Jamila and the President 2009
Directed by
Sam Sarumpaet
Made by
Satu Merah Panggung
Jamila and the President Plot Summary
Read the complete plot summary and ending explained for Jamila and the President (2009). From turning points to emotional moments, uncover what really happened and why it matters.
Jamila (played by Atiqah Hasiholan) opens with a stark narration from a trafficking survivor who lives a glamorous, yet hollow nightlife. After a news report reveals that a government minister named Nurdin has been murdered, Jamila surrenders to the police. Her would-be boyfriend, Ibrahim (played by Dwi Sasono), feels sympathy and begins efforts to free her. Under orders from the president, Jamila is placed in a prison outside Jakarta, where she endures rough treatment from the guards and the warden, Ria (played by Christine Hakim).
In the prison, the warden reads Jamila’s diary and learns her backstory: Jamila was sold by her mother to a middleman, who then sold her to a wealthy family. While living with the family, Jamila is raped by both the father and the son; Jamila kills the son and runs away, while the mother, Jajang C. Noer who plays Ibu Wardiman, is aware of their actions and kills her husband. Jamila becomes a market worker, but must escape again when she learns that some local men plan to rape her. She flees to a discothèque, and when it is raided by the police, she is arrested as a prostitute. After being released, Jamila is raised by Susi, a kind-hearted prostitute who was also caught in the raid Ria Irawan.
Back in the present, several groups demand Jamila’s death; a male guard Surya Saputra takes pity on her, but she remains distant. Ria grows more sympathetic to Jamila, yet their disagreement over Nurdin’s murder leads to Jamila being placed in isolation. A court eventually finds Jamila guilty of murder and sentences her to death, to be carried out in 36 hours. Before the execution, Ria visits Jamila and explains she wants to ask the president for a stay, but Jamila refuses and recounts her search for her sister Fatimah in Borneo, including the time she killed the man who forced Fatimah into a brothel, though she never found her sister.
The day of the execution arrives and the president has not responded; the screen fades to black as a gunshot rings out. Afterward, statistics about child trafficking and prostitution are shown.
Jamila and the President Timeline
Follow the complete movie timeline of Jamila and the President (2009) with every major event in chronological order. Great for understanding complex plots and story progression.
Jamila's trafficking begins: sold by her mother
Jamila is sold by her mother to a middleman and then handed to a wealthy family, starting a life of exploitation. She endures abuse from the father and then the son. After she kills the son, the mother kills the husband, sealing her traumatic past.
Escape and work at the market
To escape the cycle of abuse, Jamila becomes a market worker, trying to make a living while avoiding further danger. She narrowly avoids violence when local men attempt to rape her. Her resilience is tested as she struggles to build a new life.
Disco refuge and police raid
Jamila seeks refuge in a discotheque, but a police raid frames her as a prostitute and she is arrested. The raid marks a turning point as she is removed from the life she knows and placed under the system's control.
Susi rescues and mentors Jamila
Upon release, Jamila is taken in by Susi, a kind-hearted prostitute who was also caught in the raid. Susi provides care and introduces Jamila to a safer path. Her shelter becomes a fragile new form of family she never had.
Present-day: glamorous yet empty nightlife
In the present, Jamila appears to live a glamorous nightlife that masks an unfulfilling inner life. Her days are filled with party scenes, while the shadows of her past haunt her choices. The story builds toward the pressures of public judgment and the looming question of her fate.
Minister Nurdin murdered and Jamila surrenders
News reports reveal that government minister Nurdin has been murdered, prompting Jamila to surrender to the police. Her decision shocks her would-be partner Ibrahim, who had hoped to help her. She is taken into custody and eventually placed in a prison outside Jakarta.
In prison: harsh treatment and Ria's evolving stance
Inside the prison outside Jakarta, Jamila is subjected to rough treatment by guards and warden Ria. Over time, Ria's attitude begins to soften as she confronts the depth of Jamila's backstory. Their mutual resentment and sympathy fuel the drama of their dynamic.
Ria reads Jamila's diary; backstory revealed
Ria reads Jamila's diary and uncovers the painful history of abuse, trafficking, and attempted escapes. The diary pieces together the web of people who shaped Jamila's life. This revelation reframes Jamila's actions in the present day.
Court convicts Jamila; death sentence with countdown
Several days later, the court finds Jamila guilty of murder and sentences her to death, with a countdown of 36 hours before execution. The public debate intensifies as various groups call for her death or mercy. Jamila faces her impending execution while the clock ticks.
Fatimah in Borneo: a sister lost and a brothel killer
In prison, Jamila reveals to Ria the search for her sister Fatimah in Borneo and the killing of the man who forced her into a brothel, a crucial part of her backstory. She explains that she killed the man but could not locate her sister. The confession deepens the audience's understanding of her pain.
One day before execution: Nurdin’s past unveiled
The night before Jamila's execution, Ibrahim meets with Susi, who tells him about Jamila's romantic entanglement with Nurdin. The revelation contextualizes Jamila's pregnancy and the humiliation she faced. It foreshadows the broader motive behind her later defense.
Nurdin's abuse and Jamila's self-defence murder
In a flashback, Jamila discovers Nurdin's infidelity and threatens him in a hotel. When he pulls a pistol on her, she shoots in self-defence, killing him. This act becomes the central crime that haunts her through the present-day trial.
