Directed by

Allan Dwan
Made by

RKO Radio Pictures
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Read the complete plot summary and ending explained for Here We Go Again (1942). From turning points to emotional moments, uncover what really happened and why it matters.
During their 20th anniversary celebration, Fibber McGee Jim Jordan and Molly McGee Marian Jordan throw a large shindig, but everyone declines their invitation to the Silver Tip Lodge at Lake Arcadia. Discouraged, the McGees decide to relive their first honeymoon night at the Ramble Inn. They discover the inn has fallen into ruin, yet they decide to stay the night there, hoping to recapture a spark that time couldn’t erase. The next morning, with finances strained, Fibber insists they still head to Lake Arcadia and spend at least one night at the Silver Tip Lodge.
As Fibber checks into the lodge, Molly runs into her old beau, Otis Cadwalader Gale Gordon. Jealous by nature, Fibber must be cordial to Cadwalader, who coolly delivers the line, > I’ve got bad news for you…I’m fine!
There in the lobby, the McGees reconnect with old friends: the ventriloquist Edgar Bergen Edgar Bergen and his puppet Charlie McCarthy, Throckmorton P. Gildersleeve Harold Peary, and Abigail Uppington Isabel Randolph. Despite their strained finances, Fibber keeps up appearances by renting the bridal suite and pressing ahead with the long-delayed anniversary party right at the lodge.
Behind the scenes, Cadwalader presses Fibber to recruit Bergen to invest in a synthetic gasoline formula developed by Wallace Wimple Bill Thompson. Fibber manages to arrange a meeting with Wimple, sees the formula in action, and agrees to partner with Cadwalader, a decision that will pull the group into a tangle of comic danger.
Meanwhile, Bergen and Charlie are dispatched by an institute to locate a rare silk-spinning moth. Their quest brings them into contact with Jean Gildersleeve Ginny Simms and her troop of girl guides. Bergen succeeds in securing a specimen and hustles back to the lodge to report, leaving Charlie to flirt with the guides.
That night, Fibber has hired bandleader Ray Noble to provide the musical backdrop for the party. Charlie’s continued flirting with the girl guides and Fibber’s conversations with Bergen about Cadwalader’s scheme amplify the evening’s misadventures. Bergen agrees to write a check to Fibber, but only on the condition that Cadwalader does not cash it until Bergen has a chance to investigate. Cadwalader grabs the check the moment Bergen steps away.
As the festivities unfold, Abigail Uppington, dressed as an Indian, begins to recite “The Song of Hiawatha.” Bergen notices a branch in her grasp that’s heavy with silkworm cocoons and, following Mortimer Snerd’s guidance, is directed toward an Indian reservation to find more. Disguised as an Indian squaw, Bergen sneaks into the reservation with Charlie posing as a papoose. The Indians threaten him, but his ventriloquism allows him to project his voice at a totem pole, impressing the chief with the talking totem. After the peril, Bergen and Charlie return to the laboratory with the cocoons, a scene that injects a new twist into the evening.
Back at the Silver Tip Lodge, Fibber fills Molly in on the Cadwalader deal and Bergen’s plan. Wimple then confides that his formula doesn’t actually work, casting suspicion on Cadwalader’s scheme and prompting Molly to press Cadwalader to restore Bergen’s money. Meanwhile, Bergen informs Jean of his disappointment when the cocoons prove brittle, and the tension crescendos as Cadwalader’s improprieties come to light. When Fibber arrives with a sample of the formula and the bad news about Wimple, the situation explodes into a wild chase: Cadwalader’s carriage, Bergen, Jean, and Fibber pursue in a wagon loaded with dynamite, while Molly drives the opposing carriage.
The chase culminates with Molly pulling the carriage off the road, sending the wagon spiraling toward a cliff. In a heartening turn of events, Bergen offers to buy the formula, and Molly reveals she hadn’t run off with Cadwalader at all—she’d driven him out of town to spare them a scandal. The McGees, along with Jean and Bergen, embrace as dynamite noises punctuate the finale, and Charlie can’t help but quip, “Wow! … Anybody wanna adopt an orphan?”
Follow the complete movie timeline of Here We Go Again (1942) with every major event in chronological order. Great for understanding complex plots and story progression.
20th anniversary party plans fall apart
Fibber and Molly plan a big 20th anniversary party, hoping to celebrate with friends at the Silver Tip Lodge. When most guests decline to attend, the couple decides to hold their own celebration. They resolve to relive their honeymoon by staying at the Ramble Inn for the night.
