Directed by

Henry Hathaway
Made by
Universal Pictures
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Read the complete plot summary and ending explained for Shoot Out (1971). From turning points to emotional moments, uncover what really happened and why it matters.
Clay Lomax Gregory Peck is released from prison after seven years for a bank robbery and immediately sets out to find his former partner, Sam Foley James Gregory, the man who betrayed him by shooting him in the back as they fled and left him to face the law. Lomax’s return sparks Foley to act, hiring a trio of young thugs to shadow every move he makes: Pepe [Pepe Serna], Skeeter [John Davis Chandler], and Bobby Jay Jones [Robert F. Lyons]. The plan is blunt and cruel, driven by a dangerous mix of money and revenge, and Lomax finds himself a target as soon as he steps back into the world outside the prison gates.
Lomax tracks Foley’s trail and finds an old ally in Trooper [Jeff Corey], a former U.S. Army cavalryman who now runs a town saloon and hotel from a wheelchair. The meeting is tense but practical: Lomax offers money for information about Foley, while the thugs close in, catching up to him at Trooper’s establishment. In the tense hours that follow, the gang bullies Alma, a saloon girl who works for the battered but kindly Trooper, forcing her to spend the night with them. The racket spills into the corridor where Lomax’s old flame Emma [Rita Gam] is nearby, and the disturbance disturbs Lomax’s sleep, leaning into the shadowy past that binds three generations of wounded men and women alike.
The plot twists when a whistle-stop train brings more than just a passenger. A former lady companion arrives with a substantial sum of money that she had kept for Lomax all these years, but the conductor reveals a troubling orphan in tow: Decky Ortega [Dawn Lyn], a seven-year-old girl who had ridden with the woman and who has just become Lomax’s responsibility. The woman dies soon after in a distant town, leaving Decky an orphan. Lomax pulls the child from the train and, with a heavy heart, tries to locate someone trustworthy to care for her, while Foley’s men close ranks behind him and continue to shadow him on his path toward Gun Hill. Meanwhile, Alma’s mistreatment continues and the hotel’s old owner demands restitution for the misdeeds, a reminder of the harsher sides of life on the edge of the frontier.
With Trooper’s death at the hands of Bobby Jay and his gang’s ruthless pursuit still fresh, Lomax learns that Foley has been guiding them toward a final confrontation at Gun Hill. The news drives Lomax to push forward, and the journey through rain and rough country tightens the bond between Lomax and Decky, who begins to see in him something more than a hunter of revenge. On the trail, a sudden rainstorm forces Lomax and Decky to take shelter at Juliana Farrell’s ranch, a lonely house haunted by old memories. Juliana Farrell [Patricia Quinn] bursts with a strange warmth toward Lomax and offers to watch over Decky, a gesture that complicates Lomax’s resolve as the pursuers circle closer.
Back at the ranch, Bobby Jay’s crew closes in, and the tension erupts in tragedy: Pepe is sent down the trail to spy on the progress, and the gang captures Juliana’s household, driving Lomax into a furious, razor-edged confrontation. Alma is killed in a brutal moment, and Skeeter is caught in the crossfire when Bobby Jay accidentally shoots him during a desperate exchange with Lomax. Decky, frightened and brave, seizes an opportunity to slip away into the night, while Juliana and her son rush to protect her. The emotional core of the tale shifts as Lomax witnesses the cost of pursuing vengeance and the price paid by those he’s grown to care about.
The chase takes a dramatic turn when Lomax corners Bobby Jay at a tense, deadly standoff. In a grim display of nerve and skill, Lomax forces the thief to reveal Decky’s whereabouts by placing a cartridge on the head of Bobby Jay and threatening to pull the trigger unless he speaks. The plan works, Bobby Jay is killed, and Lomax’s resolve hardens into a single, stark mission: Decky must be safe. Foley is dead, and the weight of the money, the bodies, and the betrayal sits heavy on Lomax as he moves toward Decky and the future he has reluctantly chosen for her.
In the end, Lomax makes a quiet, stubborn pledge: the money is left behind with Foley’s corpse, the bodies are left in their wake, and the law is called to take its course. He heads toward Juliana’s ranch to reclaim Decky, a child who has shown him a softer side of humanity than his years of crime had ever granted him. The last steps of the journey are practical and somber, a man and a child bound by circumstances more than blood, with Lomax carrying a quiet, hard-won hope that perhaps Gun Hill can be left behind. Decky’s fate becomes Lomax’s new compass, and the road ahead is uncertain, but for the first time in a long while, there’s a future to consider beyond vengeance.