Final moment: execution day and gunshot
Jamila walks toward the execution with the fate of her life hanging in the balance. The president does not grant a stay, and a gunshot ends her life in the prison setting. The screen fades to black, followed by statistics about child trafficking and prostitution.
Ending credits: world-wide child trafficking stats
After the gunshot, the film presents stark statistics about child trafficking and prostitution. The numbers provide a sobering context for Jamila's personal tragedy. The conclusion links her story to a broader social issue demanding awareness and action.
Jamila and the President Characters
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Jamila (Atiqah Hasiholan)
A trafficking survivor who leads a glamorous yet hollow nightlife before surrendering to the police. Her backstory includes being sold into exploitation, sexual assault by a father and son, and a murder she commits in self-defense while protecting her sister Fatimah. In the present, she faces a death sentence as debates over justice and mercy unfold.
Ria (Christine Hakim)
The prison warden who reads Jamila's diary and gradually shows sympathy. She battles with Nurdin's murder case, hopes to seek a presidential stay, and becomes a conscience within the system. Her evolving stance highlights the tension between authority and compassion.
Susi (Ria Irawan)
A compassionate former prostitute who supports Jamila and shares the burden of the past raid. She helps reveal Jamila's emotional world and provides a source of safety and memory for the other women involved. Her presence emphasizes care and sisterhood amid hardship.
Ibrahim (Dwi Sasono)
Jamila's would-be partner who works to free her from danger. He embodies loyalty and determination, taking action to challenge the circumstances that trap Jamila. His commitment underscores themes of trust and protection in a harsh system.
Sipir Surya (Surya Saputra)
A prison guard who takes pity on Jamila and tries to help her navigate the system. His moment of humanity contrasts with the brutality surrounding her, illustrating the moral conflicts within law enforcement.
Nurdin
A government minister whose murder triggers the central conflict and the political pressure around Jamila's fate. His actions and eventual fate are revealed in Jamila's backstory, illustrating power dynamics and public humiliation.
Jamila and the President Settings
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Time period
Present day
The narrative unfolds in modern Indonesia, weaving Jamila's past and present into a single arc. The present follows her court case and potential execution, while past events reveal how her life was shaped by trafficking and violence. The film uses these shifts to critique how society responds to survivors of abuse in the contemporary era.
Location
Jakarta, Borneo, Discothèque, Market
Set in contemporary Indonesia, the film moves between urban Jakarta spaces and regional locations. A prison outside Jakarta anchors Jamila's present, while flashbacks revisit a rich family's home, a bustling market, and a neon-lit discothèque. The story also travels to Borneo during Jamila's search for her sister, underscoring social contrasts and the reach of exploitation.
Jamila and the President Themes
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🕊️
Trauma Recovery
Jamila's history of trafficking and sexual violence drives her choices and shapes her resilience. The film tracks how past abuse continues to influence present decisions and relationships. It also shows glimpses of healing through moments of empathy from guards, fellow survivors, and supporters who offer care without judgment.
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Justice System
The plot centers on a looming death sentence and a courtroom process that tests the limits of mercy and punishment. The president's potential stay of execution, public opinion, and political pressures frame a critique of how justice is administered. The story asks whether legal outcomes truly serve victims or perpetuate cycles of violence.
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Solidarity
Beyond the courtroom, Jamila forges bonds with Susi, Ibrahim, and even a guard who shows mercy. These relationships illustrate a counterforce to exploitation, built on care, loyalty, and quiet resistance. The film suggests that survivor communities and compassionate allies can challenge stigma and help redefine justice.
Jamila and the President Spoiler-Free Summary
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In a stark, sun‑baked Indonesia where the glitter of nightlife masks a deeper darkness, the story unfolds against the backdrop of a justice system that feels both imposing and indifferent. The world feels lived‑in, with bustling streets that pulse with hidden economies and a governmental hierarchy whose decisions ripple far beyond the capital. A muted, almost documentary tone invites the audience to peer into lives that are rarely seen, framing every moment with a tension that is both political and deeply personal.
Jamila, a woman who has spent years behind bars after a life shaped by exploitation, makes a startling decision: she walks back into the police precinct and confesses to a politically charged killing. More than a simple surrender, her act is a deliberate challenge to a system that has offered her little agency. She refuses counsel, rejects any plea that would lessen her sentence, and insists on confronting the law on her own terms, turning her personal struggle into a silent protest that reverberates through the corridors of power.
Ibrahim, a former lover who still feels a lingering compassion, becomes an unlikely ally, quietly navigating the murky spaces between loyalty and advocacy. Meanwhile, Ria, the prison warden, watches Jamila’s defiance with a mixture of curiosity and professional duty, hinting at the complex power dynamics that play out within the institution’s walls. Above them, the president’s distant authority adds an extra layer of pressure, suggesting that Jamila’s case might echo far beyond the prison’s fence.
The film’s mood is one of relentless, almost cinematic realism, punctuated by moments of intimate reflection that reveal the inner lives of its characters. Through careful, restrained storytelling, it asks what it means to claim ownership of one’s narrative when every institution seems designed to strip it away, leaving viewers to wonder how far a single act of resistance can travel in a world built on compromise.
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