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Read the complete plot summary and ending explained for Medea (1969). From turning points to emotional moments, uncover what really happened and why it matters.
In the city of Iolcus, King Aeson is overthrown by his half-brother Pelias, who becomes a cruel tyrant who hoards power and fear. Giasone, Aeson’s son, is hidden away by the wise Chirone to keep him safe from Pelias’ reach, and under Chirone’s guidance he learns about the wider world while hearing of a legendary voyage to Colchis, where the Golden Fleece of Ares is kept. As time passes, Giasone grows, returns to Iolcus, and challenges Pelias for the throne, though Pelias makes a dangerous bargain: the throne in exchange for retrieving the fleece from the faraway land.
Medea, a priestess of Colchis, becomes central to the unfolding plan. Enraptured by Giasone’s fate, she enlists her brother, Apsirto, to help steal the fleece in preparation for his arrival. The pair joins the Argonauts as they press onward toward Colchis, and the chase that follows sees the Colchians rallying to reclaim what has been taken. Medea, driven by a mix of love and zeal, makes a brutal choice: she kills her brother and dismembers his body so that the pursuers must stop and collect his remains. This grim delay buys precious time for Giasone and Medea to press on and escape.
Back in Greece, Medea undergoes a deep spiritual crisis, finding herself alien to the earth and its magic in this new land where Greek customs clash with her ancient rites. When they finally return to Iolcus, they deliver the fleece to Pelias, who promptly reneges on his promise. Giasone accepts this turn of events, while Medea tries to adapt to a conventional Greek wife’s role, though he soon grows distant from her. He travels to Corinth and encounters two versions of Chirone: one is in the form of a centaur, the other utterly human. The silent centaur and the human Chirone together reveal that Medea is torn between two selves—the ritual, earth-driven self of Colchis and a newer, more secular Greek self.
Despite bearing him two sons, Giasone’s interest shifts toward a political alliance with the Corinthian princess Glauce, whose father Creonte fears Medea’s lingering influence and the power of her magic. He banishes Medea, yet grants her a day to prepare for her departure, hoping to avert catastrophe.
Glauce becomes the target of Medea’s perilous plan. Disguised in feigned happiness, Medea signals that her only wish is to protect their children, even as she plots a deadly revenge. She sends Glauce a poisoned robe and crown with a quiet gesture of peace, and envisions Glauce trying them on and bursting into flames. Glauce, overwhelmed by the deadly gift, dies on the ramparts, and Creonte falls after her. That night, Medea bathes her two sons and cradles them as they sleep, then kills them by knife in a stark, offscreen moment that devastates the family.
Medea completes her vengeance by setting the house ablaze with the bodies of her children inside. As the flames rage, Giasone pleads to bury their children, but Medea refuses, her grief erupting in a final, haunting decree: “It is useless! Nothing is possible anymore!”
Follow the complete movie timeline of Medea (1969) with every major event in chronological order. Great for understanding complex plots and story progression.
Pelias seizes the throne from Aeson
In Iolcus, King Aeson is violently removed from power by his half-brother Pelias. Aeson’s betrayal leaves his son Giasone hidden away to keep him safe. The crisis sets the stage for a future challenge that will hinge on the retrieval of a legendary relic.
Chirone hides Giasone and teaches him about the world
Giasone is hidden with the centaur Chirone to keep him safe from Pelias. Chirone becomes his mentor, teaching him about life, the world beyond Iolcus, and the prophecy of a voyage to Colchis. He prepares the boy for a destiny tied to the Golden Fleece.
Giasone returns to Iolcus and challenges Pelias
As an adult, Giasone travels to Iolcus and openly challenges Pelias for the throne. He asserts that a rightful claim requires action, not words. His rebellion rekindles the conflict between the old king and the heir.
Pelias tests Giasone: fetch the Golden Fleece
Pelias sets a deadly bargain: Giasone can have the throne if he retrieves the Golden Fleece from Colchis, a distant land across the world. Giasone accepts the dangerous quest, drawn by duty and destiny. The journey becomes a turning point for many lives.