Note: The above uses actor name links for the first appearance of each character’s actor: Clay Lomax [Gregory Peck], Sam Foley [James Gregory], Pepe [Pepe Serna], Skeeter [John Davis Chandler], Bobby Jay Jones [Robert F. Lyons], Trooper [Jeff Corey], Alma [Susan Tyrrell], Emma [Rita Gam], Decky Ortega [Dawn Lyn], Juliana Farrell [Patricia Quinn], and the Housekeeper [Elizabeth Harrower].
Follow the complete movie timeline of Shoot Out (1971) with every major event in chronological order. Great for understanding complex plots and story progression.
Lomax is released from prison
Lomax is released after serving seven years for a bank robbery. He sets out to find his former partner Sam Foley, the man who betrayed him at the time of the arrest and left him to serve the sentence.
Foley hires trackers
Foley learns of Lomax's release and hires three young thugs, Pepe, Skeeter, and Bobby Jay Jones, to track his movements. He aims to prevent Lomax from resurfacing with the money and to safeguard their past thefts.
Lomax reconnects with Trooper
Lomax locates Trooper, a wheelchair-bound former cavalry soldier who runs a town saloon. Lomax offers him money in exchange for information about Foley and the man who betrayed him.
Thugs pressure Lomax at Trooper's saloon
The trio catch up to Lomax at Trooper's saloon and hotel, force Alma the prostitute to spend the night with them, and cause a disturbance. Lomax is awakened by the racket and is confronted in the corridor with his old girlfriend Emma in the next room.
Decky is introduced on the train
At the whistle stop, a conductor brings Decky Ortega, a seven-year-old orphan who has accompanied a former companion. Lomax learns she has been left in his care and is surprised by the responsibility now placed on him.
Lomax takes custody of Decky
The money from the companion is intended to support the child if Lomax does not take her in. Lomax struggles to find anyone to take Decky, but ultimately decides to assume responsibility while the search for Foley continues.
Trooper is killed; gang violence erupts
The thugs assault Alma and vandalize the saloon as they follow Lomax. Trooper is fatally shot during the ensuing chaos, and he mutters a clue about Gun Hill as his last words.
Journey toward Gun Hill; growing bond
On the road toward Gun Hill, Lomax and Decky bond as Lomax protects and cares for the child. He washes her in a stream and warms her by a campfire, and Decky asks if he might be her father, a question he recognizes but answers with ambiguity.
Shelter with Juliana Farrell
A rainstorm drives them to shelter at Juliana Farrell's ranch. The lonely widow offers to watch over Decky, and Lomax cautiously accepts the help while remaining focused on his mission.
Ranch capture and escalating danger
The gang catches up to the trio at the ranch and takes everyone prisoner. Bobby Jay grows drunk, threatens Juliana and her son, and uses Decky as a target while Pepe watches for the ranch hands returning from town.
Skeeter is killed during the scuffle
During the chaos, Lomax wakes to gunfire and watches as Bobby Jay accidentally shoots Skeeter while aiming at Lomax. Bobby Jay then pulls Decky away and escapes on horseback.
Decky escapes; Juliana helps
Decky uses the distraction to slip away into the night. Juliana and her son follow, eventually locating Decky and bringing her safely back toward Lomax.
Bobby Jay reaches Foley; Foley is shot
Bobby Jay rides ahead to Foley's house to claim the promised money. When Foley reaches for a gun, Bobby Jay shoots him dead in a tense confrontation.
Final confrontation at Foley's house
Lomax arrives and corners Bobby Jay. He forces Bobby Jay's fate by placing a cartridge on his head and demanding Decky's location. Bobby Jay cannot outdraw Lomax and is killed, leaving Lomax to reclaim the money and leave the bodies behind.
Lomax heads to Decky; ending
With the criminals dead and the money secured, Lomax departs to find Decky at Juliana's house, signaling the beginning of a fragile guardianship as he prepares to face the future with her.
Explore all characters from Shoot Out (1971). Get detailed profiles with their roles, arcs, and key relationships explained.
Clay Lomax (Gregory Peck)
A hardened former bank robber recently released from prison who relentlessly tracks down his old partner. He is capable, wary, and efficient with a gun, yet shows pockets of humanity in his care for Decky. His past crimes drive the plot and his pursuit of justice is tempered by a growing sense of responsibility.
Trooper (Jeff Corey)
A former U.S. Army cavalryman now running a town saloon and serving as a wary informant. Although confined to a wheelchair, he remains shrewd and loyal to Lomax, offering information that moves the plot forward. His murder at the hands of Foley's gang marks a turning point in Lomax's vendetta.
