Directed by

Piotr Szulkin
Made by

Zespół Filmowy Tor
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Read the complete plot summary and ending explained for Hospital of the Transfiguration (1979). From turning points to emotional moments, uncover what really happened and why it matters.
Late in 1939, a young doctor Stefan arrives at a closed psychiatric hospital to take up a post, carrying humanitarian impulses that are admirable but not fully formed. He is welcomed by the hospital director, and quickly comes under the scrutiny of the cynical Dr. Rygier Zbigniew Zapasiewicz, whose pro-Nazi views are not concealed. Stefan disapproves of Rygier’s humiliating and sometimes brutal experimental methods, including electroconvulsive therapy. The doctor also witnesses a disturbing mix of approaches among his colleagues: Dr. Kauters [Henryk Bista] favors only surgical remedies, while Dr. Marglewski [Wojciech Pszoniak] treats mental illness as if it were mere possession. The atmosphere is tense, clinical, and morally fraught, as lives hang in the balance between science, power, and mercy.
Nosilewska [Ewa Dałkowska] secretly confesses to Stefan that she fled from Austria after it was occupied, hinting at the broader human costs surrounding the hospital under occupation. Meanwhile, an SS invasion changes the room’s dynamics: Thiesdorf, an SS officer [Klaus Piontek], announces the hospital’s liquidation, triggering a range of responses among the staff. Stefan’s growing defiance against the established order contrasts with Pajączkowski’s caution, since Rygier casts doubt on Stefan’s credibility by insinuating a “Masonic” scientific background before the war. The director emphasizes that safeguarding patients must take precedence over any impulse to show them mercy. Into this volatile mix enters the troubled writer Sekułowski, a drug addict who seeks refuge in the hospital and bitterly challenges Stefan’s level of life experience. The hospital’s atmosphere deepens with personal histories: Andrzej Nowacki [Jerzy Binczycki], a brain cancer patient, becomes a focal point of concern, while the staff’s fragile confidence in medical authority is tempered by the blunt realism of these unfolding events.
The moment of liquidation finally arrives. The director cannot obtain consent from Rygier, Kauters, and Marglewski to act spontaneously to save patients, and only Stefan stands with him, distributing the remaining medicines to those in need and, at Sekułowski’s urging, adding cyanide to his drink while the files are burned. When German forces enter, the hospital’s staff are seized and many are arrested. Nosilewska is detained as a Jew, and Pajączkowski accepts a grim fate beside her. Sekułowski himself dies by suicide to resist arrest, leaving a stark imprint of defiance. The SS orderly conducts the group of staff and patients from the building to their execution, and, as the woods fall silent, Stefan hides in the fog and makes a desperate bid to rescue a young boy concealed beneath hospital gowns. The child dies in his arms, and, as an SS patrol moves through the forest, Stefan vanishes, dissolving into the fog while the execution squad carries out its grim task and buries the victims.
Follow the complete movie timeline of Hospital of the Transfiguration (1979) with every major event in chronological order. Great for understanding complex plots and story progression.
Stefan arrives at the closed psychiatric hospital
In late 1939, Stefan joins the hospital as a young doctor, bringing humanitarian ideals to a place that is wary of outsiders. He is accepted by the director, Dr. Pajączkowski, and begins his work under the supervision of the cynical Dr. Rygier. The atmosphere is tense, with skepticism about new approaches to treatment already in the air.
Rygier’s brutal methods come to light
Rygier subjects patients to humiliating experimental treatments, including electroconvulsive therapy, which Stefan finds morally troubling. He witnesses a surgery on Andrzej, a brain cancer patient, that nearly destroys the patient’s mental faculties. Stefan’s disapproval of these methods deepens as the hospital’s bedside reality clashes with his ideals.
Sekułowski arrives and confronts Stefan
The drug-addicted writer Sekułowski seeks refuge in the hospital and quickly begins to provoke the young doctor with sharp criticism, accusing him of lacking life experience. This adds another layer of tension and cynicism inside the already fragile institution. Stefan is forced to navigate these provocative interactions while trying to help patients.
Kauters and Marglewski reveal their obsessions
The hospital becomes a display of competing philosophies: Dr. Kauters favors only surgical methods, while Dr. Marglewski reduces mental illness to possession. Stefan notices these obsessions shaping decisions and care, emphasizing the rift between humane care and dogmatic approaches.
