Directed by

Delbert Mann
Made by

Cherokee Productions
Read the complete plot summary and ending explained for Mister Buddwing (1966). From turning points to emotional moments, uncover what really happened and why it matters.
A man wakes up on a park bench in Central Park with his mind a total blank. He has no identification or money, only a folded slip of paper enclosing two large white pills and a phone number. He steadies his nerves, dials the number, and reaches Gloria, who at first mistakes him for her shiftless husband, Sam. She offers a rendezvous and, as he improvises an identity, he coins Buddwing—a name born from the first two things that seize his attention, a Budweiser beer truck and an airplane. Gloria, clearly in no mood to care for truth, gives him cash as he leaves, a painful but pitiful mercy gift.
Over breakfast he scans a newspaper that bears a colossal headline about the escape of a violently insane criminal, and the image unsettles him. A ring on his finger bears initials that might match, feeding a growing fear that he could be the fugitive himself. The street outside seems to tilt into a fog of possibilities and dangers, and soon he spots a woman he mistakes for the elusive Grace.
That woman turns out to be Janet, a student at a music school in Washington Square. In a flashback, we glimpse an earlier life where he was a struggling student composer, and in a spontaneous moment they marry. Yet back in the park, Janet rejects him and a scene unfolds that draws a quick, urgent line between promise and trouble. A Policeman arrives and Buddwing is briefly questioned before he flees, slipping away as the patrolman’s attention is drawn elsewhere by hecklers.
The world seems to press in from every side as a mad street person pursues him, railing that Buddwing is the murderer on the loose. He darts through avenues and avenues of the city, losing himself in motion and memory.
Then he meets a sultry, coquettish actress named Fiddle, whom he mistakes for Grace. They sleep together, and the act of being with her unlocks further shards of his unclear past. He wakes in her arms and a grim, intimate nightmare surges forward: a fight with his wife over a pregnancy they cannot afford, culminating in the brutal ache of abortion. Crushed by the memory, she climbs over the railing of the 59th Street Bridge, ready to end everything—yet he clamps his arms around her to pull her back.
He flees again, seeking oblivion in whiskey. A rich socialite on a scavenger-hunt night drags him into Harlem where a craps game offers the chance to win a fortune and complete her list. They drink, gamble, and wander, but the glamour dissolves into a harsher truth: wealth cannot buy a life that still feels devoid of meaning. The lover’s fever dream intensifies—Grace becomes his wife, then Grace again, until the sense of self fractures under the weight of affluence and a talent neglected.
In a delirious moment, he sees a vanity splattered with blood and a razor blade, and a startling realization dawns: he had dialed the right number but in the wrong area code. The Monument exchange on the Upper West Side should have connected him to a hospital in Mount Kisco, Westchester County. The call sets off a brutal reappraisal: Grace had really slashed her wrists, and she lies near death.
He begs to see her. He reaches for her lifeless arm, calls her name, and feels the breath of life slipping away. Then her hand stirs, and with that minuscule, stubborn gesture, a spark returns to him. He clasps her hand, and in that quiet, unspoken touch, he finds a return to life—an ethic of connection and a fragile, rediscovered hope.
Follow the complete movie timeline of Mister Buddwing (1966) with every major event in chronological order. Great for understanding complex plots and story progression.
Awakening in Central Park
A man wakes on a park bench in Central Park with a total mind blank, no identification or money, and a folded slip enclosing two large white pills and a phone number. His memory is gone and the slip hints at a life he cannot recall. He begins to piece together clues from the city around him as he tries to identify himself. The mystery of his past becomes the impulse that drives the first hours of his search.
Gloria and the name Buddwing
From a street phone, he dials the number and reaches Gloria, who mistakes him for her shiftless husband. He improvises a new identity by adopting the name Sam and coining Buddwing from a Budweiser truck and an airplane he sees. Gloria, moved by pity, hands him cash and sends him on his way. The deception deepens his identity crisis.
