Directed by

Lucio Fulci
Made by

Coralta Cinematografica
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Read the complete plot summary and ending explained for Four of the Apocalypse (1975). From turning points to emotional moments, uncover what really happened and why it matters.
In 1873, Stubby Preston, a professional gambler, rides into the rough frontier town of Salt Flats, Utah with plans to work the local casino. His arrival is cut short when the town sheriff arrests him as soon as he steps off the stagecoach. That same night, a vigilante raid is set to unfold against the casino, and the sheriff plans to turn a blind eye to it. The only criminals to survive the night are the four who were in the jail when it happened: Stubby Preston, a pregnant prostitute named Bunny, a troubled but gentle Black man named Bud, and an alcoholic named Clem.
At dawn, the sheriff, seeing them safe enough to move, offers a wagon and horses in exchange for Stubby’s $1,000 stake. The quartet sets off with a plan to push south toward Sun City, about 200 miles away. Along the road, they cross paths with a group of Quaker immigrants. The patriarch of the Quaker household mistakes Bunny for Stubby’s wife, a misunderstanding the four play into for a while, then abandon when the Quakers depart. Not long after, they witness a brutal bandit raid on settlers, a stark reminder of the violence that threads through their journey.
On Bunny’s birthday, the group rests by a river. Bud catches a fish, and they fashion a sand cake to celebrate, washing it down with water from their canteens. The moment is shattered by gunfire, and their fire is doused as a stranger, a wanderer named Chaco, joins them. Stubby remains wary of the newcomer, but for a time things seem to settle. When three gunmen close in, Chaco saves them from ambush, though the gunmen turn out to be lawmen, and [Chaco] tortures the surviving deputy. The group is drawn into an uneasy alliance with the enigmatic traveler, aided by Chaco’s peyote buttons, which they share one night by the campfire. Stubby partakes, though he keeps most of the experience off balance, and Chaco uses the lure of whiskey to push Clem into a coercive bind that includes Stubby and Bud.
Chaco binds them all, taunting Stubby Preston and forcing Bud to cooperate as Bunny is bound to a tree. The moment grows darker as Chaco rapes Bunny and goads Stubby with taunts about his own love for her. He directs Clem to “be quick about it” if he wants to join in the crime, and Clem realizes the horror of what’s being asked. He tries to intervene, but Chaco shoots him in the leg, leaving the four to die. In a desperate act, Clem frees Stubby Preston, who frees the others. Bud builds a stretcher for Clem, and Stubby removes the bullet from Clem’s wound as they press on.
The four find themselves pursued by Chaco and his cohorts, who trail their trail and threaten to overtake them. They spot a caravan of Bible Folk they hope to raid for supplies, and the bandits redouble their efforts. The pursuit crescendos as they discover the remains of the caravan and the earlier immigrants they met, all dead at the hands of Chaco’s gang. Stubby swears a renewed vow to kill Chaco.
A fierce rainstorm forces the four to take shelter in a ghost town. Tragically, Clem succumbs to an infection, and Bud’s mind begins to fracture under the weight of his friend’s death. He drags Clem’s body away, while Stubby and Bunny confess their love for one another and share a moment of intimacy. When Bud returns with meat he has scavenged, the group wrestles with the grim reality that the dead man’s flesh now feeds them. The decision to send Bud to the “ghosts” of the town underscores the mounting sense that vengeance may be their only compass.
Later, they encounter an old pastor friend of Stubby, which leads them to a snowy, mountaintop mining town inhabited almost entirely by men. The locals are unsettled by a woman giving birth in their midst, yet fascination grows into a strange reverence for the birth of new life. Bunny dies in childbirth, leaving Stubby stunned and bereaved. The townsfolk, now enthralled by the infant they christen Lucky, offer protection and baptism, and Stubby entrusts the child to the care of the miners, finding a fragile, hopeful respite in the power of new life.
With Bunny gone and the child in the keeping of the mining town, Stubby continues his vigilante quest for revenge against Chaco. He tracks the bandits to a barn, where he eliminates two of Chaco’s men and then confronts Chaco himself. The taunts resume, with Chaco holding up the dead evangelist’s cross and reminding Stubby of Bunny’s rape. The confrontation ends when Stubby shoots Chaco dead and sets his sights on the horizon, a lone figure accompanied only by a stray dog who joins him on the journey forward.
This stark western tale moves through themes of survival, trust, and vengeance, showing how a quartet of misfits threads through violence to carve out a precarious path toward a final reckoning with the man who shattered their lives. It balances brutal acts with quiet moments of humanity, as Stubby clings to memory, love, and the possibility of redemption even as the road grows colder and more desolate.
Follow the complete movie timeline of Four of the Apocalypse (1975) with every major event in chronological order. Great for understanding complex plots and story progression.
Stubby Preston arrives in Salt Flats and is arrested
In 1873, professional gambler Stubby Preston steps off the stagecoach into Salt Flats, Utah and is promptly arrested by the local sheriff. The town is already tense with a looming vigilante attack on the casino later that night. Stubby’s fate is sealed by the law’s willingness to bend to fear and violence.
