Mary Poppins 1964

In Edwardian London, 1910, Winifred Banks returns home after a suffragette rally to discover that Jane and Michael have wandered off again—this time “for the fourth time this week”—leaving their stern father George to post a strict newspaper ad for a no-nonsense nanny. Their own impulsive plea for a kind, understanding caretaker is ripped up by George, and the scraps are tossed into the fireplace. That night, a powerful wind lifts those scraps up the chimney and into the sky, setting the stage for a remarkable arrival.

The next day, a queue of sour-faced nannies gathers outside the Banks household, only to be swept away by a gust of air. Into the scene glides a young woman who floats down with an open umbrella: Mary Poppins Julie Andrews. She arrives with the children’s advertisement in hand, the torn scraps mysteriously restored, and she promises to be firm yet fair. George is skeptical, yet Mary convinces him to hire her, while displaying a knack for transforming the nursery chores into something magical. The trio soon finds themselves orbiting around a blend of practicality and enchantment as Mary gently reshapes the children’s world.

In a park, Mary is joined by Bert, a versatile street artist who seems to know every corner of London. Mary transports the group into one of Bert’s drawings, and the children ride a carousel as Bert and Mary sing along. The mood lightens as they participate in a playful horse race, a moment Mary marks with the whimsical term she loves to wield, Supercalifragilisticexpialidocious, a word that becomes a running symbol of their adventures. When a thunderstorm dissolves the drawing, the group returns to the real city, and Mary ends the day with a soothing lullaby at the children’s bedside.

The following day, Mary and the children visit Bert’s eccentric uncle Albert, whose endless laughter makes him float. George’s patience wears thin as the household’s buoyant atmosphere clashes with his gravity-bound expectations, and he contemplates firing Mary. She persuades him to take the children to his workplace, and later, her lullabies deepen the sense of domestic warmth, including a song about a woman selling bird food on the steps of St. Paul’s Cathedral. The next morning, a trip to the bank introduces Michael to the stern Mr. Dawes Sr., who seems to attract trouble as he urges Michael to invest his tuppence and then calmly pockets it. The scene broadens into chaos as a bank run begins, with customers clamoring for their money back.

Jane and Michael run from the bank and lose themselves in the East End, only to be guided home by Bert, who now works as a chimney sweep. The trio, guided by Mary, climbs onto the rooftops where Bert dances with the other chimney sweeps. A crucial moment arrives when George learns of a meeting at the bank; the children overhear and worry about the family’s future. Bert’s advice to spend more time with the kids nudges George toward reconciliation, and Michael’s gesture of giving back the tuppence triggers a quiet transformation in his father. George walks through London toward the bank and faces a humbling cashiering, but his testimony becomes a turning point: he redeems himself with a heartfelt joke that echoes through the story.

Supercalifragilisticexpialidocious

Mr. Dawes Sr. eventually understands the joke and floats upward, laughing as the old banker finds a strange, comforting happiness in the moment. The next day, Mary tells the children that her work is nearly done. The Banks family completes a kite-flying outing—an act that strengthens their bond and signals a hopeful future. At the park, they meet Mr. Dawes Jr., who reveals his father died laughing and who rehires and promotes George, recognizing the bank’s renewed faith in the Bankses. Mary watches with a mix of tenderness and resolve, sensing that her purpose in the family has been fulfilled. She prepares to depart, while Bert watches the sky and gently says goodbye.

As Mary wings away, the family’s cohesion feels newly earned, and they savor a moment of quiet triumph. The film’s final image is one of warmth and renewal: a child’s kite catching the breeze, a father who has learned to balance duty with affection, and a cheerful city that has welcomed a little magic without losing its heart. The legacy of Mary Poppins echoes in the lingering sense that kindness, discipline, and a touch of wonder can coexist to transform a home—and a family—forever.