Directed by

Paul Aaron
Made by

Kings Road Entertainment
Read the complete plot summary and ending explained for Morgan Stewart’s Coming Home (1987). From turning points to emotional moments, uncover what really happened and why it matters.
Morgan Stewart Jon Cryer is the son of Nancy Stewart Lynn Redgrave and Senator Tom Stewart Nicholas Pryor, a young man who has spent most of his life at boarding school. Thanksgiving finds him a bit wistful about being away from home, but he carries on with a quiet confidence. He and three friends pull a big prank at the Headmaster’s expense, only to be caught, and soon enough he’s told to come home when his mother calls the school and insists it’s time to return for the holidays. Back with his family, Morgan inches into the political world his parents inhabit, stepping in to help with his father’s campaign for re-election and trying to keep the peace in a household that is heavyweight with expectations.
His mother’s vision for him is conservative, a sharp contrast to his father’s more permissive approach as he grows up. To bring the clan together, Morgan volunteers for household duties, even taking on chores like waxing the floors, while balancing the glow and glare of political life. It’s in this mingled space of domestic duty and public duty that he starts to redefine what it means to be part of a family. A pivotal moment comes at a book signing for his idol, George A. Romero, where he meets Emily Viveka Davis, a fellow horror-film aficionado. The two share a spark that quickly turns into a relationship, giving Morgan a new sense of belonging and purpose beyond the campaign trail.
Their romance faces the usual youthful missteps. Morgan borrows his father’s car for a date with Emily, but trouble follows when Emily’s little brother phones the police, landing Morgan in hot water and grounding him. The tension in the house deepens when Morgan discovers that his mother has installed cameras in his room, a stark symbol of the control weighing on his life. Yet the discovery also brings Morgan and his father closer; they realize they have more in common than either expected, even as the campaign and family dynamics press in from every side.
The mood shifts when Emily learns that Morgan has lied about his parents, and Jay Le Soto [Paul Gleason]—the campaign manager—rises as a formidable threat, threatening military school to push Morgan back in line. The pressure peaks as Morgan defies the guardianship of the family and the campaign, choosing a risky escape that involves a chainsaw connected to a pop-culture icon of horror. In the aftermath, he comes clean to Emily, who forgives him, and the two decide to explore Morgan’s late aunt’s coin collection together, a symbol of his roots and the family legacy.
The crate of truth opens wider when they discover that Jay has been embezzling campaign funds. The safety deposit box holding the coin collection becomes a dual-edged key—one that exposes the corruption and binds Morgan and Emily closer as they stand against it. Jay makes a last-ditch effort to stop Morgan, but the truth is already out and he is outmatched.
In the final stretch, the political landscape shifts toward renewal. Senator Stewart is re-elected, and the family faces the fallout and the changes that come with victory. Morgan’s mother loosens her stance on life in unexpected ways, and the scandal drives Jay to prison. The household dynamics begin to shift in surprising directions: Ivan the family butler Savely Kramarov rises to become a real estate tycoon, leaving his wife for a younger woman, while Francheska returns to Russia, happily single and keeping in touch with Morgan from afar. Emily is warmly accepted by Morgan’s parents, and Morgan finally feels a sense of belonging and happiness in a full, loving family once again.
Follow the complete movie timeline of Morgan Stewart’s Coming Home (1987) with every major event in chronological order. Great for understanding complex plots and story progression.
Prank at the boarding school backfires
Morgan and three friends pull a major prank at their boarding school during Thanksgiving break. The Headmaster busts them, ending Morgan's carefree moment at school. The incident foreshadows the changes ahead as he faces consequences.
Told to go home to help with campaign
Morgan is called to return home after the prank, shifting from school life to a family political saga. His mother’s call speeds his relocation, and he arrives in Virginia with mixed feelings about joining his father’s campaign. The move marks the start of Morgan's evolving role within the family and the political world.