Breakfast and a fugitive fear
Over breakfast, a giant newspaper headline proclaims the escape of a violently insane criminal, sending a chill through him as he wonders if he himself is the fugitive. He studies a ring with initials, interpreting them as proof of a concealed identity he cannot fully trust. The fear of being hunted by authorities or his own past gnaws at him as he tries to anchor his life in the present.
Grace, Janet, and a flashback romance
Seeing a woman on the street, he hails her as Grace, but she is Janet, a music-school student in Washington Square. A flashback reveals a romance from college days and shows him as a struggling student composer who impulsively marries Janet. The misrecognition triggers a surge of memories and a sense that his past is still unfinished.
Park confrontation and interrogation
Back in the park, Janet rejects him and creates a scene. A policeman arrives to question Buddwing, but he flees when the officer becomes distracted by hecklers. The encounter sharpens his awareness that his identity might be less solid than he believes.
Chase by a mad street person
A deranged street person pursues him, raving that Buddwing is the murderer on the loose. The chase snakes through sidewalks as his fear and confusion mount. He escapes again, still unable to stabilize a true identity.
Fiddle and a new memory
He meets a coquettish actress named Fiddle and believes she is Grace. They have sex, and afterward he sits at a piano, memories of his former identity resurfacing through music. He falls asleep in her arms and dreams of a fight with his wife over an unexpected pregnancy.
Nightmare and abortion tension
In a nightmare, he fights with his wife figure over a pregnancy they cannot afford, insisting on an abortion. Grace climbs over the railing of the 59th Street Bridge, ready to jump, and he grabs her to save her. The rescue heightens his sense that his life is built on fragile delusions rather than durable truth.
Harlem scavenger hunt and a hollow windfall
Seeking relief from his torment, the fake Grace becomes part of a boozy scavenger-hunt moment with a socialite and they drift to Harlem to gamble in a craps game to win 100,000. They win financial liquidity but lose any sense of real life or art, as the relationship remains strained and hollow. The episode underscores that wealth cannot restore his artistic talent or the love he longs for.
Delusions of a perfect life
In delirium, the different identities fuse into a hollow dream where the glamorous life cannot satisfy him. He sees a blood-spattered vanity and a razor blade and realizes he dialed the wrong area code, not the Monument exchange but Mount Kisco in Westchester. The discovery begins nudging him toward a concrete, recoverable truth.
The Mount Kisco connection
He dials into a hospital in Mount Kisco and a realization grows that Grace is connected to this place. The hospital scene becomes a turning point as he faces a real past rather than the fantasies of wealth and romance. The pursuit of truth narrows to Grace's life and their shared history.
Reunion and rediscovered life
At the Mount Kisco hospital, he begs to see Grace and takes her lifeless arm, speaking her name. Her hand moves slowly, signaling life, and he clasps it, sharing his rediscovered life force. The film ends on a note of renewal as their bond and his memory of art are finally rejoined.
Explore all characters from Mister Buddwing (1966). Get detailed profiles with their roles, arcs, and key relationships explained.
Mister Buddwing
A man who wakes with a total amnesia and no identity, forced to improvise a life on the streets of New York. He shifts between personas—romantic, hopeful composer, and wary stranger—in a desperate search for who he is. His talent as a student composer surfaces through flashbacks, revealing a deeper longing for meaning beyond wealth and status.
Gloria
A liquor-soaked woman who mistakes Buddwing for her husband and offers him money. She embodies a rough, compassionate pragmatism that underscores the economic reality of urban life. Her encounter is a catalyst for Buddwing's rapid shifts in identity.
Janet
A music student in Washington Square who resembles a past love Buddwing briefly marries in a flashback. She represents a stable memory of love and ambition, contrasting with the chaotic present. Yet she remains a living memory rather than a fixed future.
