Directed by

Eeshwar Nivas
Made by

RGV Film Factory
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Read the complete plot summary and ending explained for Shool (1999). From turning points to emotional moments, uncover what really happened and why it matters.
The film opens with a late-night phone call to Bacchu ‘Bhaiyyaji’ Yadav, Sayaji Shinde — an influential MLA aligned with the ruling party in Bihar. His men track him to a prostitute’s dwelling, where he learns that his party has chosen another MLA for the ticket this time. He doesn’t waste a second and heads straight to the newly selected candidate’s home, pressing him to withdraw his nomination for a fat pay-off. When intimidation fails, his thugs—led by the notorious Violent Coolie Rajpal Yadav—stab the candidate under Yadav’s supervision.
Across Motihari, Inspector Samar Pratap Singh, Manoj Bajpayee is posted with his wife Manjari Singh, Raveena Tandon, and their daughter. At the railway station, a heated dispute with a coolie over a ₹30 fare escalates until a local hawaldaar tries to muscle in. Samar insists on fair payment, and the confrontation spills into the station area. A sub-inspector, Hussain Ganesh Yadav, steps in, but Samar refuses to back down. He soon learns that Motihari’s police operate under Yadav’s influence, collecting hafta to do his bidding, and that the law here scarcely serves the people.
The central conflict intensifies when the D.S.P. Shri Vallabh Vyas assigns Samar to quell a clash between rival gangs and to arrest the attackers who targeted Yadav’s men. Samar digs into the case, uncovering that Yadav’s own crew, including Lallan Singh Yashpal Sharma and others, are the true perpetrators. When the D.S.P. orders the released men back, Samar refuses, insisting the case is already on file. This becomes the first clear signal of Samar’s stubborn integrity, and it alarms those who profit from the system’s rot.
Yadav, irritated by Samar’s insistence on law over convenience, stages his own grand anniversary party to flout the rules. Samar arrives to enforce the lack of proper permissions for late-night loudspeakers; with no papers shown, he confiscates the music system and halts the spectacle. Yadav attempts a patronizing, almost benevolent lecture, while the inebriated D.S.P. tries to sweep the issue under the rug. Samar remains unmoved and demands written orders, a stance that triggers renewed pressure from above. The clash culminates in a public confrontation where the corrupt apparatus manipulates events to frame Samar for a physical assault on his superior. Tiwari, Vineet Kumar, tries to help, but the chain of power seems unbreakable, and Samar is suspended.
Yadav and his men decide to deliver a final blow, and in one cruel turn the gang’s indecency toward Samar’s daughter shatters his restraint. Samar’s temper erupts, and one attacker clubs him, yet the blow backfires when the henchman strikes Samar’s daughter, killing her. Laljee Yadav Nandu Madhav, badly beaten, goes to Yadav to report Samar’s assault, only to be killed by a shotgun blast from Yadav himself, who then manipulates the scene to have Samar arrested on the charge of the crime. Samar’s parents arrive, and his father pleads for his release, but Yadav uses the moment to secure it, while Samar publicly insults him in return.
Days pass, and Manjari, the wife who stood by him, sinks into despair. She attempts suicide with sleeping pills, and a panicked Tiwari informs Samar of her condition. The hospital scene offers a brief, uncertain solace as Manjari, before dying, urges Samar to avenge their daughter and their family’s suffering.
With his world shattered, Samar discards everything but his oath. He retrieves his service weapon, overpowers the warnings of Hussain, and sets out for Patna. He breaches the legislature’s security and seeks out Babu Bhaiyyaji in the well of the House. In a final act of defiance and heartbreak, he drags Yadav to the Speaker’s dais, makes an emotional appeal about leadership and the criminalization of politics, and then, in a vow to restore justice, shoots Yadav in the head and proclaims his patriotism, crying out twice the words that echo through the halls: > Jai Hind
Follow the complete movie timeline of Shool (1999) with every major event in chronological order. Great for understanding complex plots and story progression.
Late-night call about Bachchu Yadav
The film opens with a late-night call from Patna asking to speak to Bachchu Yadav, a ruling party MLA. His aides learn that the party has chosen a different candidate, triggering a pressure campaign to drop the nomination for money. When intimidation fails, his thugs stab the new candidate under his supervision.