Morgan returns home to rally the family for the campaign
Morgan is brought home to help with his father's re-election bid. He hopes to bring the family together, but the campaign exposes new tensions and responsibilities. The political world becomes the new normal for Morgan as he navigates expectations and loyalty.
Family tensions rise: mother vs Jay vs Morgan
Morgan clashes with his mother, who wants conservatism, and with Jay, the campaign manager who enforces discipline. The home becomes a battleground where personal values collide with political strategy. The pranks and secrecy give way to scrutiny and rules.
Morgan starts pitching in and bonding with his father
To keep the family together, Morgan begins helping around the house and even takes on chores like waxing floors. He and his father discover they share more in common than expected, forging a stronger bond. The campaign becomes a catalyst for family reconciliation.
Book signing with George A. Romero; meeting Emily
Morgan attends a book signing for his horror idol George A. Romero and meets Emily, a fellow horror fan. They strike up a fast connection that gives him a personal counterpoint to the campaign stress. Their budding romance adds a new dimension to Morgan's world.
Date mishap leads to grounding
Morgan borrows the family car for a date with Emily, but Emily's little brother calls the police, leading to Morgan being grounded. The incident strains trust with his mother and tests his relationship with Emily. He begins to understand the consequences of his actions beyond politics.
Surveillance revealed: mother installs cameras in his room
Morgan learns that his mother has placed cameras in his room, signaling a deeper level of parental scrutiny. The invasion of privacy heightens the sense of rebellion inside him. The surveillance fuels his resolve to prove himself and test boundaries.
Morgan and father connect over shared values
Despite the tension, Morgan and his father realize they have more in common than he imagined, forming a quiet alliance within the campaign. This bond contrasts with his mother's strict stance and helps Morgan reframe his loyalties. The family dynamics begin shifting toward collaboration.
Emily learns Morgan lied; relationship strains
Emily discovers Morgan lied about his parents, which fractures their budding romance. The trust between them falters, and Morgan feels more isolated. He faces the challenge of earning back her trust and rebuilding the relationship.
Climax: threat of military school; escape with Tobe Hooper chainsaw
Morgan loses his temper when his mother rejects him and Jay threatens military school. He escapes the threat using a chainsaw signed by The Texas Chain Saw Massacre's Tobe Hooper, a shocking symbol of breaking free. The moment propels him toward taking control of his life.
Hidden coin vault exposes embezzlement and leads to confession
Morgan and Emily open the late aunt's coin collection and discover that Jay has been embezzling campaign funds. The safety deposit box contains concrete evidence of the deception, forcing Jay to confront his scheme. The discovery accelerates the political and personal revelations that follow.
Resolution: election night and family reconciliation
Senator Stewart is re-elected and the family begins to heal. Jay is imprisoned for embezzlement, and the household moves toward a calmer future. Emily is accepted by Morgan's parents, while Francheska returns to Russia as a single woman and keeps in touch, and Ivan continues his real estate work as the family moves forward.
Explore all characters from Morgan Stewart’s Coming Home (1987). Get detailed profiles with their roles, arcs, and key relationships explained.
Morgan Sewart — Jon Cryer
A restless, rule-breaking teenager who longs to connect with his family while rejecting their rigid expectations. He chases freedom through romance and defies surveillance, only to confront consequences that force him to grow. His charm and defiance drive the plot as he negotiates loyalty, secrecy, and truth.
Nancy Stewart — Lynn Redgrave
Morgan's mother, a poised but controlling figure who values tradition and public image. She uses her power to keep the family on a tight leash, even installing cameras in Morgan's room. Her evolution leans toward pragmatic compromise as the family narratives wind toward resolution.
Jay Le Soto — Paul Gleason
Campaign manager and schemer who pushes the family toward political success at any cost. He manipulates funds and information, creating a web of deceit that threatens Morgan and the campaign. His downfall arrives as the embezzlement scheme comes to light.
Emily — Viveka Davis
A fellow horror-film fan who becomes Morgan's love interest. Their relationship blossoms against a backdrop of school and campaign stress, offering a respite from political drama. She forgives Morgan after his lies and shares a moment of trust that helps him mature.
