefano becomes the prime suspect, his affairs and business troubles coloring every accusation, and he cannot prove what happened the night Luisa died because Christina is missing and a toll-ticket from a crucial moment cannot be found. He tries to turn the blame onto Matteo, but the authorities refuse to believe him, given Matteo’s noble standing.
Matteo continues to haunt Stefano, pressing him to follow through with the plan. He even positions Christina to facilitate a setup, and he sends Fabienne indications of Luisa’s jewelry—placed where she could see them in a curtain rod—further tying Stefano to the crime. Matteo then lays out the final act: he will invite his brother to dinner at his Venetian mansion, and Stefano must shoot him at the prearranged moment.
The tension crescendos as Matteo pushes the clock toward that fatal night; police, Fabienne, and Stefano race to a resolution. Stefano seizes the rifle Matteo arranged and heads toward the mansion as law enforcement closes in. He fires into the room where Matteo’s brother is supposed to be, only to reveal the shocking truth: the person he killed was Matteo himself. There had never been a brother at all—the entire plan was Matteo’s own elaborate ruse to die on his own terms, leaving Stefano to bear the burden of the crime.
In the end, the film unravels a web of manipulation, ambition, and fatal miscommunication, exposing how vanity, vengeance, and vanity again can drive two men toward a “perfect crime” that ends with the ultimate and ironic twist: the architect of the plot becomes its most tragic casualty.
Follow the complete movie timeline of The Designated Victim (1971) with every major event in chronological order. Great for understanding complex plots and story progression.
First encounter with Count Matteo Tiepolo
On the street, Stefano Augenti meets the enigmatic Count Matteo Tiepolo, who warns him that destiny will repeat if they meet four more times. The encounter plants a sense of fate and a dangerous curiosity about what Matteo might want from their growing closeness. The meeting sets the stage for a web of manipulation and ambition to develop between them.
Private conversation at a party and a hint of things to come
The two men cross paths again at a party, and Matteo speaks with Stefano alone on the way back from a boat ride. He hints there is something to gain from their 'friendship' and implies a larger scheme behind their alliance. This exchange begins to reveal Matteo’s manipulative agenda.
The fourth meeting and the deadly proposal
In their fourth meeting, Matteo openly proposes that they kill each other’s families to remove their problems and achieve a 'perfect crime'. Stefano refuses, but he forges Luisa’s signature to push the project forward and takes Christina Müller home, entangling more lives in Matteo’s plan. The intensity of Matteo’s manipulation becomes clear, even as Stefano resists his ominous instructions.
Luisa’s manipulation and a dangerous turn
After a row with Luisa, Matteo sends her flowers to hint at Stefano’s deception and insincerely arouse sympathy. Stefano storms out, and Matteo arrives shortly after to coax Luisa into letting him in. The stage is set for further deceit and a widening of the marital and professional rift.
The murder of Luisa
When Stefano returns home, police swarm the apartment which is trashed, and Luisa is found strangled in bed with a stocking. The crime appears like a botched robbery, but Stefano immediately becomes the prime suspect due to his affairs and business troubles. He cannot prove what happened the night of the murder because crucial evidence, including Christina and a toll-ticket, is missing.
Matteo haunts Stefano and his unraveling
Matteo begins to haunt Stefano, pressuring him to fulfill the dangerous orders he laid out. Stefano’s grip on reality weakens as the walls close in, and the police, along with Fabienne, become increasingly skeptical of his innocence. Matteo’s presence amplifies Stefano’s paranoia and sense of doom.
Christina and the setup unfold
Matteo orchestrates a broader scheme by hiring Christina to locate Stefano as part of a larger setup. He also sends Luisa’s jewelry—hidden in a curtain rod—to Fabienne, creating a fake trail meant to implicate Stefano and complicate the investigation. The stage is set for a manufactured web of evidence.
The dinner plan and target assignment
Matteo reveals a chilling plan: invite his brother to dinner at his Venetian mansion and have Stefano shoot him at the designated moment. The plan instruments a perceived family tragedy as the catalyst for a perfect crime and tests Stefano’s willingness to act under a coercive force.
The police push and the rifle is readied
Matteo presses the police to accelerate Stefano’s decision, tightening the pressure around him. Stefano seizes the rifle Matteo arranged, and he hurries toward the mansion as Fabienne and the police scramble to intervene. The tension peaks as the act of violence seems imminent.
The shooting and the twist reveal
Stefano fires into the room where Matteo's brother is staying, only to reveal that the person killed was Matteo himself. There never was a real brother, and Matteo’s entire scheme was designed for Stefano to kill him as part of a self-authored ‘perfect crime’. The twist upends everything Stefano believed about the plot.
The mastermind’s death as a designed ending
It becomes clear that Matteo orchestrated the entire scenario to die, manipulating Stefano into becoming the killer. The elaborate ruse collapses around them as the truth emerges: Matteo engineered his own demise through deception and control. Stefano is left to confront the consequences of being used in a grand, lethal game.
Aftermath and concluding fate
In the aftermath, Matteo’s death as part of a meticulously crafted plan leaves the other characters to face the wreckage of a ‘perfect crime’ that never truly existed. The film closes on the chilling realization that fate, manipulation, and murder can be one and the same when masterminds pull the strings. Stefano’s future remains uncertain as the truth about Matteo’s ruse sinks in.