Threats escalate as the rival MLA is targeted
The boss’s men locate the new candidate at a prostitute’s abode and brief him on the party’s decision. The candidate is pressured to relinquish the nomination in exchange for cash. When he resists, the thugs carry out a stabbing under Yadav’s supervision.
Inspector Samar Pratap Singh arrives in Motihari
Inspector Samar Pratap Singh arrives in Motihari with his wife Manjari and daughter, bringing his idealistic sense of law and order. He quickly discovers that the local police operate under Yadav’s influence. The new environment tests his resolve from the start.
Railway station confrontation over a Rs 30 fare
At the railway station, Singh clashes with a hard-nosed coolie over a Rs 30 fee and refuses to overpay. A hawaldaar intervenes, and Singh goes to the station to file a complaint about harassment. Sub-inspector Hussain dismissively suggests forgiveness, revealing the corruption that pervades the station.
D.S.P. asks Singh to bend the law
The D.S.P. orders Singh to break up a fight and arrest Yadav’s men, which Singh sees as the real culprit. He arrests Sudhir Vinod and Lallan Singh, but the D.S.P. later orders their release. This clash exposes Singh’s stubborn integrity and the police’s compromised system.
Loudspeaker incident at the marriage anniversary
Yadav throws a marriage anniversary party and Singh challenges the use of loudspeakers without proper permission. He confiscates the music system, triggering a confrontation with Yadav. The D.S.P. mocks rules as inconsequential in a small village, while Singh demands written orders.
Singh’s suspension for defiance
The stand-off over the authority and the loudspeakers leads to a heated exchange between Singh and the D.S.P., who, aided by Hussain, frames him for a previous attack. The court of opinion and the system are against him, and Singh is suspended from duty.
Market confrontation ends in tragedy
During a confrontation with Yadav’s men in the market, a henchman attacks Singh with a heavy wooden club but fatally strikes Singh’s daughter instead. Singh is left grief-stricken as chaos erupts around him, and the incident becomes a pretext for further political manipulation.
Laljee informs Yadav; a deadly silence follows
After the attack, Laljee rushes to Yadav to report that Singh has beaten Yadav’s men badly. Yadav, showing his callous power, kills Laljee and orders his henchmen to file a complaint that Laljee died due to Singh’s actions. The police quickly move to arrest Singh, who is already mourning his daughter.
Manjari’s suicide attempt
A few days pass as Singh grapples with personal and political turmoil. Manjari attempts suicide with sleeping pills, blaming his idealism for their ruined life. Singh rushes to the hospital and a fragile moment of comfort is shared before she dies.
Singh seeks vengeance after losing his wife
With Manjari dead, Singh feels he has nothing left to lose and prepares to take justice into his own hands. He retrieves his service weapon from the station despite Hussain’s warnings. The line between law and personal revenge begins to blur as he heads toward Patna.
Final showdown in the state legislature
Singh kills Hussain and travels to Patna for the state legislature. He enters the well of the house, drags Yadav to the Speaker’s dais, and delivers an emotional appeal about criminal politics. He shoots Yadav in the head and triumphantly shouts Jai Hind, proclaiming his patriotism.
Explore all characters from Shool (1999). Get detailed profiles with their roles, arcs, and key relationships explained.
Inspector Samar Pratap Singh (Manoj Bajpayee)
An idealistic and principled police officer who believes in the constitution and the rule of law. He confronts Yadav’s criminal-politician network and arrests his men, often clashing with corrupt colleagues. After his daughter's death and his wife's ordeal, he wrestles with the system and ultimately takes decisive action by shooting Yadav in the Parliament.
Bacchu 'Bhaiyyaji' Yadav (Sayaji Shinde)
A powerful, amoral MLA who uses fear, money, and political influence to control Motihari. He orders violence, manipulates the police, and treats law enforcement as his tool to maintain control. He embodies the entrenched corruption the film aims to critique.