Vigilante raid occurs; four survivors emerge from prison
During the casino confrontation, the four who were jailed survive the raid while others are killed, and the sheriff seems to turn a blind eye. Stubby, Bunny, Bud, and Clem become the only criminals to survive the night. The raid underscores the lawlessness weighing on Salt Flats.
Morning release and bargain: the four ride out of town
The next morning the sheriff sends them on their way with a wagon and horses in exchange for Stubby’s thousand-dollar stake. The four decide to head south toward Sun City, hoping to put distance between themselves and the trouble behind them. They leave Salt Flats with a fragile sense of alliance.
Quaker encounter and a mistaken family dynamic
On the road they meet a group of Quaker immigrants; their patriarch mistakes Bunny for Stubby’s wife and accepts the pretence. Stubby and Bunny play along to keep the peace, then carry the ruse forward as they travel. The Quakers eventually go their own way, leaving the four to continue alone.
Witnessing a bandit raid and continuing journey
Not long after, the four witness a violent bandit raid on settlers along the road, reminding them of the dangers in this frontier country. The Quaker caravan parts ways, and Stubby, Bunny, Bud, and Clem press on toward Sun City. The mood remains tense as the landscape grows harsher.
River birthday scene; Chaco joins the group
At a riverbank stop for Bunny’s birthday, Bud catches a fish and a makeshift cake is formed from sand. Gunshots interrupt the toast, and a wanderer named Chaco negotiates his way into the group with a confident offer. Stubby remains wary, but the others accept the new member.
Chaco’s help against gunmen; turns out to be trouble
Three gunmen approach; Chaco demonstrates surprising skill by saving the group. The supposed gunmen turn out to be lawmen who brutalize a deputy, revealing a brutal underworld behind their frontier journey. The group grows more uneasy about their new ally.
Peyote sequence and binding begins
The group shares peyote buttons around a campfire, and Stubby resists while Chaco uses whiskey to push Clem into a coercive binding. Stubby and Bud are tied together, Bunny is bound to a tree, and the night feels both surreal and dangerous. Suspense tightens as power dynamics shift within the group.
Chaco rapes Bunny; Clem shot; the group is left for dead
Chaco rapes Bunny and taunts Stubby with the violence. He orders Clem to join and Clem makes a half-hearted attempt to resist, but Chaco shoots Clem in the leg and abandons them. The group is bound and left to die in the bleak wilderness.
Escape, rescue and continuation
Clem frees Stubby; Stubby frees Bud and Bunny. Bud struggles but manages to carry Clem's body to safety. A makeshift stretcher is built and the group continues on the road, driven by a need for revenge and survival.
Pursuit and remains of caravan; vow to kill Chaco again
Chaco and his cohorts resume the chase, lured by the trail of a caravan of Bible-folk offering supplies. They trail the group; Stubby and company discover the remains of the caravan and the immigrants, hard evidence of Chaco’s brutality. Stubby swears to kill Chaco again.
Rainstorm, ghost town, and Bud’s madness; Clem dies
The travelers take shelter in a rain-soaked ghost town, where Clem dies from infection. Bud, already fragile, descends into a delirious belief that the town’s residents come out to meet him each night. The tragedy deepens as the group processes loss in the desolate place.
Birth of Lucky; Bunny dies; guardianship conferred
The group reaches a snowy mountaintop mining town and Bunny goes into labor. She dies in childbirth, leaving Stubby in shock. The baby is baptized and christened Lucky, and the townsmen insist on guardianship of the child, which Stubby reluctantly grants.
Final showdown with Chaco; Chaco slain
Stubby, alone again, seeks revenge on Chaco. He borrows the sheriff’s wagon and finds the barber’s shaving gear in it to approach a barn where Chaco and two friends hide. Stubby shoots Chaco dead after taunting him about Bunny’s rape, then heads into the horizon with a stray dog by his side.
Explore all characters from Four of the Apocalypse (1975). Get detailed profiles with their roles, arcs, and key relationships explained.
Stubby Preston (Fabio Testi)
A professional gambler who becomes the reluctant leader of the group. He uses cautious pragmatism to navigate danger and maintain the bond between Bunny, Bud, and Clem. Stubby’s resolve to confront Chaco blends with a growing sense of responsibility and a wary hope for eventual justice. Beneath his hard exterior lies a mix of loyalty, desire, and a constant cost of choosing violence as a solution.
Bunny (Lynne Frederick)
A pregnant prostitute whose presence unsettles, yet anchors the group with a quiet resilience. She navigates deception—being mistaken for Stubby’s wife by the Quakers—while maintaining a grace under pressure. Her bond with Stubby deepens into love, even as she endures trauma and faces a perilous childbirth. Her strength and vulnerability shape the emotional core of the journey.
Bud (Harry Baird)
A disturbed but gentle Black man whose mental clarity is tested by the group's ordeals. His fragile psyche deteriorates after Clem’s death, and he becomes haunted by the ghosts of the ghost town. Bud’s loyalty to the group remains inconsistent yet essential, revealing the human fragility beneath frontier bravado.
