Intergirl 1989

Romance

Drama

Runtime

143 mins

Language

Russian

Directed by

Pyotr Todorovskiy

Made by

Mosfilm

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Intergirl Plot Summary

Read the complete plot summary and ending explained for Intergirl (1989). From turning points to emotional moments, uncover what really happened and why it matters.

Tanya Zaitseva, Elena Yakovleva from Leningrad, is a nurse by day and a prostitute catering to foreigners by night. When she suddenly receives a marriage proposal from a Swedish client, she faces a decision that could open the Western world she has long dreamed of, a doorway she barely dares to imagine.

Her closest friends in the trade—Sima Gulliver, Irina Rozanova a former volleyball athlete; Kisulya, Ingeborga Dapkūnaitė; and the striking Zina Meleiko, Lyubov Polishchuk—are regarded as the elite of the profession, and they form a tense, intimate circle around Tanya as she navigates loyalty, money, and risk.

After another run-in with the police, she returns home to share the news with her mother, Natalya Drozhzhina, who believes her daughter is simply a nurse. Tanya is candid: she isn’t marrying for love, but for a chance to own an apartment, a car, savings, and a future she can glimpse as if through a window to the world. In a moment of blunt honesty with her mother, she argues that prostitution is a reality across many trades, insisting that “everyone sell themselves.”

To make the Swedish visa a reality, Tanya confronts a brutal obstacle: her father, whom she has not seen in two decades, demands 3,000 rubles to process the paperwork. The price is steep enough to pull her back into prostitution, trapping her in a web of coercion and dependence she hoped to escape.

In Sweden, the dream quickly feels hollow. Tanya makes a connection with a Russian truck driver employed by Sovtransavto, through whom she manages to send gifts back to her mother in Leningrad. Her Swedish companions remind her bluntly of the money she earned in the USSR, and Edvard Larsen, her former client and fiancé, Tomas Laustiola loves her but cannot help commenting on her habits, further complicating her sense of self in a foreign land.

Tanya remains an outsider in this new world, consumed by homesickness and a longing to return to her mother. Meanwhile, a case alleging illegal foreign currency speculation tied to Tanya surfaces, a serious charge in the Soviet Union that could carry grave penalties. Investigators visit Tanya’s mother and reveal the hidden truths behind her daughter’s high earnings, shattering the fragile sense of security that Tanya had clung to.

Shocked and morally broken by these revelations, Tanya’s mother—Natalya Drozhzhina—finds herself driven to a desperate act, choosing to end her life by gas in her apartment. A neighbor, Skein, smells the release of gas, bursts into the scene, and drags the desperate mother out of danger, attempting to revive her, but to no avail. The tragedy reverberates across two continents, narrowing Tanya’s options and sealing a fateful turn.

Back in Sweden, Tanya senses that something terrible has happened and, in a panic, abandons her lover and races toward the airport. A car accident on the way to departure ends her journey abruptly, cutting short the life she had tried to steer toward freedom. The film closes on a somber note, with the Russian folk song “Tramp” echoing as a leitmotif, underscoring the loneliness, longing, and losses that define her voyage.

Throughout this story, the lines between dream and danger blur against a stark backdrop of surveillance, bureaucracy, and longing. The film paints a portrait of a woman pulled between two worlds, where every choice is weighed against the cost of belonging, and where the dream of a better life collides with the price of survival.

Intergirl Timeline

Follow the complete movie timeline of Intergirl (1989) with every major event in chronological order. Great for understanding complex plots and story progression.

Tanya's double life and the marriage proposal

Tanya Zaitseva lives a double life in Leningrad, working as a nurse by day and catering to foreigners by night. She receives a marriage proposal from Edvard Larsen, a Swedish client who promises a gateway to the Western world. She does not marry for love, but for money, a car, an apartment, and a chance to travel.

Leningrad

Friends in the trade

Her closest friends in the trade, former volleyball athlete Sima Gulliver, a Baltic beauty nicknamed Kisulya, and the gorgeous Zina Meleiko, are considered the elite of prostitutes. They serve as her social circle and benchmarks of success in the trade. The film introduces this world as Tanya's everyday reality.

Leningrad

Mother's disapproval

Back home in Leningrad, Tanya shares the good news with her mother, who still thinks of her as a nurse. Tanya candidly explains that prostitution is characteristic of all trades and that everyone sells themselves. Yet her mother cannot accept this truth and rejects the idea.