Laljee Yadav (Nandu Madhav)
One of Yadav’s henchmen who reports Samar’s assault to his boss. His trust in the criminal hierarchy is rewarded with a brutal death at Yadav’s hands to silence him. His fate underscores the expendability of those who enable the crime network.
Lallan Singh (Yashpal Sharma)
A loyal associate of Yadav involved in street-level violence and intimidation. He represents the brutal efficiency of the criminal faction that the police fight against. His presence shows the depth of the pressure Samar faces from the criminal-politics axis.
D.S.P (Shri Vallabh Vyas)
The district police chief who leverages official power to shield Yadav and push back against Samar. He embodies the systemic corruption that obstructs honest policing. His actions foreshadow the collapse of lawful order in Motihari.
Inspector Hussain (Ganesh Yadav)
A sub-inspector who openly serves Yadav and participates in framing Samar. His allegiance demonstrates how corruption pervades even the lower ranks of the police. He becomes a primary antagonist in Samar’s fight for justice.
Inspector Tiwari (Vineet Kumar)
An honest, supportive subordinate who tries to back Samar within a compromised system. He provides contrast to the corrupt elements and represents the remaining integrity within Motihari’s police force.
Manjari Singh (Raveena Tandon)
Samar’s wife, a stabilizing presence who bears the cost of his relentless pursuit of justice. She succumbs to despair after their daughter’s death and her own suicide attempt, strengthening Samar’s resolve to confront the system and seek vengeance for their family.
Learn where and when Shool (1999) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Motihari, Bihar, Patna, Bihar
Shool unfolds across Motihari, a town in Bihar, and the state capital Patna, where political power and policing intersect. The setting highlights a region where crime and cronyism influence law enforcement and governance. The Bihar backdrop lends a gritty realism to the saga of corruption and justice.
Discover the main themes in Shool (1999). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💰
Corruption
The film centers on a system where bribes and illicit payments lubricate the machinery of power. Officials and criminals collude to keep control, silencing ordinary citizens. It shows how corruption permeates police work, politics, and law enforcement in a regional setting.
⚖️
Law vs Justice
Inspector Samar Pratap Singh embodies the ideal of the rule of law, insisting on written orders and constitutional procedure. He clashes with a system that routinely bends rules for the powerful. The narrative questions whether justice can be achieved through legal channels or only through acts of personal vengeance.
💔
Loss and Vengeance
Personal tragedy drives Samar to question the price of justice as he endures the death of his daughter and his wife's suicide attempt. The story links political crime to deep personal cost and shows how violence can escalate when the state fails its citizens. The ending escalates from policing to a dramatic act of revenge in Parliament.

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Discover the spoiler-free summary of Shool (1999). Get a concise overview without any spoilers.
In the dusty, heat‑laden streets of Motihari, Bihar, the rhythm of daily life is punctuated by the clatter of trains, the chatter of market stalls, and the ever‑present hum of a police force that feels more like a shadow than a shield. Into this world steps Samar Pratap Singh, a newly posted police inspector who arrives with a steadfast belief in duty and a quiet confidence that the law can still mean something. He brings with him his supportive wife Manjari and their young daughter, forming a small, hopeful nucleus amid an environment that often seems indifferent to integrity.
The city’s institutional fabric is tightly woven with old alliances and unspoken codes, and the local police department reflects that uneasy balance. Samar quickly discovers that his straightforward approach runs headlong into a hierarchy that prizes convenience over conscience. The District Superintendent of Police, along with several seasoned subordinates, embody a culture resistant to change, where unwritten rules and informal exchanges dictate the everyday grind. This tension creates a palpable undercurrent, as the inspector’s attempts to uphold the law clash with entrenched expectations and subtle pressure from within the force.
Against this backdrop, the film paints a vivid portrait of a man trying to reconcile his personal values with the collective realities of his surroundings. The tone is gritty yet measured, capturing both the starkness of the setting and the quiet dignity of those who dare to question the status quo. Scenes are bathed in the muted light of early mornings and the harsh glare of streetlamps, underscoring a mood of restrained urgency. As Samar navigates the maze of bureaucratic inertia and moral compromise, the audience is invited to witness a struggle that feels both intensely local and universally resonant—a story of principled resolve confronting an entrenched system that refuses to bend.
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