Fiddle Corwin
A coquettish actress Buddwing meets and mistakes for Grace. She triggers a sexual encounter and a cascade of memory fragments about a different life. Her presence accelerates the blurring of reality and fantasy.
The Blonde (Grace)
A mysterious love-interest figure Buddwing briefly inhabits as Grace, a woman connected to his past and his sense of self. She embodies the idealized version of love he chases through a city of shifting identities. Her presence blooms into tragedy as memory and truth collide.
Learn where and when Mister Buddwing (1966) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1960s
The narrative is set in a contemporary New York of the 1960s, a time of social change and cinematic experimentation. The urban rhythms—street life, nightlife, and public spaces—frame a mind-bending drama about memory and self. The setting underscores a culture of urban exploration and personal reinvention.
Location
New York City, Central Park, Washington Square, Harlem, Mount Kisco
The story unfolds across Manhattan and its surrounding neighborhoods, with Central Park and Washington Square serving as focal points for Buddwing's shifting identities. The city acts as a crowded, anonymous stage where memory and fantasy collide. Key scenes move from park benches to bridges and Harlem, reflecting the era's urban texture and mood.
Discover the main themes in Mister Buddwing (1966). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🧠
Identity
Buddwing's mind is a blank canvas that receives a succession of identities, each reflecting a fragment of a life he cannot fully name. The film probes how memory, perception, and circumstance shape who we believe ourselves to be. As the day unfolds, the line between true self and performed roles blurs, revealing a fragile core.
⏳
Memory
Memory drives the narrative as a mosaic of flashbacks and present-day misrecognitions. The protagonist relives versions of his past—romantic partners, ambitions, and moments of crisis—that never fully cohere. The city acts as a conduit for recollection, with each remembered moment altering his present choices.
💔
Love and Loss
The relationships Buddwing encounters—Janet, Fiddle, and Grace—are prisms that reveal longing, regret, and the costs of a life built on fantasies. The film ties romantic desire to material abundance and alienation, showing how love can fracture under pressure and memory. The ultimate revelation deepens the tragedy: the past casualties echo into the present.

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Explore the mobile appDiscover the spoiler-free summary of Mister Buddwing (1966). Get a concise overview without any spoilers.
In the restless heart of Manhattan, a man awakens on a Central Park bench with nothing but a blank mind, a folded note holding two white pills, and a phone number scribbled in haste. The city’s endless hum becomes both a backdrop and a maze as he drifts through streets that feel simultaneously familiar and alien. The film’s tone is a blend of gritty urban realism and off‑kilter surrealism, where the ordinary—cabbies, street vendors, a distant saxophone—glitters with the possibility of deeper, hidden truths.
He dials the number and reaches Gloria, a weary woman who initially assumes he is her absent‑at‑home husband. In a moment of desperate generosity, she offers him a modest sum and a place to regroup, while he fashions an identity for himself, borrowing the moniker Buddwing from the first odd pair of sights that catch his eye—a beer truck and an airplane. This self‑named persona becomes a fragile anchor as he steps back into the city’s relentless flow, searching for any clue that might stitch together the shattered fragments of his past.
Along the way, he encounters Janet, a bright student at a nearby music school, whose brief connection hints at a life once rooted in creative pursuit. Later, a charismatic actress named Fiddle appears, drawing him into a world of glamour and performance that feels both intoxicating and unsettling. Each encounter adds layers to his quest, suggesting that his lost history may be tangled with love, art, and the disparate lives of the women who touch his path.
The film sustains a lingering sense of intrigue, inviting viewers to wonder whether memory can be reclaimed in a city that never sleeps. Its visual palette—muted grays of early morning light against neon‑lit nights—mirrors the protagonist’s internal oscillation between emptiness and sudden flashes of recollection. As the narrative unfolds, the audience is left with the feeling that the answers lie somewhere within the urban labyrinth, waiting for a man who must live twelve years in a single day to finally uncover who he truly is.
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