Decide to relive their honeymoon at Ramble Inn
Disheartened by the failed invitation, they decide to celebrate at the Ramble Inn to recreate their first honeymoon. They travel there to begin their private retreat.
Ramble Inn in ruins; they stay anyway
Upon arrival they find the Ramble Inn run down and derelict, yet they decide to stay the night anyway. They set up a makeshift honeymoon atmosphere in the faded rooms.
Head to Silver Tip Lodge for at least one night
Morning comes and Fibber insists they head to Lake Arcadia to spend at least one night at the Silver Tip Lodge despite their tight finances. They reframe their plan and look for a little romantic escape.
Cadwalader offers money to Fibber
In the lodge lobby, Otis Cadwalder offers to pay Fibber if he can persuade Bergen to invest in Wallace Wimple's experimental synthetic gasoline formula. The scheme mounts tension over money and risk, and Fibber agrees to attempt the deal.
Fibber visits Wimple; sees formula in action
Fibber visits Wimple's laboratory and sees the formula in action, and he agrees to partner with Cadwalader to push the idea forward. He keeps the arrangement secret from Bergen for now.
Bergen and Charlie search for the rare moth
Bergen and Charlie are tasked by an institute to locate a rare silk spinning moth. During their search they meet Jean and her troop of girl guides, and Bergen quickly finds a specimen.
Bergen reports back to the lodge
Bergen rushes back to the lodge to phone the institute, while Charlie flirts with the girl guides. The insect find becomes a key plot point that ties the scientists to the rest of the festivities.
Uppington and cocoons point toward an Indian reservation
At the party, Abigail Uppington, dressed as an Indian, begins to recite a cultural poem. A branch she carries is covered with cocoons, sending Bergen and others on a side quest to locate the source of the cocoons, which leads to an Indian reservation.
Bergen and Charlie infiltrate the reservation
Bergen, in disguise, and Charlie sneak into the Indian reservation. The Indians threaten them, but Bergen uses ventriloquism to project his voice through a totem pole and the chief is impressed.
Cocoons brittle; lab chaos brewing
Back at the laboratory, Bergen informs Jean that the cocoons are too brittle to unweave. Fibber arrives with a sample of the new formula and news that Wimple's invention may not be ready. In the ensuing chaos, Charlie accidentally spills the formula onto the cocoons, releasing the silk threads.
Carriage chase and a reconciled ending
Molly pulls away in a carriage with Cadwalader to avoid a scandal, prompting a wild chase. Bergen and Fibber pursue in a wagon loaded with dynamite, with Jean and Charlie following by car. The chase ends on a road near Lake Arcadia when Molly stops the carriage; the group reconciles as the dynamite explodes in the background, and Bergen contemplates buying the formula while Molly explains her motive.
Explore all characters from Here We Go Again (1942). Get detailed profiles with their roles, arcs, and key relationships explained.
Fibber McGee (Jim Jordan)
Boisterous and good-natured, Fibber loves his wife Molly but is insecure about money and status. He often pretends to have it all together while secretly fearing financial ruin. His jealousy toward Otis Cadwalader drives risky decisions and creates the comic engine of the plot. His willingness to improvise keeps the story moving, for better or worse.
Molly McGee (Marian Jordan)
Warm, practical, and loyal, Molly anchors the relationship even as the couple faces financial strain. She often acts as the voice of reason, but she also takes decisive action when needed. Her confrontation with Otis and her ultimate ruse reveal a sharp, protective side. She remains the emotional center of the story.
Otis Cadwalader (Gale Gordon)
Smooth-talking and opportunistic, Otis is the money-grubbing antagonist pressing Fibber to drum up investment. He thrives on manipulation and social status, showing little concern for others as long as he wins. His schemes propel the comic caper and test the McGees' marriage.
Edgar Bergen (Edgar Bergen)
Renowned ventriloquist bringing stagecraft and charm to the lodge. He navigates the social web with wit and a wry sense of humor, aided by his puppet Charlie McCarthy. His presence provides a meta-theatrical layer to the plot as performance intersects with plans and romance.
Wallace Wimple (Bill Thompson)
An earnest inventor whose synthetic gasoline formula becomes the center of a shady investment pitch. He’s enthusiastic but sometimes oblivious to the consequences of his work, which fuels the con and later the comic resolution. His invention becomes a catalyst for the pursuit and eventual twist.
