Directed by

Paolo Taviani
Made by

Filmtre
Read the complete plot summary and ending explained for Good Morning, Babylon (1987). From turning points to emotional moments, uncover what really happened and why it matters.
Nicola Bonnano, [Vincent Spano], and Andrea Bonnano, [Joaquim de Almeida], two Tuscan brothers from a long line of artisans and church restorers, find themselves out of work in 1911 and set sail for a new life in the United States, hoping to secure a future beyond their homeland.
In San Francisco’s Italian emigrant neighborhood, they take precarious jobs that test their craft and resilience. Their talents catch the eye of a rising film director, D.W. Griffith, played by Charles Dance, who is overseeing the preproduction of his historical epic Intolerance and is looking for Italian-born set designers.
They begin work on the film’s elaborate Babylonian setpieces, collaborating on large-scale designs that blend art and engineering. It is during this period that they are drawn to two young extras: Edna Bonnano, [Greta Scacchi], and Mabel Bonnano, [Désirée Nosbusch], whom they ultimately marry.
Tragedy follows when Edna dies in childbirth, a blow that fractures the brothers rather than uniting them. The narrative traces how this loss reshapes their relationship, as competition and grief pull them in different directions while their shared past keeps tugging at them.
Years later, with World War I reshaping lives, Nicola and Andrea cross paths again as the army’s camera becomes a quiet witness to the epilogue of their lives, a somber testament to the costs of ambition, kinship, and a life lived between art and upheaval.
Follow the complete movie timeline of Good Morning, Babylon (1987) with every major event in chronological order. Great for understanding complex plots and story progression.
Emigration from Tuscany
The Bonanno brothers come from a long line of Tuscan artisans and church restorers. In 1911, they find themselves out of work with little prospects. They decide to seek their fortunes across the Atlantic and move to the United States to start anew.
Arrival in San Francisco
Landing in the United States, Nicola and Andrea face precarious jobs and a difficult immigrant life. They settle in San Francisco's Italian emigrant neighborhood, where work is scarce but opportunity begins to flicker on the horizon. Their talent and hard work eventually attract attention.
Discovery by D. W. Griffith
Their craftsmanship catches the eye of renowned director D. W. Griffith, who is seeking Italian-born set designers for his historical epic. The brothers are invited to join Griffith's production team, a rare opportunity to work in cinema. This marks the start of their ascent in a new, sprawling industry.
Work on Intolerance's Babylonian sets
Nicola and Andrea contribute to the film's elaborate Babylonian setpieces, applying their art and restoration skills to create immersive historical worlds. The work expands their reputation and deepens their ties to Griffith's project. They gain a sense of belonging in the film trade they had not anticipated back in Tuscany.
Love on set and marriages
While immersed in production, both brothers fall in love with two young extras, Edna and Mabel. The relationships lead to marriages that anchor them to life in America beyond their professional success. Their new bonds complicate the brothers' dynamic as the project continues.
Edna's death and tragedy
Tragedy strikes when Edna dies in childbirth, dealing a crushing blow to the brothers. The loss reverberates through their personal lives and begins to corrode the unity they once shared. The event shifts the brothers' relationship toward bitterness rather than solidarity.
Fractured brotherhood
Edna's death exposes deep fissures between Nicola and Andrea. Instead of drawing closer, the tragedy drives them apart and restructures their ambitions. The film hints at a once-shared dream now overshadowed by personal sorrow.
World War I and the brothers' reunion
The war era brings Nicola and Andrea back into contact as they face the upheavals of World War I. Their paths cross again amid the global conflict, underscoring how far they have drifted since Edna's death. The war's scale casts a long shadow over their lives and choices.
The army's camera becomes witness
As the brothers navigate the war, a camera used by the army becomes a dramatic, silent witness to their epilogue. The device records moments that will define the final chapters of their lives. It frames their story through a lens of history rather than personal memory.
Epilogue through the lens
The epilogue, captured by the military camera, traces the final chapters of the brothers' lives and their enduring legacies. It shows how their early collaboration in art and design has threaded into a larger cinematic history. The lens becomes the medium through which their story is finally told.
Explore all characters from Good Morning, Babylon (1987). Get detailed profiles with their roles, arcs, and key relationships explained.
Nicola Bonnano (Vincent Spano)
A skilled set designer with a hunger for opportunity, Nicola uses his talent to rise in the film world. His path with Andrea is shaped by collaboration and shared ambition, but a tragic turn brings growing tension between the brothers. He witnesses the war-era shift in filmmaking as the camera becomes a historic witness.
Andrea Bonnano (Joaquim de Almeida)
Nicola's brother and collaborator, Andrea shares the early optimism and hard work that draw them into Griffith's orbit. As love and rivalry enter the picture, his loyalties are tested and the brothers' partnership faces strain amid heartbreak and ambition.
Edna Bonnano (Greta Scacchi)
One of the two young extras the brothers marry, Edna captures their hearts both on and off the set. Her death in childbirth becomes a turning point that deepens the rift between Nicola and Andrea and alters the course of their lives in America.
Mabel Bonnano (Désirée Nosbusch)
Mabel is the other love interest whose presence adds emotional complexity to the brothers' lives. Her relationship with the Bonannos intertwines art, romance, and the pressures of pursuit in a new land.
D. W. Griffith (Charles Dance)
The director overseeing the preproduction of Intolerance, Griffith pulls the brothers into a high-stakes world of epic film set design. His vision accelerates their careers while exposing the strain between artistic ambition and personal lives.
Babbo Bonnano (Omero Antonutti)
An elder Bonanno figure whose presence anchors the traditional craft and values carried from Tuscany into the American project. He embodies lineage, skill, and the enduring respect for hands-on artistry within the family.
Learn where and when Good Morning, Babylon (1987) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1911-1918
The narrative unfolds starting in 1911 when the Bonanno brothers leave Tuscany for America. They find work in precarious jobs and gradually enter the silent-era film world while collaborating with D. W. Griffith on Intolerance. The timeline extends through World War I, during which the use of cameras by the army becomes a pivotal element in the brothers' story.
Location
Tuscany, San Francisco
The story begins in the Tuscan countryside before the brothers migrate to the Italian immigrant neighborhood of San Francisco. The city setting reflects a tight-knit community where immigrant labor and aspiration intersect with the early film industry. San Francisco serves as a bridge between traditional craft and the new world of cinema that shapes their fortunes.
Discover the main themes in Good Morning, Babylon (1987). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Family
Two brothers pursue art and opportunity, but their bond is strained by ambition and love. Edna's death in childbirth acts as a catalyst that exposes fractures rather than healing them. The tragedy tests loyalties and reshapes the brothers' relationship, underscoring how personal loss can alter family dynamics.
🎬
Cinema
The brothers work on the grand Babylonian sets for Griffith's Intolerance, illustrating how immigrant talent helped power early Hollywood. Their craft intersects with romance and rivalry on a landmark production. The film frames cinema as a powerful art form that also carries high personal stakes for those who create it.
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Immigration
Leaving Tuscany for a new life in America, the Bonanno brothers face labor precarity and cultural adjustment. The San Francisco immigrant milieu offers both hardship and opportunity, enabling their entry into a burgeoning cultural industry. The narrative uses migration to explore identity, aspiration, and belonging.