Leningrad, mother's apartment

Visa hurdle and return to prostitution

To obtain the required immigration permission from her father, who has not seen her in twenty years, Tanya learns he demands 3,000 rubles. Unable to raise the sum by ordinary means, she returns to prostitution to fund the paperwork. This turn underscores the harsh choices she must make between dream and survival.

Leningrad

Journey to Sweden and first impressions

In Sweden, Tanya quickly grows bored with the new environment. She befriends a Russian truck driver working for Sovtransavto, who helps her acclimate and who she uses to send gifts to her mother in Leningrad. The distance between her dream of a better life and the reality of living abroad becomes evident.

Sweden

Homesickness and alienation

Her Swedish friends never forget how she earned her money in the USSR, and Edvard loves her but frequently comments on her habits. Tanya remains a stranger in a foreign land, increasingly homesick and longing to visit her mother. The world she sought in Sweden feels alien and unwelcoming.

Sweden

Investigation and mother's despair

A fellow prostitute mentions that authorities have opened a case on illegal foreign currency speculation tied to Tanya. Investigators visit her mother in Leningrad and reveal the secrets behind her daughter's earnings. Shocked and morally broken, Tanya's mother commits suicide by gassing herself in her apartment.

Leningrad, mother's apartment

Skein's intervention

Skein, a neighbor, detects the gas and bursts into the apartment, dragging Tanya's mother out and attempting to revive her, though it is too late. The neighborhood rushes to help as the tragedy unfolds. This moment marks the depth of the consequences that followed Tanya's choices.

Leningrad

Foreboding in Sweden

In Sweden, Tanya looks back and her intuition tells her that something bad has happened. The sense of impending doom underscores the distance between her dreams and reality. She clings to memories of home as she faces an uncertain future.

Sweden

Panic and abandonment

Overcome with fear, she ends her relationship with Ed and jumps into a car. She races toward the airport, hoping to escape the shrinking world around her. The panic signals a turning point as she moves toward a doomed finale.

Sweden

Fatal pursuit to the airport

En route to the airport, Tanya's car crashes, ending her life in a sudden tragedy. The accident seals the fate of a woman torn between two worlds. The final moments emphasize the film's themes of dream versus reality.

On the way to the airport, Sweden

Leitmotif of Tramp

The drama of the final episode is reinforced by the Russian folk song Tramp, which serves as the film's leitmotif. The mournful tune ties Tanya's fate to the broader allegory of longing and loss. The song lingers as the credits roll.

Film's final sequence

Intergirl Characters

Explore all characters from Intergirl (1989). Get detailed profiles with their roles, arcs, and key relationships explained.

Таня Зайцева (Elena Yakovleva)

Дневная медсестра и ночная проститутка, мечтающая о квартире, автомобиле и мире за пределами СССР. Она не скрывает, что выходит замуж не ради любви, а чтобы добиться лучшей жизни, но сталкивается с жестокостью бюрократии и моральными дилеммами. Её чувство дома — мать и родной город Ленинград, откуда она стремится уйти, не забывая о близких. Таня стремится к свободе, но её путь приводит к трагическим последствиям.

🎭 Драма 🌍 Миграция 💰 Экономика

Эдвард Ларсен (Edward Larsen)

Бывший клиент Таня, ныне её жених. Он любит Таню, но нередко критически относится к её привычкам. Его роль — мост к западному миру и иллюзия, что брак может прокормить мечту о новой жизни. Его отношения с Таней демонстрируют двойственную природу романтической и экономической мотивации эмиграции.

🎭 Драма 💑 Любовь 🌍 Эмиграция

Сима-«Гулливер» (Sima Gulliver)

Бывшая волейболистка, известная как «Гулливер», входит в элиту проституток и является близкой подругой Таня. Она демонстрирует мир за кулисами проституции и служит зеркалом для амбиций и опасностей, с которыми сталкиваются героини. Её характер сочетает уверенность и лояльность к подругам.

🎭 Драма 🤝 Дружба 🌍 Миграция

Зина Мелеико — «Кисуля» (Kisulya)

Красивый и влиятельный участник круга проституток, близко знакома Таней и считается частью элиты. Её образ подчёркивает блеск и жестокость мира проституции, а дружба с Таней показывает как выживают в этом окружении. Её роль — символ внешнего соблазна и опасности.