Tom Stewart — Nicholas Pryor
Senator Stewart's supportive father and Morgan's father figure who is open to his son's growth. He balances public duty with family affection, providing a grounded counterpoint to his wife's intensity. His role emphasizes reconciliation and shared values within the family unit.
Emily's Father — Joseph Bova
A parental figure in Emily's life who anchors her outside the political circle. His presence frames Emily's independence and helps illustrate the contrast between Morgan's world and a more conventional family life. He offers quiet, principled resistance to impulsive choices.
Learn where and when Morgan Stewart’s Coming Home (1987) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Mid-to-late 1980s
Set during a late-80s political season, the narrative unfolds around Thanksgiving and a high-profile re-election bid. The era is marked by media scrutiny, campaign hardware, and the tension of a family navigating public persona versus private truth. The period provides a backdrop for Morgan's coming-of-age within a politically charged household.
Location
Virginia, USA
The story unfolds primarily in Virginia, focusing on the Stewart family's upscale home and the political campaign for Senator Stewart's re-election. The settings shift between the private living spaces and public campaign events, illustrating the clash between private loyalties and public duties. The film uses these locales to satirize the intersection of family life and political ambition in a Southern state.
Discover the main themes in Morgan Stewart’s Coming Home (1987). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Family
The film centers on a family whose values are tested by ambition and public life. Morgan's bond with his parents is strained by different expectations, yet the family unit remains the core around which the story turns. Private loyalties collide with public duties as the campaign demands conformity and control.
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Politics
Political ambition drives the plot as Senator Stewart's campaign and Jay's scheming reveal the price of public image. The family is pulled into fundraising, media appearances, and strategic decisions that compromise personal integrity. The story critiques power, corruption, and the fragility of trust within a political machine.
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Coming of Age
Morgan's journey is a struggle to reconcile rebellious impulses with family expectations. He learns to own up to mistakes, mends relationships, and discovers a sense of responsibility beyond personal gratification. The arc blends humor with growth, highlighting the awkward transition from adolescence to adulthood within a charged environment.

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Explore the mobile appDiscover the spoiler-free summary of Morgan Stewart’s Coming Home (1987). Get a concise overview without any spoilers.
In the polished corridors of Washington, D.C., political ambition and family expectations collide with the restless energy of youth. The film opens on a holiday‑laden capital where power is measured in campaign speeches, glossy photo‑ops, and the quiet, ever‑present hum of the media. Within this world, a privileged family sits at the center of the nation’s spotlight, their private dramas unfolding against the backdrop of a Senate re‑election campaign that feels as theatrical as any Broadway production.
Morgan Stewart is the 17‑year‑old son of Nancy Stewart and Senator Tom Stewart. A self‑styled eccentric who has been expelled from more prep schools than he cares to count, Morgan returns home for Thanksgiving after his mother finally pulls the plug on his latest boarding‑school stint. He carries a mix of swagger and bewilderment, eager to prove himself while simultaneously craving a sense of belonging that his itinerant education has denied him. His mother’s conservative vision for his future clashes with his father’s more relaxed, if equally demanding, approach, setting the stage for a household where expectations are as rigid as the marble walls that surround them.
Against this familial backdrop, the political machinery humming around the Stewart name begins to show its less polished side. A campaign manager whose methods raise eyebrows threatens to jeopardize the senator’s race, pulling the family’s public life into a knot of uncertainty. Morgan—drawn by a blend of teenage audacity and a genuine desire to protect his father—finds himself thrust into the whirlwind, his unconventional antics sparking a chain of chaotic, comedic moments that ripple through the capital’s elite circles. The tone balances sharp political satire with a coming‑of‑age journey, promising a story where youthful rebellion meets the high‑stakes world of Washington politics, all while the Stewart household learns to navigate the strange, often absurd, terrain between personal loyalty and public duty.
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