Medea's vow to steal the fleece
Medea, priestess of Colchis, envisions Giasone and is consumed by desire for him. She seeks help from her brother Apsirto to assist in stealing the fleece before his arrival. Her plan marks the collision of magical ritual with mortal longing.
The Argonauts join the voyage toward Colchis
Giasone and Medea join the Argonauts as they march toward Colchis, a perilous journey through wilderness and seas. The group travels with shared purpose, but danger continues to mount as Colchians pursue them. The pursuit intensifies the urgency of their escape.
The fleece is stolen; Medea delays pursuit by sacrificing her brother
The Colchians realize the fleece has vanished. Medea realizes their pursuers are closing in, and she kills her brother Apsirto, dismembers him, and uses the body parts to halt the chase. The gruesome act buys time for the fugitives to escape.
Medea arrives in Greece; spiritual crisis
Having escaped Colchis, Medea reaches Greece and undergoes a spiritual crisis, feeling alien to Greek earth and its magic. She struggles to connect with the land and its rituals, torn between her old powers and new surroundings. The clash foreshadows her later choices.
Return to Iolcus; deliver the fleece, Pelias reneges
Giasone and Medea return to Iolcus and deliver the fleece to Pelias, who refuses to honor the bargain or grant the throne. This betrayal solidifies Giasone’s disillusionment with the fleece’s power. Medea’s status as a ritual outsider continues to strain their relationship.
Giasone becomes distant; Medea adapts to Greek life
Medea assumes the role of a traditional Greek wife, yet Giasone grows bored and distant. He seeks a new alliance and travels toward a political future rather than the old quest. The couple’s personal dissonance grows as cultural tensions mount.
Giasone travels to Corinth; vision of two Chirones
In Corinth, Giasone encounters a vision of two Chirones: a mute centaur and a speaking human. The human Chirone explains Medea’s split between ritual past and Greek present. The encounter deepens his existential doubts about their way of life.
Medea’s revenge plan unfolds: banishment and delay
Giasone pursues a political marriage with Corinthian princess Glauce, while Creonte fears Medea’s power and banishes her. He grants her a day’s delay before departure, hoping to keep the peace. Medea uses the delay to execute her revenge plan.
Medea poisons Glauce and Creonte
Medea disguises her fury as acceptance and sends Glauce a poisoned robe and crown. Glauce dies from the garments; Creonte dies in her poisonous wake. The royal household is consumed by a deadly ruse and fear.
Medea murders her two sons and burns the house
That same night, Medea kills her two sons in front of no one, bathing and then stabbing them. She arranges their bodies on separate beds and then sets the house ablaze with the corpses inside. The city is left reeling as Giasone pleads for mercy but she remains unreachable.
Final fallout: Giasone pleads to bury the children; Medea refuses
Giasone begs to bury their children, but Medea refuses, declaring that nothing is possible anymore. The couple’s saga ends in flames and tragedy, with future consequences for all involved. The fleece’s power is revealed to be hollow against such a ruinous vengeance.
Explore all characters from Medea (1969). Get detailed profiles with their roles, arcs, and key relationships explained.
Medea (Maria Callas)
A powerful sorceress and former Colchian princess who falls for Jason and becomes entangled in his ascent to power. She navigates cross-cultural loyalties and uses ancient magic to influence events, yet her love and rage drive a devastating revenge.
Jason (Giuseppe Gentile)
A bold hero whose ambition leads him to bargain with fate and Medea. He pursues the throne of Iolcus via the quest for the Golden Fleece, but his pragmatism and self-interest strain his relationship with Medea.
Pelias (Paul Jabara)
A power-hungry tyrant who seizes the throne and challenges Giasone to retrieve the fleece. His scheming and fear of losing control set the unfolding conflict in motion.
Creonte (Massimo Girotti)
King of Corinth who fears Medea’s magic and political influence. He banishes Medea and grants her a short window to prepare, underlining a ruler's precarious grip on power.
