It Should Happen to You 1954

Gladys Glover is a young woman who yearns for fame. Strolling through Central Park, she meets Pete Sheppard, a documentary maker. Gladys tells him she has just been fired and has $1,000 saved up. Despite her savings, she feels she has roared nowhere in two years and she longs to make a name for herself. Pete, clearly taken with her, promises to drop her a postcard when the film is finished so she can see herself on screen. He encourages her to chase her dreams before they part ways for good.

Wandering in a fog of disappointment, Gladys spots a large billboard overlooking Columbus Circle that is available to rent. She envisions her own name blazing across the city and somehow manages to secure the space. Within days the sign is up and she is overjoyed. Yet the Adams Soap company, which traditionally books the sign, is furious to learn another client has snagged it. She is summoned to a meeting where Evan Adams III tries to persuade her to relinquish the sign by offering more money. She declines. In a subsequent meeting she is offered six signs in exchange for the one, and this time she accepts. Overnight, there are six enormous “Gladys Glover” signs lighting up New York.

Meanwhile, Pete has moved into an apartment next to Gladys, and the two become friends. Pete grows increasingly exasperated by Gladys’s fixation on the signs and her demand that he show her the city from the front row. The buzz begins: people flock to Macy’s to witness the phenomenon, and when she announces her name in the store, the crowd surges with curiosity and curiosity becomes adoration. Gladys’s star rises as she starts appearing on television, where she’s treated as a spectacle rather than a serious breakthrough. Pete feels uneasy about the way she’s framed, while Gladys remains focused on the next big moment. Soon Evan Adams III hires her to star in a series of advertisements for Adams Soap, marking a lucrative new chapter in her public life.

Yet the path to fame grows more tangled as her ambitions clash with her personal sense of self. Pete worries that she’s chasing something hollow, a question he has repeated in their conversations: why seek to stand above the crowd when happiness might lie in belonging to it? The tension peaks when Gladys cancels a date with Pete and his parents to attend what Adams says is a business conference about a cross-country publicity tour. That conference turns out to be a coercive, manipulative seduction, and she leaves in disgust. When she returns home, Pete has sent a film confessing his love and offering a final goodbye.

Her advertising career continues, but the jobs feel increasingly demeaning and empty. She reflects on Pete’s questions and begins to reconsider the very premise of her pursuit. A dramatic moment arrives when a USAF plane is named after her and she’s asked to speak at a ceremony; she walks away, sensing the truth in Pete’s warnings. In a final act of defiance and longing for genuine connection, she arranges for a plane to skywrite a message to Pete, who is filming a crowd sequence in the zoo.

Ultimately, Gladys and Pete marry. On their honeymoon, as they discuss their future, Gladys’s gaze drifts to an empty billboard available for rent. Pete notices, and when he asks what she’s looking at, she answers with a smile that crystallizes the film’s quiet truth: they walk forward together, and the billboard’s vacancy becomes a powerful reminder of what truly matters.

“Nothing, absolutely nothing!”