Thiesdorf arrives to liquidate the hospital
An SS officer named Thiesdorf arrives, announcing the liquidation of the psychiatric hospital. His presence foreshadows the collapse of the staff’s fragile autonomy and signals a brutal new order. Reactions among the staff range from fear to strained resignation.
Stefan’s rebellion grows, but Pajączkowski remains cautious
Stefan becomes increasingly defiant toward Rygier’s methods, but he cannot count on strong support from director Pajączkowski. Rygier tries to label Stefan with a ‘Masonic’ scientific background to discredit him, intensifying the internal power struggle. The director’s caution leaves Stefan isolated in his moral stance.
Nosilewska confesses her past
Dr. Nosilewska secretly confesses to Stefan that she fled from Austria after it was occupied. Her revelation adds a personal dimension to the unfolding horror and underscores how the occupation ties into the hospital’s doomed fate. Stefan’s sense of futility grows as the political reality intrudes on medicine.
Stefan faces the futility of idealism and witnesses malpractice
Stefan begins to realize the futility of his idealism in the face of entrenched misconduct. He witnesses Kauters' failed surgery and Marglewski’s charlatanism, which erode any remaining trust in the hospital’s care. The cracks in the system become impossible to ignore as liquidation looms.
Liquidation day: Stefan aids, and cyanide is used
On the day of liquidation, Pajączkowski cannot obtain consent from Rygier, Kauters, and Marglewski to act; Stefan chooses to support him, distributing the remaining medicines to patients. At Sekułowski’s request, he adds cyanide to the writer’s drink and burns the files, attempting to salvage some dignity amid chaos.
Arrests begin: Nosilewska and others taken
As the Germans enter the grounds, part of the hospital staff is arrested. Nosilewska is taken away as a Jew, and Pajączkowski shares her fate. The wave of arrests marks a definitive end to any pretense of institutional protection for the patients.
Sekułowski’s act of resistance
Sekułowski, resisting arrest, takes cyanide and dies. His suicide becomes a grim symbol of the doomed resistance within the hospital’s walls. The event underscores the perilous choices faced by those trapped in this liquidation.
Forced march to execution begins
SS officers lead the remaining staff and patients out of the building toward execution. Stefan, hidden among the gowns, tries to rescue a young boy, but the boy dies in his arms, highlighting the human tragedy of the moment. The hospital’s interior violence spills into the open air.
Stefan vanishes into the forest
When an SS patrol is spotted in the forest, Stefan flees and disappears into the fog. His disappearance leaves the fate of those left behind even more uncertain as the search and violence continue beyond the hospital’s reach.
The killings and burial after the escape
The execution squad shoots the patients and remaining staff and then buries them in the forest. The hospital’s tragedy closes with burial and the chilling silence of the woods, marking the complete erasure of the hospital’s former world.
Explore all characters from Hospital of the Transfiguration (1979). Get detailed profiles with their roles, arcs, and key relationships explained.
Stefan (Piotr Dejmek)
A young doctor with humanitarian principles who arrives at the closed psychiatric hospital and confronts rigid, often brutal medical politics. He advocates patient welfare but is pulled between empathy and the harsh pragmatism of his colleagues. Over time, his idealism is tempered by the brutal realities of wartime medicine and institutional inertia.
Dr. Nosilewska (Ewa Dałkowska)
A physician who reveals she fled Austria after its occupation. She offers a window into the personal dangers of living under the Nazis and confesses her background to Stefan. When liquidation comes, she is arrested as a Jew, highlighting the peril faced by Jewish professionals and patients alike.
Dr. Rygier (Zbigniew Zapasiewicz)
A cynical senior physician who masks pro-Nazi politics behind clinical jargon. He subjects patients to humiliating experiments and questionable surgeries, embodying the perversion of medical authority under occupation.
Dr. Kauters (Henryk Bista)
A surgeon who adheres to aggressive, surgical methods and views mental illness through a medical-gatekeeping lens. His methods illustrate the era’s reliance on decisive but often flawed interventions.
Dr. Marglewski (Wojciech Pszoniak)
An older doctor who reduces mental illness to possession, exhibiting pseudoscience and self-regard. His charlatanism contrasts with Stefan's humanity and foreshadows the hospital’s ethical collapse.