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Explore the mobile appDiscover the spoiler-free summary of Good Morning, Babylon (1987). Get a concise overview without any spoilers.
In 1911 the Bonanno brothers see their family’s stonemasonry business crumble, leaving them adrift in a Tuscan town steeped in tradition and craft. With little more than skill and a shared determination, Nicola and Andrea set their sights on the promise of America, hoping the New World might rebuild what was lost and give them a chance to shape their own destinies. Their journey is painted against the restless optimism of early‑twentieth‑century immigration, where hope and hardship travel side by side on crowded ships and bustling streets.
Arriving in San Francisco, the brothers find a tight‑knit Italian enclave that eases the culture shock but also reveals the stark realities of a city on the brink of cinematic revolution. Their innate talent for detailed work catches the eye of a visionary filmmaker, plunging them into the dazzling yet unforgiving world of Hollywood’s silent era. Within the massive, sun‑baked sets recreating ancient Babylon, they discover an arena where artistry meets industry, and the scale of the productions mirrors the grand ambitions they now chase.
Amid the clatter of workshop tools and camera reels, the brothers each encounter a captivating extra—Edna and Mabel—whose charm and ambition echo the sparkle of the silver screen. Marriages blossom, linking the hands‑on craftsmanship of the brothers with the glittering allure of performance, while their personal lives intertwine with the booming culture of early film. The contrast between their grounded upbringing and the luminous world they now inhabit sets up a delicate balance of loyalty, rivalry, and shared wonder.
As the horizon darkens with the rumble of an approaching global conflict, the brothers stand at a crossroads where personal dreams and national duties collide. The very medium that brought them fame—film and its ever‑watchful camera—begins to hint at a shifting landscape, suggesting that the stories they help tell may soon be reflected in their own lives. The tone swells with both the excitement of creative possibility and the quiet foreboding of an era about to change everything.
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