Joyeux Noel (2005) Plot Summary

The story centres mainly upon six characters: Gordon (a Lieutenant of the Royal Scots Fusiliers); Audebert (a French Lieutenant in the 26th Infantry and reluctant son of a general); Horstmayer (a Jewish German Lieutenant of the 93rd Infantry); Father Palmer (a Scottish priest working as a chaplain and stretcher-bearer); and two famous opera stars, German tenor Nikolaus Sprink (based on Walter Kirchhoff) and his Danish fiancée, mezzo-soprano Anna Sørensen.

The film begins with scenes of schoolboys reciting patriotic speeches that both praise their countries and condemn their enemies. In Scotland, two young brothers, Jonathan and William, join up to fight, followed by their priest, Father Palmer, who becomes a chaplain. In Germany, Sprink is interrupted during a performance by a German officer announcing a reserve call up. French soldier Audebert looks at a photograph of his pregnant wife, whom he has had to leave behind (in the occupied part of France, just in front of his trench), and prepares to exit into the trenches for an Allied assault on German lines. However, the assault fails, with the French and British taking many casualties while William loses his life.

In Germany, Anna gets permission to perform for Crown Prince Wilhelm, and Sprink is allowed to accompany her. They spend a night together and then perform. Afterward, Sprink expresses bitterness at the comfort of the generals at their headquarters and resolves to go back to the front to sing for the troops. Sprink initially opposes Anna’s decision to go with him, but he agrees shortly afterward.

The unofficial truce begins when the Scots begin to sing festive songs and songs from home, accompanied by bagpipes. Sprink and Sørensen arrive on the German front line, and Sprink sings for his comrades. As Sprink sings “Silent Night”, he is accompanied by Father Palmer’s bagpipes from the Scottish front line. Sprink responds to Palmer and exits his trench with a small Christmas tree, singing “Adeste Fideles”. Following Sprink’s lead, Audebert, Horstmayer, and Gordon meet in no-man’s-land and agree on a cease-fire for the evening.

The various soldiers meet and wish each other “Joyeux Noël”, “Frohe Weihnachten”, and “Merry Christmas”. They exchange chocolate, champagne, and photographs of loved ones. Horstmayer gives Audebert back his wallet containing a photograph of his wife, which was lost in the attack a few days prior, and they connect over pre-war memories. Father Palmer celebrates a brief Mass for the soldiers (in Latin as was the practice in the Catholic Church at that time), and the soldiers retire deeply moved. However, Jonathan remains totally unmoved by the events around him, choosing to grieve for his brother. The following morning, the Lieutenants agree to extend the truce to allow each side to bury their dead, followed by cordial fraternisation for the rest of the day. As their soldiers play football, Audebert and Horstmayer sympathise, speaking in French of their memories of Paris and Lens, and their families. Horstmayer offers to take a letter to Lens for Audebert’s wife. The next day, as the German forces shell the Allied position, Horstmayer offers to shelter the French and British soldiers in his trench, an offer Audebert and Gordon return to protect the Germans from their own retaliatory bombing. Before parting, aware that the truce has now truly ended, Audebert and Horstmayer lament that they cannot be friends, and hope that they both survive the war. As Audebert compliments Horstmayer on his French, the German reveals that his wife is French.

Prior to the bombing, Horstmayer learns that Anna and Sprink left without the German superior’s assent to entertain fellow front soldiers and informs both that Sprink is going to be arrested for disobedience. As the Germans regain their trenches, Anna and Sprink remain behind and ask Audebert to take them as captives, in order to avoid separation. Letters that they hand over to him from the German soldiers (who had been hoping Anna would deliver them when she returned to Berlin), as well as letters from soldiers all across the front, are intercepted by military authorities, revealing that the truce had occurred.

Father Palmer is being sent back to his own parish and his battalion is disbanded as a mark of shame. Despite emphasising the humanity and goodwill of the truce, he is rebuked by the bishop, who then preaches an anti-German sermon to new recruits, in which he describes the Germans as inhumane and commands the recruits to kill every one of them. Father Palmer overhears the sermon and removes his cross as he leaves.

Back in the trenches, the Scots are ordered by a furious English major (who is angered by the truce) to shoot a German soldier who is entering no-man’s-land and crossing towards French lines. All of the soldiers deliberately miss in response, except the bitter Jonathan, who shoots the targeted German soldier. Audebert, hearing the familiar alarm clock ringing outside, rushes out and discovers that the soldier is a disguised Ponchel, his batman. With his dying words, Ponchel reveals he gained help from the German soldiers, visited his mother, and had coffee with her. He also informs Audebert that he has a young son named Henri.

Audebert is punished by being sent to Verdun, and he receives a dressing down from his father, a general. In a culminating rant, young Audebert upbraids his father, expressing no remorse at the fraternisation at the front, and his disgust for civilians and superiors who talk of sacrifice but know nothing of the struggle in the trenches. He also informs the general about his new grandson Henri. Moved by this revelation, the general then recommends they “both try and survive this war for him”.

Horstmayer and his troops, who are confined in a train, are informed by the German Crown Prince that they are to be shipped to the Eastern Front, without permission to see their families as they pass through Germany. He then stomps on Jörg’s harmonica and says that Horstmayer does not deserve his Iron Cross. As the train departs, the Germans start humming a carol they learnt from the Scots. (The carol in question, “L’Hymne des Fraternisés” / “I’m Dreaming of Home”, is in fact a modern composition by Lori Barth and Philippe Rombi.)