Noroi: The Curse 2005
Made by
Xanadeux Company
Noroi: The Curse Plot Summary
Read the complete plot summary and ending explained for Noroi: The Curse (2005). From turning points to emotional moments, uncover what really happened and why it matters.
Masafumi Kobayashi [Makoto Inamori] is a well-known paranormal researcher who has built a career around documenting supernatural activity across Japan, publishing books and producing documentaries. While working on a project titled The Curse, his life takes a dark turn: he disappears when his house burns down, and his wife, Keiko [Miyoko Hanai], is found dead among the ruins. The documentary itself begins to play, largely told through the footage captured by his longtime cameraman, Miyajima [Hisashi Miyajima].
A year and a half earlier, Kobayashi investigates a woman named Junko Ishii [Tomono Kuga] and her young son after a neighbor reports hearing the wail of crying babies coming from Ishii’s home. Ishii moves away, and when Kobayashi and Miyajima return to the former residence, they discover dead pigeons strewn about the property. An eerie car crash claims the life of Ishii’s neighbor and her daughter, deepening the sense that something ancient and malevolent is at work. Meanwhile, Kana Yano [Rio Kanno], a girl famed for her extraordinary psychic abilities on a television program, vanishes from public view. Her disappearance troubles Kobayashi, who learns that a man named Mitsuo Hori [Satoru Jitsunashi] had visited Kana; Hori describes her fate as the work of “ectoplasmic worms,” sending Kobayashi on a difficult trail toward obscure ritual practices.
Following this thread, Kobayashi and Miyajima shadow a man named Shin’ichi Osawa [Takashi Kakizawa], who has been seen bringing pigeons to a nearby apartment block and soon disappears himself. A film shoot at a shrine introduces another unsettling layer when the actress Marika Matsumoto [Marika Matsumoto] appears on screen, dreamily weaving yarn and wires into looping networks as she sleeps. A recording later reveals a voice whispering the demon’s name, Kagutaba. A local historian explains that Kagutaba is a demon from a long-ago myth, summoned by a village called Shimokage but imprisoned for disobedience. The villagers conducted an annual ritual to keep Kagutaba appeased until 1978, when the dam and the village’s demolition changed everything. The historian’s scroll traces Kagutaba’s origins to a disturbing ritual in which baby monkeys were fed to a medium; Ishii, it turns out, had attempted to replicate this by feeding fetuses stolen from a nursing school to Kana.
The investigation widens as Marika reveals that her neighbor Midori [Mana Okada] has committed suicide by hanging. Midori’s death, along with the other linked cases—including Osawa’s later demise—ties the events to a pattern of possession and ritualistic violence. Marika begins to show behavior consistent with a possession, and Kobayashi, Miyajima, and Hori head to the Shimokage dam to perform a ritual intended to appease Kagutaba, hoping to free Marika from the demon’s influence. The ritual is a tense ordeal: Marika’s crisis subsides briefly, but Hori’s agitation grows, and they discover the village’s dogs slaughtered near a secluded shrine in the woods. Kobayashi’s camera captures a haunting image of Kana standing near a torii, surrounded by writhing fetuses, before Marika’s possession suddenly lifts.
After delivering Marika and Hori to a hospital, Kobayashi and Miyajima break into Ishii’s current home, where they discover Ishii has hanged herself. Kana is dead, and Ishii’s young son—though initially believed to be Ishii’s child—appears not to be hers. Kobayashi makes the difficult decision to adopt the boy, trying to give him a safe future away from the malevolent forces surrounding the case. The historian’s scroll and Kobayashi’s growing concern push the investigation forward, even as Hori is placed in a mental institution; he later escapes and is found dead the following day.
With Kobayashi missing, a final, devastating twist unfolds when his video camera is recovered and examined. The tape reveals the house’s harrowing collapse: Hori storms the residence, exposing the boy as Kagutaba and bludgeoning him with a rock. The bloodied boy briefly takes on Kagutaba’s form, and a ghostly vision of Kana materializes in a corner. Hori departs with the boy, and Keiko becomes possessed once more, pouring gasoline on herself and igniting a fatal blaze. The house goes up in flames as Kobayashi struggles to rise, and the film ends with a stark note stating that Kobayashi remains missing, leaving the fate of everyone involved unresolved and haunting.
Noroi: The Curse Timeline
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Kobayashi: Paranormal researcher and author
Masafumi Kobayashi is a renowned paranormal researcher who has authored books and produced documentaries about supernatural activity across Japan. His work shapes his investigative approach and frames his ongoing pursuit of strange phenomena. The profile sets the stage for the Curse and the events to come.
The Curse documentary begins after Kobayashi's disappearance
A year and a half before the present, Kobayashi investigates a case that culminates in his house burning and his wife Keiko dying in the ruins. The project The Curse begins to play, largely through Miyajima's recordings. The events are framed by Kobayashi's sudden disappearance.
