Directed by

William Keighley
Made by

Warner Bros. Pictures
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Read the complete plot summary and ending explained for Four Mothers (1941). From turning points to emotional moments, uncover what really happened and why it matters.
In this final installment of Warner Brothers’ Four Daughters series, the Lemp family faces a crushing setback when their investment in son-in-law Ben Crowley’s [Frank McHugh] out-of-state realty project is wiped out by a hurricane. With cash flow blocked and the town wary of new ventures, Ben proposes they localize and develop their own property to sell. But the hurricane’s aftermath leaves financing scarce, forcing the Lemps to reconsider their plans. Adam Lemp [Claude Rains], the family patriarch, makes a shocking move: he sells the house where he raised his daughters, hoping to salvage their finances. The buyer intends to raze the old house to make way for an apartment building, a plan that hits home for the sisters.
To raise the necessary capital, Felix Deitz [Jeffrey Lynn], the son-in-law, travels to Chicago to conduct an orchestra, seeking opportunities that could lift the family out of trouble. Meanwhile, Kay Lemp [Rosemary Lane], the only Lemp daughter who has no children, grows frustrated as husband Dr. Clint Forrest, Jr. [Eddie Albert] spends more time at work, and his lab research at the town’s smelting plant raises concerns about Pneumoconiosis.
Kay heads to Chicago to seek a radio job, but the big city offers no relief for either her or Felix, and both return home. After moving into an apartment with his sister Aunt Etta [May Robson], Adam is invited to conduct at the Beethoven Music Festival at the Hollywood Bowl in Los Angeles, a prestigious honor that could restore the Lemp name.
The family travels to Los Angeles to watch him perform, and then they return home for the opening of Lemp Acres, Ben’s new property development. Upon Adam’s arrival, he rekindles the town’s respect; the townspeople even finance moving his old house to Lemp Acres, restoring the community’s familiar rhythm.
In the end, the four daughters — Ann Lemp Deitz [Priscilla Lane], Kay Lemp, Thea Lemp Crowley [Lola Lane], and Emma Lemp Talbot [Gale Page] — hold a musical practice, and Kay discovers she is pregnant, signaling a hopeful future for the family.
Follow the complete movie timeline of Four Mothers (1941) with every major event in chronological order. Great for understanding complex plots and story progression.
Hurricane devastates the development plans
A hurricane destroys the out-of-state development site financed by Ben Crowley, wiping out the family's investment. With the loss, Ben proposes localizing their efforts to develop their own property, but the town blocks financing after the disaster.
Adam sells the family house to raise cash
Adam sells the house he raised his daughters in to raise cash. He is shocked to learn the buyer intends to raze the home to make way for an apartment building.
Buyer plans to raze the house for apartments
Adam discovers the buyer plans to tear down the home and replace it with an apartment building, threatening a family landmark. The revelation underscores the financial pressure pushing the family toward risky ventures.
Felix travels to Chicago for an orchestra job
Felix journeys to Chicago to conduct an orchestra and help the family finances. His trip carries hope that distant opportunities may ease their burdens.
Clint's pneumoconiosis risk surfaces
Clint's lab work at the town's smelting plant raises concerns about Pneumoconiosis. The health scare adds to the household's anxieties about work and safety.
Kay leaves for Chicago to seek radio work
Kay, the childless daughter, departs for Chicago in search of a radio job, hoping to improve her situation. Her move comes amid the strain of Clint's health and family tensions.
Felix returns from Chicago
Felix returns home after Chicago with limited relief, confirming that big-city opportunities are not easily found. The trip underscores the gap between aspiration and reality.
Kay returns from Chicago
Kay also returns home after her Chicago attempt, resuming life with her husband Clint and the Lemp family. The city failed to deliver the relief they hoped for.
Adam moves into an apartment with his sister Etta
In response to tightening finances, Adam moves into an apartment with his sister Etta, adjusting to a smaller household. The change marks a new domestic arrangement for the family.
Adam is invited to conduct at the Beethoven Festival in LA
Adam receives an invitation to conduct at the Beethoven Music Festival at the Hollywood Bowl in Los Angeles, offering a prestigious platform for the family. The invitation brings a glimmer of recognition amid the financial strain.
Family travels to Los Angeles for the festival
The Lemp family travels to Los Angeles to witness Adam's performance, sharing in his moment of pride. The trip strengthens family bonds as they support him on foreign soil.
Lemp Acres opens and the old house moves
Back home, the opening of Lemp Acres unfolds as the townspeople finance moving the old house to the new property. The gesture restores a sense of community and continuity for the family.
Adam returns to a town that respects him again
Adam arrives to find the town has regained its respect for him, buoyed by the town's support in moving the old house. The renewed regard marks a hopeful turn for the family.
Kay discovers she is pregnant during a family practice
During a final family music practice, Kay discovers she is pregnant, bringing a hopeful turn to the family’s arc. The moment links the family’s growth to a new generation.
Explore all characters from Four Mothers (1941). Get detailed profiles with their roles, arcs, and key relationships explained.
Adam Lemp (Claude Rains)
The family patriarch and town pillar who navigates financial ruin after the hurricane. He embodies dignity, tradition, and steady leadership, guiding his family toward a communal revival. His conduct at the Beethoven Festival underscores his role as a unifying figure for the community. By the end, the town’s support helps restore the family’s standing as the old house moves to Lemp Acres.
Kay Lemp Forrest (Rosemary Lane)
The childless daughter who chafes at her husband’s long work hours and pursues independence in Chicago. She attempts a radio career to stabilize the family’s finances but ultimately returns home, where personal life and family duties converge. Her arc includes a forthcoming pregnancy, marking a new phase for the Lemp family.
Felix Deitz (Jeffrey Lynn)
The son-in-law who travels to Chicago to conduct an orchestra, chasing artistic ambition amid financial strain. His career moves reflect the lure of city life and cultural prestige. The pursuit of success tests loyalties but also offers a path back to the family’s common ground.
Ann Lemp Deitz (Priscilla Lane)
Another Lemp daughter and Felix’s wife, who shares in the family’s challenges and supports the effort to stabilize their fortunes. Her role emphasizes domestic resilience and partnership within a tight-knit clan. Her presence helps anchor the family amid upheaval.
Emma Lemp Talbot (Gale Page)
A Lemp sister who helps shoulder family duties as the community confronts economic and social pressures. She contributes to the emotional and practical balance needed to keep the family cohesive. Her stance reinforces the value of familial solidarity during hard times.
Thea Lemp Crowley (Lola Lane)
Thea, another Lemp sister, anchors family ties and navigates the implications of marriage into the Crowley family. She reinforces the theme of extended kinship and shared responsibility. Her presence ties the diverse branches of the family together.
Ben Crowley (Frank McHugh)
The Lemp son-in-law whose out-of-state realty venture is ruined by the hurricane. His setback tests family bonds but also motivates the Lemps to rally around a local, communal project. He embodies risk and the hope of rebound through collective effort.
Dr. Clint Forrest, Jr. (Eddie Albert)
Kay’s husband, a laboratory researcher whose work leads him toward the Pneumoconiosis issue at the town’s smelting plant. His scientific concerns intersect with the town’s industrial reality, highlighting the cost of progress. His perspective adds a practical, problem-solving angle to the family drama.
Aunt Etta (May Robson)
The matriarchal aunt who provides wisdom and stability within the family circle. She represents tradition and enduring affection, offering guidance as the family navigates upheaval. Her presence anchors the story’s emotional core.
Learn where and when Four Mothers (1941) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1930s
Set in the 1930s, during the Great Depression era in the United States, the film depicts economic hardship, regional movements, and a community rallying to rebuild after a natural disaster. The era’s social and financial strains shape the characters’ choices, from seeking work in cities to relocating homes. Cultural events, like the Beethoven Festival, provide a sense of continuity and aspiration amid uncertainty.
Location
Hollywood Bowl (Los Angeles), Chicago, Lemp Acres
The story moves from a small-town setting to the Beethoven Music Festival at the Hollywood Bowl in Los Angeles. Chicago serves as a backdrop for Felix and Kay’s pursuit of urban opportunities, reflecting the era’s mobility. Lemp Acres represents the family’s attempt to rebuild and relocate their home and business, turning a disaster into a new community project.
Discover the main themes in Four Mothers (1941). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🧭
Family Resilience
The Lemp family bands together after the hurricane, transforming misfortune into a collective effort to rebuild. Trust, sacrifice, and shared purpose help the family navigate financial ruin and social pressure. The move to Lemp Acres embodies a renewed commitment to each other and to their town.
💰
Economic Struggle
A failed out-of-state venture and scarce local financing push characters toward unconventional fixes and local reinvestment. City-bound work in Chicago and radio attempts highlight the era’s precarious job market. The plot centers on how money pressures test relationships and drive the pursuit of stability.
🎶
Music & Ambition
Music serves as a beacon of cultural pride, with Adam conducting a major festival and Felix pursuing orchestral success. Artistic dreams provide meaning amid financial worry and social change. The family’s fortunes rise and fall in rhythm with these musical aspirations.