Jean Gildersleeve (Ginny Simms)
Gildersleeve's sister, a charismatic figure who collaborates with Bergen and the affair of the cocoons. She adds a social and flirtatious dynamic to the lodge's ensemble. Her involvement helps steer the plot toward the silk-based twist.
Throckmorton P. Gildersleeve (Harold Peary)
The officious, well-meaning neighbor who becomes part of the lodge’s comic network. His interactions with the other characters provide a steady stream of quips and misunderstandings. A foil to Fibber's schemes with a distinct sense of propriety.
Mrs. Abigail Uppington (Isabel Randolph)
A high-society observer who delivers a dramatic, comedic recital during the party. Her character embodies social pretensions and adds to the ensemble's playful energy. Her antics provide one of the film’s signature visual jokes.
Charlie McCarthy
The ventriloquist’s puppet who participates in the show and roams the party with a sly, playful mischief. He frequently teases the other performers and provides a foil to Bergen’s more straight-laced presence. The duo’s chemistry anchors a lot of the film’s humor.
Learn where and when Here We Go Again (1942) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Ramble Inn, Silver Tip Lodge, Lake Arcadia
Ramble Inn sits beside Lake Arcadia but has fallen into ruin. The Silver Tip Lodge is the resort where the anniversary party and the couple's ambitions collide. The lake setting provides a picturesque backdrop that frames the comedy and melodrama of the story.
Discover the main themes in Here We Go Again (1942). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
👀
Jealousy
Fibber's jealousy and insecurity about money strain his marriage and color his decisions. He tries to project confidence while hiding financial woes, and his interactions with Otis Cadwalader reveal deep trust issues. The tension fuels the comedy as plans unravel and motives are questioned. The theme shows how vanity and suspicion can threaten a stable relationship.
🕵️
Fraud and schemes
Cadwalader pressures Fibber to help invest in a dubious invention, drawing Bergen into a risky financial plot. A snatched check, misleading promises, and a race against time pull the group into a comic caper. Wimple's supposed formula falters at first, but a lab accident reveals a twist with the cocoons and silk. The arc satirizes greed and resolves through wit and camaraderie.
🎭
Showbiz
Edgar Bergen and Charlie McCarthy bring a vaudeville flavor to the lodge party, adding performance-driven humor to the ensemble. The performers mingle with the married couple and old acquaintances, turning the social gathering into a living stage. The film blends radio-era acts with a domestic comedy, using performance to push the plot toward reconciliation. The showbiz energy contrasts with the couple's personal trials to deliver a lighthearted ending.

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Discover the spoiler-free summary of Here We Go Again (1942). Get a concise overview without any spoilers.
In the golden age of radio, the beloved comedy pair Fibber McGee and his witty wife Molly McGee find themselves at a crossroads as they mark twenty years together. Their big anniversary party, meant to be a grand celebration at the chic Silver Tip Lodge on Lake Arcadia, is met with polite declines from friends and family. Undeterred, the couple decides to revisit the romance of their first honeymoon, opting for a second‑chance getaway that promises both nostalgia and a fresh slice of adventure.
Their journey leads them first to the weather‑worn Ramble Inn, the very place where their marriage began, and then onward to the promised lakeside retreat. The lodge itself exudes a breezy, upscale charm that mirrors the couple’s own blend of affection and gentle rivalry. As they settle in, the air crackles with the anticipation of a night filled with music, laughter, and the kind of harmless chaos that has defined their on‑air personas for two decades.
Soon the McGees are joined by a parade of familiar faces: the legendary ventriloquist Edgar Bergen with his mischievous dummy Charlie McCarthy, the affable gentleman Throckmorton P. Gildersleeve, and the dignified Abigail Uppington. Each guest brings a distinctive brand of humor, from quick‑witted banter to playful ribbing, turning the lodge into a lively stage where old friendships are rekindled and new jokes are waiting to be told. Even a chance encounter with an old flame hints at the delightful entanglements that can arise when past and present collide.
Set against a backdrop of shimmering lake views and classic mid‑century elegance, the film captures the warm, effervescent spirit of a legendary radio era. It invites the audience to share in the couple’s heartfelt milestone, to revel in the camaraderie of their eclectic troupe, and to enjoy a comedy that feels both timeless and refreshingly intimate.
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