Investigation into Junko Ishii and crying babies
A year and a half before the present, Kobayashi visits Junko Ishii and her son after a neighbor hears crying babies. He and Miyajima search Ishii's former residence and discover dead pigeons on the property. Ishii moves away, setting off a trail of ominous events.
Kana Yano disappears; Hori's involvement
Kana Yano, a girl with strong psychic abilities seen on television, disappears from a variety program. Kobayashi learns that Mitsuo Hori visited Kana, claiming she was taken by 'ectoplasmic worms' and directing him toward further clues. Hori's directions lead to Osawa, a pigeons keeper in a nearby apartment block.
Mitsuo Hori's 'ectoplasmic worms' claim
Hori, an eccentric psychic, insists Kana was abducted by 'ectoplasmic worms' and provides cryptic directions that push Kobayashi deeper into the mystery. His theory links Kana's disappearance to a broader supernatural pattern. The pair begins tracing leads toward Osawa.
Osawa observed with pigeons; Osawa disappears
Kobayashi and Miyajima observe Osawa taking pigeons into his home, hinting at a link between animal activity and the hauntings. Osawa is later reported missing, deepening the sense of danger and mystery. The investigation tightens around the apartment block where Osawa kept birds.
Marika Matsumoto's sleep loops and Kagutaba
After filming at a shrine, actress Marika Matsumoto begins fashioning yarn and wires into loops as she sleeps. Kobayashi sets up a camera to record her, and a voice distinctly says the name 'Kagutaba.' The moment marks a haunting link between the ritual history and present possession.
Historian explains Kagutaba and Shimokage ritual
A local historian explains Kagutaba as a demon once summoned by Shimokage villagers. They imprisoned it for disobedience, and an annual ritual was performed to appease Kagutaba until the village was demolished in 1978 to make way for a dam. The final ritual is filmed and reveals the ritual's terror.
Ishii's past and the ritual's daughter
The historian's scroll links Kagutaba to Ishii through the village's rituals, showing that the daughter in the final ritual later surfaced as Ishii herself. It also reveals Ishii's connections to a nursing school where illegal abortions and fetal thefts were involved. The past casts a long shadow over present events.
Midori's suicide and related hangings
Marika reveals that her neighbor Midori has committed suicide by hanging. She also notes that Midori, along with six other people including Osawa, hanged themselves in a park using nooses similar to Marika's loops. The pattern of ritualized deaths intensifies the dread.
The Shimokage dam ritual to appease Kagutaba
Desperate to break Kagutaba's hold, Kobayashi, Marika, Miyajima, and Hori travel to the Shimokage dam to perform the ritual. They hope appeasement will free Marika from possession and stop the cycle of terror. The ritual marks the narrative's turning point.
Forest clues and Kana's apparition
During the ritual, Hori becomes agitated and runs into the forest, with Kobayashi following. They find the village dogs slaughtered near a secluded shrine, and Kobayashi's camera captures an apparition of Kana under a torii, surrounded by writhing fetuses. The warning signs escalate.
Ishii's death, the discovery of the non-biological son, and adoption
Marika recovers, and Kobayashi and Miyajima deliver her and Hori to a hospital. They break into Ishii's current home and find Ishii dead by hanging, Kana dead, and a live boy who is not Ishii's son. Kobayashi decides to adopt the boy, recasting the family dynamic.
Tale of Kagutaba’s origin and Ishii’s fetuses
The historian shows a scroll detailing Kagutaba's summoning through feeding fetuses to a medium. Ishii’s prior actions involved attempting to replicate the ritual by feeding stolen fetuses to Kana, tying present danger to a dark lineage. Marika begins to recover, and Hori is placed in a mental institution.
Kobayashi's disappearance and the final tape
After Kobayashi vanishes, his video camera is found in a package. The tape reveals the events leading to the house's destruction: Hori confronts Kobayashi, exposing the boy as Kagutaba, and Keiko becomes possessed, pouring gasoline and setting herself ablaze as the house burns. The ending confirms Kobayashi remains missing.
Noroi: The Curse Characters
Explore all characters from Noroi: The Curse (2005). Get detailed profiles with their roles, arcs, and key relationships explained.
Masafumi Kobayashi (Jin Muraki)
A devoted paranormal researcher who has written books and produced documentaries. He relentlessly pursues signs of the supernatural, organizing field investigations that blur the line between science and belief. His drive ultimately drags him into danger, culminating in his disappearance after his house is burned and his wife is found dead.
Miyajima (Yoshiyaki Yamane)
A camera operator for Kobayashi’s investigations, perceptive and steady, who records his mentor’s findings. He becomes a crucial witness to unfolding events, providing the documentary’s visual frame through the escalating supernatural occurrences.
