Old Dog 2011

In the late 1990s, high on the windswept plains of China’s Tibet Autonomous Region, a motorcycle-riding Tibetan named Gonpo makes a choice that tests family loyalty and traditions. Without his father’s consent, Gonpo sells his father’s prized Tibetan mastiff to a dog dealer, a decision sparked by the animal’s value in a market eager to buy rare, formidable dogs. The mastiff has spent over a decade faithfully assisting with the family’s sheep, a role that has bound the animal to the household as much as to the land itself. When the father discovers the betrayal, he immediately sets out to retrieve both the money and the dog, insisting on correcting the wrong and protecting the animal that has long stood at the heart of the family’s livelihood.

The old man’s resolve brings him into contact with Dorje, a police officer who is also the old man’s son-in-law. A quiet conversation over tea and meat at a local eatery unfolds the tension between duty, family, and tradition. The old man explains the dog’s long service and his wish to ensure the animal’s well‑being in its remaining years. This moment also touches on his broader worries about Gonpo, a son who has grown reckless and impulsive. Dorje, recognizing the fragility of the family dynamic, suggests a path toward stability: for Gonpo and Rikso, the wife, to seek help and perhaps start a family, he points them toward the city hospital.

Gonpo agrees to accompany Rikso to the hospital, but hesitation slides in as the night wears on. Upon arrival, Gonpo balks at the idea of continuing with Rikso to the appointment, and asks her to bring her sister instead. The visit reveals a blunt, hopeful truth: Rikso has no physical obstacle preventing pregnancy, a revelation that lands with a heavy quiet in Gonpo. The news does not resolve the underlying frictions; instead it adds another layer to the already tense family narrative, forcing Gonpo to confront the consequences of his actions and the uncertain future of his marriage.

That same night, a commotion erupts near the old man’s home—the sound of a attempted theft of the mastiff. Realizing the vulnerability of the animal and the stakes at hand, the old man makes a grave decision: to release the dog into the mountains, hoping a freer life might be better for the creature than life in captivity or the risk of further loss. Yet the dealer proves resourceful once more, and the mastiff is captured again, a blow that greatly disappoints the old man. News of this setback reaches Gonpo as he sits in jail for confronting the dealer in a confrontation meant to recover the dog, a pivotal moment that underscores the tension between prudence and impulsiveness.

Dorje eventually plays a crucial role in the dog’s fate, returning him to his rightful owner and thereby reinforcing the bond between the old man and Gonpo, even as a sense of sorrow lingers over the family. In a quiet moment at the jail, the old man visits Gonpo, sharing a cigarette and a muted conversation that reveals more about their fractured relationship. Gonpo confides that Rikso’s hospital visit confirmed there are no physical obstacles to conceiving children, a revelation that adds weight to the old man’s enduring wish to see his family grow and heal. The old man, in a gesture of support, privately offers to bring Gonpo a beer while he continues his own time in confinement.

Back on the hillside, life goes on with the sheep and the mastiff beneath a vast Tibetan sky. The old man tends to the flock with a dog by his side, a steady reminder of the animal’s place in the family and in the landscape that shaped them. Yet the threat of profit-seekers and the lure of quick gains linger. Two men approach, offering to buy the dog, a temptation the old man resists with quiet firmness, repeating his decision not to part with the animal he has cared for for thirteen years. The encounter underscores the thematic tension between economic pressures and the moral weight of keeping a family’s life tethered to a loyal companion.

In the film’s most heartrending moment, the old man reaches a final, devastating decision. Faced with a choice between a future that might bring renewal and a painful acceptance of loss, he chooses to end the mastiff’s life by strangling him on the leash. The act is carried out with a heavy, almost ceremonial gravity, a testament to the old man’s enduring love for his family and a tragic acceptance of the dog’s place within their story. As the body becomes still, the old man walks away from the camera with a measured, burdened step, leaving the mountains and the sheep to bear witness to the sorrow of a life lived in tight, sometimes painful balance.

Across its quiet, snow-dusted landscape, the narrative traces the values that bind a Tibetan family: loyalty to kin, respect for the animal that sustains their livelihood, and the stubborn endurance required to navigate a world where old traditions meet new pressures. The film unfolds with a restrained, compassionate gaze, inviting viewers to feel the weight of each decision—from the moment Gonpo makes a misstep in selling the mastiff, to the tentative hope stirred by Rikso’s hospital news, to the ultimate, somber resolution that closes one chapter of a family’s story in the shadow of the mountains. The result is a powerful, somber meditation on love, duty, and the costs of trying to protect what matters most in a changing world.