Chirone (Laurent Terzieff)
The wise centaur mentor who guides Jason and represents the tension between mythic knowledge and political reality. His presence underscores Medea’s inner conflict and the dual nature of fate.
Glauce (Margareth Clémenti)
Princess of Corinth and the target of Medea’s calculated revenge. A symbol of political alliance and vulnerability within the royal court.
Apsirto (Sergio Tramonti)
Medea’s brother whose death is orchestrated to delay pursuit and clear a path for escape. His sacrifice catalyzes the escape and escalation of Medea’s revenge.
Glauce's Maid (Graziella Chiarcossi)
A minor palace figure who adds texture to royal life and the social setting in which Medea’s plots unfold.
Learn where and when Medea (1969) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Ancient Greece
The tale is set in a mythic ancient era when city-states, kings, priestesses, and magical rites intersect. The journey from Iolcus to Colchis spans a legendary time of heroes and gods, where fate governs political ambition. The setting mixes ritual sacrifice, frontier exploration, and courtly intrigue.
Location
Iolcus, Colchis, Corinth, Greece
The action unfolds in Iolcus and Colchis, with the Argonauts' voyage and kingly courts shaping the story. Colchis is depicted as a land of rites and magic, while Iolcus represents political power and betrayal. The corridors of Corinth and the broader Greek world frame Medea’s exile, vengeance, and return.
Discover the main themes in Medea (1969). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Revenge
Medea's love turns to a ruthless vendetta after betrayal. She engineers a sequence of deadly moves—poisoned gifts, a ritual of fidelity, and a brutal final act—that upend the social order. The plan culminates in the murder of Glauce and Creon, the deaths of Medea's own children, and a burning house, leaving a stain of vengeance that questions whether ends ever justify the means.
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Identity
Medea grapples with her dual roots—Colchian ritual magic and Greek customs—feeling alien in a new world. Her sense of self fractures as she moves between sorcery and domestic roles, revealing a collision between different cultures and identities. The journey from Colchis to Greece highlights the fragility of belonging and the pull of tradition versus assimilation.
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Power
The plot centers on dynastic ambition—Pelias’s usurpation, Creonte’s rule, and Jason’s political marriage—showing how power is secured through cunning, alliances, and fear. Medea’s magic becomes both weapon and threat, challenging male authority and exposing the vulnerability of rulers who underestimate her. The narrative renders power as a volatile force that can destroy a city, a family, and the self.

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Discover the spoiler-free summary of Medea (1969). Get a concise overview without any spoilers.
In a sun‑kissed ancient Greece, a foreign priestess arrives at a court whose customs feel both alluring and hostile. Medea carries the weight of her own mystic traditions while trying to find a place in a world that judges her by the thin line between reverence and suspicion. The kingdom’s glittering marble halls and bustling market streets are steeped in mythic resonance, a backdrop that makes every whispered promise feel like a binding oath.
At the heart of the story stands Jason, a charismatic yet restless figure whose ambitions tug him between personal desire and the expectations of power. Their marriage, forged in the heat of adventure and sealed by a fragile promise, becomes a delicate dance of loyalty, love, and cultural clash. As their lives intertwine, the tension between Medea’s enigmatic heritage and the prevailing Greek ways begins to surface, turning intimate moments into battles of identity.
The film’s tone is a slow‑burning amalgam of classical tragedy and stark, modern intensity. Its visual palette drenches the audience in rich ochres, deep blues, and the flickering shadows of torches, while a haunting score underscores the simmering unrest that rides beneath every interaction. In this world, every gesture carries the potential for reverence or ruin, and the audience is drawn into the poised uncertainty of what will happen when a woman’s place in society is suddenly called into question.
As the narrative unfolds, the growing distance between Medea and Jason hints at a looming conflict that threatens to upend the fragile balance of their lives. The film invites viewers to feel the weight of ancient expectations, the fierce yearning for autonomy, and the inexorable pull of fate that binds the characters to a destiny that seems both inevitable and tragically uncertain.
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