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Discover the spoiler-free summary of Four Mothers (1941). Get a concise overview without any spoilers.
In a modest Midwestern town where music drifts from the church hall to kitchen windows, four sisters move from the carefree days of youth into the tangled rhythm of married life. The story gathers around the Lemp family, now anchored by the gentle authority of the patriarch Adam Lemp, whose steady presence has long guided his daughters through love and loss. Each sister—Ann Lemp Deitz, the matriarch‑in‑training; Kay Lemp, restless and yearning for purpose beyond domestic expectations; Thea Lemp Crowley, whose devotion to her husband and children keeps the household humming; and Emma Lemp Talbot, quietly resilient—must negotiate the shifting currents of motherhood, career ambitions, and the inevitable compromises that marriage brings.
The sisters’ lives intersect with a cast of familiar partners and relatives who amplify both support and tension. Ben Crowley, a brother‑in‑law with entrepreneurial dreams, constantly tests the family’s financial footing, while his brother‑in‑law Felix Deitz chases opportunities that could lift the household from uncertainty. Dr. Clint Forrest, Jr., Kay’s husband, devotes himself to his demanding medical research, leaving his wife to balance professional aspirations with the quiet ache of neglect. Together, these relationships create a tapestry of hope, frustration, and enduring loyalty, each thread tugged by the ever‑present demands of raising children and keeping a household afloat.
Against this backdrop, the film’s tone blends gentle comedy with heartfelt drama, suffused with the era’s love of song and community gatherings. The Lemp home, once a symbol of stability, now feels like a stage where daily negotiations become performances of love, sacrifice, and perseverance. As the sisters lean on one another, the audience is invited to share in the quiet triumphs and lingering doubts that define family life, hinting at the possibilities that lie just beyond the next melody.
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