Hit & Run 2012

In the opening scene, Charlie and Annie are in bed, sharing a charged moment that hints at deeper tension beneath the affection. Annie is visibly stressed, and Charlie, trying to anchor her, promises that this moment is what she should focus on, offering to stay with her for life. A close-up on Annie’s eyes reveals a single tear, signaling the gravity of what lies ahead.

The morning brings disruption as Annie heads to the local university for a meeting with her boss. On the way out, a van from Randy enters the scene and a chaotic encounter unfolds. Randy, played by Randy, greets her and mentions that Charlie is in Witness Protection. A misguided attempt to handle the situation ends with Randy spilling coffee all over himself, a stumble that spirals into reckless bravado. He shoots at a tire to stop a van, misjudges the danger, and ends up shooting windows instead. Charlie intervenes, pulling Randy inside before the situation worsens.

At the university, Annie’s boss Debby reveals a transformative opportunity: a bigger university wants her to head a new department dedicated to conflict resolution. The role would be in Los Angeles, which creates a dilemma because Charlie’s WITSEC status ties them to their current home. Debby, who has her own hard-edged perspective shaped by tough experiences, insists that this could be the breakthrough Annie deserves, while also acknowledging Annie doesn’t have to take it if she’s unsure.

Back at home, Randy explains his demotion—two shooting incidents and a gun mishap have cost him his status. He blames the pistol’s shortcomings and, in a flash of reckless bravado, aims it at Charlie. Charlie quickly disarms him and warns never to touch the gun again. The tension is compounded when Annie returns to a dinner Charlie has prepared, and she confesses the LA opportunity and her fear that leaving would sever their bond. They lie awake, wrestling with what to do.

The next morning, Annie pleads with the university to reconsider. Charlie, recognizing the stakes, makes a decision that will redefine their lives: he drives off to prepare the escape that will take them to LA, even as Annie worries about leaving behind the life she has built. The journey toward the city of dreams becomes a test of trust and resilience.

As they drive, Annie discovers she needs her teaching certificate, which is at the home of Gil. Gil, played by Gil Rathbinn, subtly tries to reel her back, hoping for a reconciliation with Annie. He’s uneasy about Charlie’s presence and the past they share, hinting at danger and a history that Anita must reckon with. An ominous moment arrives when Gil recognizes the license plate on Charlie’s car.

On the road to L.A., Charlie explains his long-ago past: he spent over a year building the car with his father, a labor of love that makes the vehicle more than transportation—it’s a symbol of memory and escape. Meanwhile, Terry, a cop, and his partner Angela are introduced in a separate storyline. Angela, played by Angella Roth, is shown noticing something off about a suspect, hinting at the web of connections that surround the fugitives.

In a tense detour, a redneck at a gas station comments on Charlie’s car, and a playful, if sharp, argument about masculinity and teasing erupts between them. Charlie stresses there is no real teasing in love, while Annie challenges his defensiveness. The moment sharpens the edge of their road trip, and the journey resumes with renewed resolve.

Gil, pursuing leverage, informs Charlie that he’s found a lead on their whereabouts. A chase ensues, mixing danger with dark humor as Charlie negotiates a narrow country road, donuts in the car, and a tense standoff. Randy’s van starts again, and a cell phone mishap creates another obstacle, forcing Charlie to improvise to keep ahead of both Gil and Randy.

At a grocery store, Neve Tatum accompanies her partner as a tense confrontation unfolds with a man over dog food and a threatening display of violence. The scene juxtaposes this moment with Charlie and Annie’s own perilous trek, underscoring how quickly ordinary moments can spiral into danger.

The couple checks into a motel, where a misunderstanding leads them to the wrong room—a boisterous, naked orgy unfolds, forcing them back into the hallway and into the correct room. The moment is the film’s signature blend of danger and comedy, a reminder that perils can appear in the most unlikely places.

During a conversation at the motel, Charlie clarifies the origin of his WITSEC name: he took “Charles Bronson” to distance himself from a name he disliked, and the name Yul Perkins emerges as a nod to his past. The first time Yul Perkins is invoked, it ties the alias directly to Charlie’s history, reinforcing the stakes of their cover.

As dawn breaks, Randy uses a clever, almost comic misdirection to avoid a direct punishment: the Pouncer app and the officers’ playful banter reveal just enough to keep him from being pulled back into danger. The balance between humor and peril remains delicate, a theme that runs through every escape.

The pursuit sharpens as Annie’s interview window closes in on a new time, and Debby’s call accelerates the couple’s need to decide. The stakes rise when Gil finally makes his move—he hits Charlie with a golf club, forcing a confrontation that shatters the fragile trust between them. Charlie insists on protecting Annie and promises to keep his word, a vow that becomes the story’s emotional core.

The chase intensifies as Alex Dimitri, the duplicitous ex-ally played by Alex Dimitri, resurfaces with Neve at his side. They corner Charlie and Annie at an abandoned farm and demand the return of the money hidden there. Clint Perkins, Clint Perrkins, Charlie’s father, appears and confronts the new threat with a stubborn, old-school resolve. The revelation of the money stash—and the loaning of a dune buggy from the barn—turns the field into a chaotic battleground.

In a climactic pursuit, the dune buggy sequence becomes a high-octane duel across fields and barns. The action culminates when Randy and Terry close in, with Randy’s sharpshooting finally delivering a decisive blow that stops Alex’s pursuit. The fugitives seize a moment of relief as law enforcement closes the net around the criminals.

With the immediate danger behind them, Charlie and Annie move toward a fragile reconciliation. Charlie’s promise to get Annie to LA on time—despite her fear of him owing to his past—reignites their bond. Annie, torn between past and future, leans toward a life together, and they choose to press on toward the city that promises a new beginning. The couple’s kiss signals the renewal of their relationship, and Annie heads to her interview with a cautious optimism.

The final scene punctuates the film’s themes of partnership and resilience: Randy and Terry, now a couple, prepare to pursue a new chapter in the U.S. Marshals Building, while Annie’s interview culminates in a twist of fate. Professor Sandy Osterman, Debby’s brother, appears in a post-credits moment, a reminder that family ties and past influences linger even as new opportunities arise. Annie steps into the interview with a calm assurance, leaving the door open to a future shaped by courage, trust, and shared purpose.

THE END.

Note: Throughout the narrative, character appearances introduce linked actor references for the first mentions of Charlie, Annie, [Alex Dimitri], [Randy], [Gil Rathbinn], [Neve Tatum], [Debby], [Clint Perrkins], [Angella Roth], [Terry], and [Sandy Osterman]. Quotes from the film are presented in block quotes where they appear in the original summary.