Clem (Michael J. Pollard)
An alcoholic yet good-hearted member of the quartet whose quick reactions help the group survive. He is coerced into a dangerous situation at Chaco’s hands, and his later death from infection marks a turning point for the survivors. Clem’s vulnerabilities and acts of courage illustrate the cost of their long journey.
Chaco (Tomas Milian)
A roaming, dangerous bandit who becomes the principal antagonist. He tortures a deputy, manipulates others with threats and peyote, and ultimately confronts Stubby in a deadly showdown. Chaco embodies the brutal brutality of the lawless West and the seductive lure of power through violence.
Sheriff of Salt Flat (Donald O'Brien)
The town lawman who arrests Stubby upon arrival and later effectively controls the fate of the travelers by exchanging a wagon and horses for Stubby’s stake. He represents official authority that can be compromised or used for personal gain in a frontier town. His actions set the tone for how justice is administered on the road.
Reverend Sullivan (Adolfo Lastretti)
An old pastor friend of Stubby who appears at pivotal moments, offering a moral counterpoint and spiritual rituals. He baptizes the newborn Lucky and embodies a fleeting beacon of mercy amid violence and vengeance. His presence highlights the struggle for redemption in a brutal landscape.
Learn where and when Four of the Apocalypse (1975) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1873
The events unfold in 1873, a period of rough frontier life where law is scarce and communities rely on rough justice. Stagecoaches, wagon trails, and mining towns mark daily travel and survival. The setting reflects a harsh, transitional West where fortune-seekers, outlaws, and displaced people collide. Civilian life is shaped by scarcity, vigilante impulses, and sudden violence.
Location
Salt Flats, Utah, Sun City, Ghost Town, Mountaintop mining town
The story centers on Salt Flats in Utah, a harsh frontier town with a gambling scene and a tense, vigilant atmosphere. The journey then takes Stubby and his companions toward Sun City, passing through a remote river, a ghost town, and a snowy mining town. The varied landscapes underline isolation, rough living, and the ever-present threat of violence in the era.
Discover the main themes in Four of the Apocalypse (1975). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Frontier Justice
Frontier Justice examines how order is attempted in a lawless landscape. The sheriff’s willingness to overlook a vigilante plot highlights the makeshift rules that govern the town and the road. Stubby and his companions must decide whether to pursue personal vengeance or protect themselves and each other. The journey forces characters to navigate moral compromises when survival is at stake.
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Trauma
The film delves into the psychological scars of extreme violence: Bunny’s assault, Clem’s injury and death, and Bud’s deteriorating grip on reality. Each character carries past trauma into new dangers, shaping how they respond to threats and trust one another. The narrative explores how trauma fragments relationships and alters the course of a quest for safety. Recovery is fragile in a world where threats repeatedly re-emerge.
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Survival
Survival drives every decision as the group faces ambushes, dehydration, disease, and harsh environments. The characters must improvise shelter, food, and mobility while avoiding Chaco and his band of lawless pursuers. Loyalty is tested by scarcity and the lure of revenge. The struggle to stay alive ultimately reframes personal goals and alliances as the horizon darkens.

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Discover the spoiler-free summary of Four of the Apocalypse (1975). Get a concise overview without any spoilers.
In the unforgiving expanse of 1870s Utah, a rag‑tag quartet is thrust onto a dust‑blown road that seems to stretch into eternity. Stubby Preston, a smooth‑talking gambler with a reputation for calculated risk, finds his plans derailed when a sheriff’s arrest leaves him without a stake and without a future in the frontier town of Salt Flats. Sharing the same bruised horizon are three fellow outcasts: Bunny, a pregnant prostitute whose quiet resilience masks a fierce will to survive; Bud, a gentle Black man whose calm demeanor belies the hard edges of a life spent on the margins; and Clem, an aging alcoholic whose weary smile hints at countless compromises.
The landscape itself becomes a character, its barren plains, wind‑scoured canyons and ghost‑town shadows shaping every step the four must take. As they bind themselves to a makeshift wagon and a meager promise of freedom, the road reveals both the subtle kindness of wary strangers and the relentless pressure of a world that offers no mercy. Their uneasy partnership is defined by a blend of grudging respect and underlying tension, each carrying personal burdens that surface in whispered conversations around campfires and in the brief, fragile moments when the sun breaks through the dust.
Beyond the horizon lurks an unnamed, sadistic bandit – a menacing presence that haunts every mile and fuels an undercurrent of dread. The chase is less a chase than a constant, low‑grade hum of danger, sharpening the group’s instincts and exposing the raw edges of their characters. The film’s tone wavers between stark, sun‑bleached brutality and quiet, almost lyrical interludes where the desert’s silence speaks louder than any gunshot.
Stubby, Bunny, Bud, and Clem move through this world with an uneasy camaraderie, their fates intertwined by circumstance and a shared desire to outrun the unforgiving terrain and the relentless threat that stalks them. Their journey promises a haunting portrait of survival, loyalty, and the uneasy balance between hope and desperation.
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