🎭 Драма 🤝 Дружба 🌍 Миграция

Наталья — мать Таня

Здесь Наталья представлена как мама, которая считает дочь простой медсестрой и не принимает её ночную работу. Её отношение к дочери меняется под воздействием новостей, и трагическая развязка на её глазах становится поворотным моментом. Её смерть газом — ключевой драматический эпизод, который подчёркивает цену преступления и стыда.

🎭 Драма 💔 Мораль 👩 Родители

Intergirl Settings

Learn where and when Intergirl (1989) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

1980-е годы

События происходят во времена позднего Советского Союза, когда выезд за границу был строго ограничен бюрократией. Мечты о западной жизни встречаются с суровой реальностью требований и проверок. В таком времени социальное давление и экономические трудности формируют мотивацию героини и её окружения.

Location

Ленинград, Швеция

Таня родом из Ленинграда — города с суровой повседневной реальностью и полицейскими проверками. Она мечтает о жизни за пределами СССР и пытается получить её через брак, сталкиваясь с бюрократией и строгими правилами эмиграции. Швеция в фильме изображена как далёкий западный мир, к которому тянутся мечты, но реальность оказывается намного сложнее.

🏙️ Город 🌍 Миграция 💰 Экономика

Intergirl Themes

Discover the main themes in Intergirl (1989). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

💔

Свобода/Эксплуатация

Фильм исследует, как мечта о свободе и лучшей жизни может перерасти в эксплуатацию, когда человек вынужден продавать себя ради финансовой независимости. Женщина пытается выбраться из ограничений общества и бюрократии, но сталкивается с ценой своих решений. Привлекательность западной мечты контрастирует с жестокостью реальности и моральными сомнениями окружающих. В итоге свобода оказывается не так близко, как хотелось бы.

🧭

Идентичность

Герои осознают себя на стыке культур — восточноевропейская реальность дома и западная мечта за пределами. За границей Таня ощущает себя чужой и одинокой, несмотря на знакомства и связи. Домашняя связь с матерью и русской землёй остаётся главной опорой в её сомнениях. Фильм подчёркивает, как миграция меняет восприятие себя и мира.

🧾

Бюрократия

Центральной преградой к мечте служит бюрократия: требование разрешения на иммиграцию, крупная сумма денег и зависимость от чужих решений. Общество реагирует на успехи героев через закон и контроль, что приводит к трагическим последствиям, включая расследование по делу об « illegal foreign currency speculation ». Жестокий реализм бюрократических процедур переплетается с личной драмой, усиливая напряжение сюжета.

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Intergirl Spoiler-Free Summary

Discover the spoiler-free summary of Intergirl (1989). Get a concise overview without any spoilers.

In the gray, tightly monitored streets of late‑Soviet Leningrad, a discreet economy thrives beneath the surface, where hard‑currency‑seeking foreigners create a shadow market for intimacy. The city’s stark architecture and endless queues of bureaucracy frame a world where survival often means bargaining with one’s own body, and the promise of a western life glitters like a distant mirage. The tone is a quiet, unflinching portrait of a society caught between ideological austerity and the whispered cravings of its people.

Tanya Zaitseva balances two roles with practiced precision: by day she moves through hospital corridors in a crisp white coat, and by night she becomes an “international girl,” catering to the curiosities of visiting clients. Her circle—comprising Sima Gulliver, Kisulya and the striking Zina Meleiko—forms a tight‑knit sisterhood that navigates the fragile line between camaraderie and competition. At home, her mother, Natalya Drozhzhina, still believes her daughter is simply a nurse, a belief that Tanya meets with a blunt honesty about the realities of her double existence and the universal barter of one’s labor for survival.

A turning point arrives when a Swedish client, smitten and affluent, offers Tanya a marriage proposal that could transport her beyond the iron curtain. The prospect of an apartment, a car, and a foothold in a world she has only glimpsed ignites both hope and dread. Yet the path is littered with familiar obstacles: an estranged father demanding cash for paperwork, the ever‑present gaze of the state, and the loyalty she feels toward the friends who share her secret life.

The film weaves these threads with a melancholy lyricism, underscored by the plaintive strains of a Russian folk song that echo the yearning for freedom and the weight of inevitable sacrifice. Its mood is a delicate balance of stark realism and wistful longing, inviting the audience to linger on the quiet moments where dream and danger intertwine, and to wonder just how far a woman will go to rewrite the script of her own life.

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