Hello Again 1987

Long Island housewife Lucy Chadman Shelley Long sits in the middle of a tense tarot-reading with her sister, Zelda Judith Ivey, when Zelda’s excited prophesy takes a surprisingly dark turn. Just as Zelda proclaims that something life-changing is about to happen, Lucy begins to choke on a South Korean chicken ball, and the scene climbs into a poignant portrait of grief in a tight-knit family. The film uses this moment to show how Lucy’s circle—friends, relatives, and neighbors—grapple with the sudden, shocking loss and the upheaval it brings to their daily lives.

What follows is a blend of sorrow and curiosity as Zelda uncovers a peculiar path back from death. In a hidden corner of her occult world, Zelda finds a book called The Wisdom of Catagonia that promises more than comfort; it holds a spell that demands perfect astrological timing—the moon, the earth, and the dog star must align to form a flawless isosceles triangle. With a mix of caution and conviction, Zelda performs the spell, and Lucy’s figure reappears, blinking into a world that has marched on for a full year without her.

Lucy’s return is both miraculous and disruptive. She finds that life has moved on in surprisingly ordinary ways, yet everything feels strangely unfamiliar. Her widowed husband, Jason Chadman Corbin Bernsen, has sold their home and remarried, taking as his partner Kim Lacey Sela Ward—a former college friend whose ambition and pragmatism have rewritten their circle. Their son Danny Chadman Thor Fields has carved out his own path, opening a successful restaurant and choosing marriage over pursuing his studies at Columbia, a decision that signals how Lucy’s absence has reshaped family priorities.

At the hospital where she died, Dr. Kevin Scanlon Gabriel Byrne — the emergency-room physician who fought to revive her — experiences a complicated pull toward Lucy. She is drawn back into the world of the living, but nothing feels completely natural; the memory of her former life lingers, and so does the sense that love itself might still be possible in this new arrangement. Zelda, pragmatic and brave, confides to Scanlon that Lucy’s second chance comes with a deadline: if Lucy does not find love by the next full moon, she will have to return to the spirit world. Scanlon remains skeptical, wondering whether this is all superstition or a real test of heart.

As Lucy’s reappearance becomes public knowledge, the world around her crowds in with attention and scrutiny. The media descends on the hospital and Lucy’s loved ones, turning her return into a spectacle that unsettles the hospital staff, unsettles Zelda’s occult business, and unsettles Kim—the woman who now occupies a place in Jason’s life. Kim’s jealousy fuels a defiant stand, and she holds a news conference to accuse Lucy of faking her death, claiming tetrodotoxin as the method of deception. Lucy chooses not to respond with protest; she treats the whole spectacle as a distraction that she can use to her advantage, shedding some of the invasive noise that clouded her previous life.

The fallout is swift and messy: Scanlon faces consequences at work, Zelda’s shop is vandalized, and Lucy’s circle—once stable—feels the sting of public judgment. Yet the film leans into a sense of resilience. Lucy and her allies orchestrate a plan to reveal the truth in a controlled, public setting, coaxing Kim to acknowledge her lie in front of the media at a hospital party. The moment is cathartic, transforming guilt and humiliation into closure for Lucy and those who stood by her.

In the end, Lucy and her family step forward with renewed happiness. The credits suggest a quiet, hopeful future: Lucy and Zelda each move into new marriages and build families with their new loves, while Danny’s life takes another turn with impending fatherhood. The film leaves viewers with a sense that love can endure across second chances, and that a community’s support can help a widow find a path forward even after a miracle unsettles the old order.