Alma (Susan Tyrrell)
A tough saloon girl who suffers at the hands of the thugs but continues to show resilience. She is both a victim of the gang and a crucial link to Lomax’s fragile world in the saloon. Her fate underscores the brutal violence of the pursuit.
Emma (Rita Gam)
Lomax’s former partner's lover who becomes entangled in the ensuing violence. She represents a past that haunts Lomax and complicates his plan for revenge. Her presence adds emotional layers to Lomax’s choices.
Decky Ortega (Dawn Lyn)
An orphaned girl Lomax retrieves from a train and gradually forms a protective bond with. She becomes the emotional center of the story, challenging Lomax to consider responsibility over conquest. Decky’s innocence sharpens the contrast with the violence around them.
Juliana Farrell (Patricia Quinn)
A widowed ranch owner who offers care to Decky and becomes a maternal figure during Lomax's struggle. She adds a domestic counterpoint to the high-stakes pursuit with a calmer, protective presence. Her home becomes a temporary refuge from the violence.
Sam Foley (James Gregory)
The escaped partner who hires a trio of thugs to track Lomax. He embodies the opportunistic, ruthless antagonist who will kill to keep his wealth. His actions escalate the chase and the film’s brutality.
Bobby Jay Jones (Robert F. Lyons)
The ruthless gang leader who relentlessly pursues Lomax and Decky for money. He is impulsive, greedy, and capable of deadly violence. His demise comes as a direct result of Lomax’s strategic gunplay.
Skeeter (John Davis Chandler)
One of Foley's hired thugs, young and reckless, who causes trouble for Lomax and Decky. He acts as a foil to Lomax’s old-school gunfighter persona. He meets a grim end during the confrontation.
Pepe (Pepe Serna)
A member of Foley’s gang who participates in the pursuit and violence against Lomax. He shows the streetwise, tough demeanor that typifies the gang members in Westerns. His fate mirrors the film’s brutal outcomes.
Learn where and when Shoot Out (1971) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Whistle Stop, Gun Hill, Juliana's Ranch
The story unfolds across a rugged frontier town centered on a dusty whistle-stop and a rowdy saloon. Action shifts from the saloon to the remote Gun Hill as Lomax pursues his former partner. The landscape is arid and expansive, emphasizing isolation, danger, and the constant threat of violence typical of Westerns.
Discover the main themes in Shoot Out (1971). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
⚔️
Revenge
Clay Lomax’s quest is driven by a need to avenge the betrayal that left him wounded and jailed. The pursuit pushes him through a lawless frontier where trust is scarce and violence is a constant tool. The film treats revenge as a personal code with costly emotional consequences.
👶
Protection
Lomax forms a protective bond with Decky, a vulnerable orphan girl he retrieves from a train. This bond challenges Lomax to weigh old criminal habits against responsibility and care. Decky’s presence softens his hardened exterior and changes the dynamic of the chase.
🕊️
Redemption
The pursuit forces Lomax to confront his past and the price of violence. Moments of mercy and restraint contrast with brutal confrontations, suggesting redemption may be possible but comes at a high cost. Decky’s trust illuminates a path beyond vengeance.

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Discover the spoiler-free summary of Shoot Out (1971). Get a concise overview without any spoilers.
In the harsh, wind‑blown stretches of the post‑Civil War West, the world feels as unforgiving as the men who roam it. Dust‑caked towns cling to uneasy peace, while saloons and weather‑worn outposts pulse with low‑key tension. Into this landscape steps Clay Lomax, a man whose seven‑year imprisonment has left him both scarred and purposeful. The moment the prison gates swing open, his mind is fixed on a single, burning resolve, and the open road ahead seems less a chance at freedom than a path toward settling an old score.
Beyond the distant horizon, Sam Foley watches the same terrain with a different kind of calculation. Having once shared a life of crime, he now moves in shadow, employing a trio of relentless gunmen whose presence turns every mile into a game of cat and mouse. The relentless pursuit creates a constant undercurrent of danger, giving the frontier a claustrophobic edge despite its vastness. Lomax’s every step is matched by the quiet, methodical menace of Foley’s hired men, turning ordinary towns into tense crossroads where trust is a scarce commodity.
Amid the chase, a sudden, personal revelation reshapes Lomax’s outlook. News arrives that his former lover has passed away, leaving behind a spirited seven‑year‑old girl named Decky Ortega. The possibility that this child might be his own forces Lomax to confront a future he never imagined, balancing the cold drive for vengeance with a newly kindled sense of responsibility. The frontier’s relentless backdrop now frames a quieter, more uncertain journey—one in which the harshness of the landscape mirrors the conflicted heart of a man who once knew only survival, but may soon learn the weight of redemption.
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