Explore all characters from The Designated Victim (1971). Get detailed profiles with their roles, arcs, and key relationships explained.
Stefano Augenti (Tomas Milian)
A successful advertising executive whose career is tempered by a tumultuous marriage and an affair. He is driven by ambition and fear of losing control, making him susceptible to Matteo's manipulative scheme. As events spiral, he grapples with loyalty, guilt, and the urge to protect his own interests.
Luisa Augenti (Marisa Bartoli)
Stefano's wife and a socialite who resents his infidelity. Her status and emotional stakes fuel the tension at home, pushing the couple toward crisis. Her murder becomes a pivotal trigger in Matteo's scheme and the investigation that follows.
Count Matteo Tiepolo (Pierre Clémenti)
A charming but calculating nobleman who engineers the murder plot to resolve his own family tensions. He uses manipulation and threats to control Stefano and others, portraying power as a tool for personal ends.
Christina Müller (Alessandra Cardini)
A German woman drawn into Stefano's life who becomes a pawn in Matteo's scheme. Her presence accelerates the plot and creates the conditions for the murder, though her awareness of the manipulation varies.
Fabienne Bélanger (Katia Christine)
Stefano's French lover, whose relationship with him further entangles the web of deceit. She becomes part of Matteo's plans and the larger scheme to destabilize Stefano's life.
Inspector Finzi (Luigi Casellato)
A police inspector who around the case becomes frustrated by lack of solid evidence and the influence of status on justice. He represents the law's struggle to disentangle truth from manipulation.
Deputy Commissioner (Giuseppe Alotta)
A high-ranking officer involved in the investigation, navigating political pressure and the complexities of proving a crime rooted in social prestige.
Balsamo (Ottavio Alessi)
A supporting figure in the mansion’s orbit who contributes to the social atmosphere that frames the crime.
Augenti's Butler (Bruno Boschetti)
The household servant who observes the mansion’s goings-on, quietly bearing witness to the unfolding conspiracy.
German Stranded at the Airport (Renée Lorena)
A minor character whose presence underscores the international ties and mobility surrounding the crime's web.
Carla Mancini
A member of the cast whose role adds to the ensemble dynamics of the social circle involved in the events.
Learn where and when The Designated Victim (1971) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Venice, Italy
The film unfolds largely in Venice, Italy, featuring a lavish Venetian mansion and scenes aboard boats along the city’s canals. It captures the atmosphere of a privileged social circle where power and secrets simmer behind polished façades. The city’s waterways and opulent settings provide a stark backdrop for a calculated scheme of murder.
Discover the main themes in The Designated Victim (1971). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🕰️
Destiny & Deception
A sense of fate threads through Matteo's manipulations, inviting Stefano into a plan that promises the 'perfect crime'. Matteo uses promises and threats to blur lines between ally and adversary. The scheme collapses when the characters realize they are pawns, culminating in a twist that redefines trust and responsibility.
💔
Love & Betrayal
Stefano's affair with Fabienne and Luisa's resentment fuel the couple's conflict and push the plot forward. Romantic entanglements become weapons in a game of manipulation, eroding any moral boundary. The murders and framing grow from jealousy and desire to control.
🗝️
Crime & Consequences
The characters pursue a 'perfect crime', but reality intrudes with unexpected consequences. The plot uses deception and misdirection to mislead investigators and audience. The final twist reveals that the envisioned victim and murderer are tangled in a self-serving deception.
👑
Nobility & Power
Matteo's noble status shapes how the authorities respond, complicating justice and allowing him to manipulate events. The film uses aristocratic privilege to explore how power protects the plotters and blinds the law. The tension between status and accountability drives the narrative toward a catastrophic ending.

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Explore the mobile appDiscover the spoiler-free summary of The Designated Victim (1971). Get a concise overview without any spoilers.
In the sleek world of 1970s Italian advertising, Stefano Augenti commands every boardroom with the confidence of a rising star, yet his personal life unravels behind closed doors. His marriage to the aristocratic socialite Luisa Augenti is a battlefield of resentment, and an illicit romance with the enigmatic French expatriate Fabienne Bélanger only deepens the fissures. The glossy veneer of campaigns and high‑society gatherings cannot mask the mounting pressure of a man caught between ambition and emptiness, setting a tone that oscillates between stylish sophistication and simmering dread.
A chance encounter on a fog‑laden canal introduces Count Matteo Tiepolo, an eccentric noble whose free‑spirited demeanor masks a cryptic philosophy of destiny. Their connection is immediate and unsettling—two strangers whose lives intersect at the crossroads of privilege and desperation. As their conversations drift from casual banter to the deeper shadows of their respective woes, the count’s unsettling charm begins to lure Stefano into a realm where friendship blurs with a dangerous intrigue. The film’s atmosphere, painted with the muted gold of Venetian evenings and the buzzing neon of ad agencies, amplifies the sense that something unseen is being negotiated beneath the polite veneer.
Against this backdrop, the two men contemplate a chilling bargain: a pact that promises to free them from the very ties that bind their lives. The proposal is a haunting blend of aristocratic decadence and corporate ruthlessness, hinting at a moral abyss that both characters teeter on the edge of. This uneasy alliance creates a tense psychological chess game, where every glance and whispered promise carries the weight of potential ruin. The story thrives on mood—an intoxicating mix of elegance, paranoia, and the unsettling feeling that destiny may be a contract waiting to be signed.
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