Zygmunt Sekułowski (Gustaw Holoubek)
A drug-addicted writer seeking refuge in the hospital, whose bitterness fuels tension with Stefan. He represents the collapse of personal restraint under oppressive conditions, and he ultimately commits cyanide when arrest looms.
SS Officer Thiesdorf (Klaus Piontek)
An SS officer who arrives to liquidate the hospital, embodying the intrusion of fascist power into civilian life. His presence pushes the staff toward panic and ruthless compliance, culminating in mass arrest and execution.
Andrzej Nowacki (Jerzy Binczycki)
A brain cancer patient whose case becomes the site of medical missteps; Rygier’s intervention nearly destroys his faculties, highlighting the cost of power plays in medical care.
Józef (Ryszard Kotys)
A staff or patient figure who embodies the daily tensions and opinions shaping the hospital’s atmosphere under stress and occupation.
Learn where and when Hospital of the Transfiguration (1979) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
late 1939
The narrative unfolds in the late stages of 1939, as World War II escalates and Poland endures occupation. The hospital is slated for liquidation by the occupying power, turning staff and patients into targets of political violence. The period is defined by fear, clandestine resistance, and intense moral tests for medical professionals.
Location
Closed psychiatric hospital, Nazi-occupied Poland
The setting centers on a sealed psychiatric hospital that becomes a stage for moral conflict during the Nazi occupation. The institution houses patients and medical staff under the shadow of ideology and wartime brutality. Its corridors witness experiments, power struggles, and the looming threat of liquidation as German forces tighten control.
Discover the main themes in Hospital of the Transfiguration (1979). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
⚖️
Ethics
The film tests the limits of medical and professional ethics under an oppressive regime. Stefan questions the practitioners’ methods, while Rygier and peers justify coercive treatments as necessary for survival. The tension reveals how authority and ideology can distort care and erode patient dignity.
🧪
Medical Ethics
The hospital becomes a laboratory of questionable methods: humiliating procedures, experimental practices, and surgeries driven by prestige or profit rather than patient welfare. Stefan’s humane approach clashes with the others’ willingness to sacrifice patients for perceived scientific progress. The result is a critique of how medicine can be weaponized in wartime.
🪖
Occupation & Power
The arrival of SS Captain Thiesdorf marks the political pivot from clinical care to control and liquidation. The staff’s complicity and fear illuminate how occupying forces weaponize institutions. The hospital becomes a battleground where authority, loyalty, and survival collide.
🌫️
Disillusionment & Escape
Stefan’s optimism gives way to disillusionment as he witnesses medical errors and the futility of idealism under totalitarian rule. The finale, with arrests, suicides, and a boy’s death, underscores the human cost of war and the impossibility of saving everyone. The fog in the forest mirrors the fate of those trying to flee truth.

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Discover the spoiler-free summary of Hospital of the Transfiguration (1979). Get a concise overview without any spoilers.
In the early days of World II, a once‑quiet psychiatric hospital finds itself caught between the fragile world of healing and the ruthless grip of an occupying power. The stone‑filled corridors echo with the unsettled whispers of patients and staff alike, while the outside war presses ever closer, casting a cold, oppressive atmosphere over every routine procedure. The film settles into a sober, almost claustrophobic tone, where the line between scientific duty and moral compassion is constantly blurred by the looming presence of the German occupation.
Into this charged environment arrives the idealistic young doctor Stefan, whose gentle humanity feels both out of place and desperately needed. His fresh perspective clashes with the entrenched attitudes of a staff that ranges from the cynically pragmatic to the disturbingly authoritarian. Among his colleagues, the skeptical Rygier openly embraces the new political regime, while others such as Kauters and Marglewski each cling to their own rigid methods of treatment, treating the mind as either a surgical problem or a sort of possession. The hospital director, a figure of cautious authority, tries to steer the institution through the turbulence, yet his attempts are constantly undercut by the divergent philosophies that simmer beneath the surface.
The presence of refugees and outsiders—voices like that of the secretive Nosilewska, the tormented writer Sekułowski, and the looming SS officer Thiesdorf—adds layers of personal histories and hidden tensions. Their whispered confessions and subdued resistances hint at deeper stakes than medicine alone can address. The setting, drenched in muted light and the scent of antiseptic, becomes a crucible where every interaction feels weighted with ethical significance, suggesting that the choices each character makes will reverberate far beyond the hospital walls.
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