Here Come the Girls 1953

Stanley Snodgrass has spent nearly two decades chasing a break in show business, yet he remains more of a glorified chorus boy than a star. The turn of the century backdrop fuels a fragile dream, and a disastrous onstage mishap sends Irene Bailey and Allen Trent tumbling into the wings, shaking up every plan in the company. Daisy Crockett, who genuinely loves him, watches with a mix of affection and frustration as the chaos unfolds, while Harry Fraser, the producer, sums up the harsh reality: Stanley’s days of clinging to the spotlight may be coming to an end.

Back home, the reality check lands hard. Stanley returns to the modest life he shares with his mother, Mrs. Emily Snodgrass, and his stepfather, Albert Snodgrass, a coal man who finances Stanley’s vaunted ambitions even as he grows tired of the endless delays and excuses. Albert, blunt and practical, makes it clear that Stanley needs to find a real job if he wants to keep the family afloat. The tension between dream and duty becomes the throughline of Stanley’s days, and the pressure to finally prove himself outside the chorus line intensifies.

A murky threat circles the production: a mysterious murderer known as Jack the Slasher has a past romance with Irene Bailey, and he sends her a chilling note before striking at a show. Dennis Logan, a sharp-eyed detective, picks up Irene’s cue and eventually identifies a photo of Jack—who she knew as Jack Bennett—and links it to a broader danger surrounding the troupe. In a bid to smoke out the killer, the company plays with dangerously transactional loyalties: Allen Trent is asked to volunteer as bait, but he declines, leaving the field open for a different plan. Stanley, offered a fresh chance, is brought back into the show with Irene Bailey by his side, this time as her onstage partner rather than a mere background presence, and he accepts the offer with a mix of pride and obliviousness.

Irene’s strategic affection for Stanley becomes a tool in a larger scheme, and she maintains the ruse with a practiced ease. Meanwhile, the production’s precarious balance tilts when Stanley is given a new berth—room at the Waldorf and equal billing with Irene—while the lovers of the moment try to navigate the line between show business romance and real feelings. On the other side of the curtain, Jack the Slasher’s presence looms large, and Detective Logan stays close, convinced that the next strike could be the most dangerous yet. The tension on and off the stage thickens as the cast rehearses an extravagant set piece, even as Stanley’s hapless confidence continues to collide with the machinations around him.

Daisy overhears a crucial part of the plan and warns Stanley, who misreads her concern as jealousy. The misread becomes a fault line, exposing how little Stanley truly grasps the stakes that come with being in Irene’s orbit and in the killer’s crosshairs. The production presents a holiday-like bravado—a daring “Ali Baba” routine that becomes a literal battleground when Jack, hidden among the crowd, braces to strike. In a stunning turn, Jack disguises himself and integrates into the act, then lunges with a knife—pulled from backstage—at the unsuspecting Stanley. The audience sees only a prop-knife moment, but Daisy quickly clarifies the threat, warning Stanley and shattering his self-confidence with blunt honesty.

The danger collapses into a bittersweet victory: the assault reveals itself as a staged deception within a show, and Stanley’s inability to discern the danger—so famously gullible and clueless—becomes a running joke that unsettles the crafty adults around him. Yet in the end, love and luck align. Stanley and Irene Bailey face the mess they’ve created, but love persists, and they marry, stepping into a quieter happiness that stands in contrast to the chaotic world they inhabit. The finish line is soft and forgiving: life returns to a more stable rhythm, even as Stanley’s well-known stage clumsiness continues to annoy Harry Fraser and the others who dream bigger than they can deliver in a single night.

In the closing moments, the film preserves its lighthearted, resilient mood. The couple’s union signals a soft victory over a grind that thrived on missteps and miscalculations, and the audience is left with the sense that, despite the constant behind-the-scenes schemes and the ever-present danger of the unknown, a stubborn spark of romance and perseverance can outlast even the most chaotic of productions. The story remains a portrait of show business’s fevered dreams versus ordinary life, and it ends with a gentle, earned sense of belonging for Stanley Snodgrass and Irene Bailey, whose partnership offers a warm, if imperfect, happily ever after.