Kana Yano (Rio Kanno)
A girl with strong psychic abilities who draws the investigators toward the truth behind Kagutaba. Her disappearance and later apparitions fuel the quest and deepen the sense of dread surrounding the ritualistic events.
Junko Ishii (Tomono Kuga)
A neighbor whose family is entangled with the village’s dark history, including illegal abortions and the manipulation of others. Her disappearance and the fate of her son reveal the personal costs of the ritual’s reach.
Mitsuo Hori (Satoru Jitsunashi)
An eccentric psychic who introduces the concept of Kagutaba’s summoning and provides cryptic directions. His unorthodox beliefs push the investigation forward and eventually lead to his downfalls and ultimate death.
Osawa (Shin’ichi Ōsawa)
A man who hoards pigeons as part of his eerie, secretive life. He becomes a figure of interest for Kobayashi’s team, eventually going missing as the mystery deepens.
Keiko Kobayashi (Miyoko Hanai)
Kobayashi’s wife, who becomes possessed by Kagutaba during the house’s destruction. Her fate intersects with the ritual’s catastrophic costs and the scientist’s drive to uncover the truth.
Marika Matsumoto (Self)
An actress who appears within the film’s documentary and becomes entangled in the ritual’s manifestations. Her experiences blend performance with the real-life horrors the team uncovers.
Noroi: The Curse Settings
Learn where and when Noroi: The Curse (2005) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
early 2000s
The story is set in contemporary Japan, reflecting a modern media-driven context. It ties the present to a historical backdrop—the 1978 demolition of Shimokage for a dam—providing a frame for the unfolding curse. The narrative spans roughly a year and a half around the initial investigations, culminating in a present-day documentary record.
Location
Shimokage village, Shimokage dam, shrine, nursing school, park, apartment block
The film unfolds across rural Shimokage and surrounding sites in Japan. Key locations include a shrine, a nursing school, and an apartment block tied to a dam project that demolished the village in 1978. The park where several locals die by hanging links the community to an ancient ritual, while a film crew moves between these sites to document the escalating supernatural events.
Noroi: The Curse Themes
Discover the main themes in Noroi: The Curse (2005). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Curse
Kagutaba, an ancient demon, drives the central conflict as villagers’ rituals and forbidden acts unleash possession and catastrophe. The investigation tracks how belief, ritual, and fear manifest in individuals and communities. The film uses spectral imagery and occult lore to explore the consequences of summoning and restraining a malevolent force.
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Media
The narrative unfolds through Kobayashi’s documentary framework, with footage recorded by a cameraman that blurs lines between research and sensationalism. The recordings reconstruct a chain of linked tragedies, showing how media artifacts shape memory and interpretation of the paranormal. The film comments on the reliability of documentary evidence in the face of supernatural phenomena.
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Trauma & Secrets
The plot exposes dark private histories—illegal abortions and the manipulation of others—revealed through the victims’ families and the community. Trauma cycles through the characters as possession and suicide reverberate across generations. Secrets, once hidden, pull the protagonists toward dangerous revelations and ritual consequences.
Noroi: The Curse Spoiler-Free Summary
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In modern Japan, a quiet obsession with the unseen permeates the everyday. The film unfolds through a handheld, documentary‑style lens, giving the audience the feeling of sifting through raw, unedited footage. Across various towns and remote shrines, ordinary locations become backdrops for strange whispers, inexplicable sounds, and fleeting shadows, all hinting at something older than the concrete skyline. The atmosphere is tense yet restrained, inviting viewers to feel the thin line between documented reality and the eerie unknown.
The story follows Masafumi Kobayashi, a well‑known paranormal researcher whose career has been built on chronicling Japan’s most puzzling supernatural reports. Together with his longtime cameraman Miyajima, he embarks on a methodical journey, traveling from one unsettling incident to another, interviewing skeptical locals, distressed witnesses, and reluctant experts. Their partnership balances Kobayashi’s scholarly curiosity with Miyajima’s steady eye for visual truth, creating a dynamic where professional ambition meets personal dread. Along the way they encounter figures such as a gifted psychic child, a reclusive mother with a troubling past, and a historian who whispers of ancient rituals, each adding layers to the unfolding mystery.
As the investigation deepens, a common thread begins to surface: a centuries‑old legend of a demon known as Kagutaba, once bound by a forgotten village’s rites. The notion that disparate, seemingly unrelated events might be linked by this myth lends the narrative an unsettling cohesion. The tone remains deliberately ambiguous—neither confirming nor denying the supernatural—so the audience is left to wonder whether the curse is a product of collective fear, a lingering folklore, or something far more tangible. The film’s steady, immersive style and its focus on the interplay between belief, evidence, and the human need to understand the unknown keep the tension simmering, promising a haunting exploration that blurs the boundaries between documentary and dread.
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