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Face of a Fugitive

Face of a Fugitive 1959

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Face of a Fugitive Plot Summary

Read the complete plot summary and ending explained for Face of a Fugitive (1959). From turning points to emotional moments, uncover what really happened and why it matters.


Bank robber Jim Larsen, [Fred MacMurray], is handcuffed to Deputy Marshal George Allison, [Francis De Sales], on his way to prison. Larsen feels he was only caught because he used a partner; the next time will be singlehanded. Boarding the train, Larsen overpowers the deputy, takes his pistol and handcuffs him to the rear car. Larsen’s younger brother Danny, [Ron Hayes], comes to free Larsen. Danny has brought Jim a horse and they flee. The deputy produces a hidden derringer. He mortally wounds Danny, who kills the deputy. The two board another train, hiding in the baggage car. After Danny dies, Larsen puts his body in a mail sack and throws it off the train.

Jim changes into his father’s business suit, which Danny brought, and reboards the train as a passenger at the next stop. The only vacant seat is next to Alice, [Gina Gillespie], a six-year-old girl who was visiting her grandfather. The talkative Alice guesses that he must be a visiting mining inspector. Using the name Ray Kincaid, Larsen plays along and gathers information on the next town, Tangle Blue, Wyoming. Mark Riley, [Lin McCarthy], an earnest but inexperienced sheriff who is Alice’s uncle, and a group of deputies stop the train to search for the deputy’s murderer; they are satisfied with “Ray Kincaid the mining inspector” due to his travelling with Alice. The deputies say that a wanted poster (with Larsen’s face on it) will arrive on the next day’s train.

In town, Larsen/Kincaid meets Alice’s widowed mother, Ellen Bailey, [Dorothy Green]. He attends a dance with Ellen, who says she wants to leave Tangle Blue. Though he tries to avoid getting involved with Ellen, they fall in love.

Mark is having problems with the rich landowner Reed Williams, [Alan Baxter], fencing off open range government land. Larsen/Kincaid finds all the roads away from Tangle Blue are guarded by deputies who prevent anyone from leaving until the wanted poster comes. Desperate for cash, he decides to earn some money as a deputy for Mark. He proves his ability as a lawman by preventing a showdown between Williams’ gang and Mark.

As part of his duties, Mark cuts down Williams’ barbed wire fences, but Williams’ men rebuild them. Mark reminds Larsen/Kincaid of Danny. Returning to town to drink, Williams’ gang menace Larsen/Kincaid, who beats up Williams in a fair fight, but Larsen/Kincaid is then worked over by Williams’ gang. The next day, Larsen/Kincaid is the only deputy willing to go with Mark to cut down Williams’ fence. They find it unrepaired; Mark prepares to go back to meet the train with the wanted posters, which leaves Larsen/Kincaid free to leave town by the very road he is supposed to guard. But then Purdy, one of Williams’ hired men, arrives and repairs the fence. When Mark discovers this, he comes back to cut it again. Purdy draws a gun and is about to shoot Mark. Larsen/Kincaid disarms Purdy, and then also shoots the barbed wire, which snaps back and entangles Purdy. Mark goes to meet the train, leaving Larsen/Kincaid to slowly untangle the wire around Purdy. Soon Williams and several of his men arrive and shoot at Larsen/Kincaid, who escapes on horseback back to town. Pursued, he defends himself from the roof of a boarded-up house. He kills several men, but is wounded and falls through the rotted roof. Losing his gun and injuring his leg, he struggles to crawl downstairs. Purdy, the last of Williams’ men, jumps down through the hole in the roof and makes it to the top of the dark stairway, just as Williams gets the door open. Williams shoots the figure in the dark, killing Purdy. Larsen/Kincaid retrieves Purdy’s gun and kills Williams.

When Mark and others arrive, one of the men looks at the unconscious Larsen/Kincaid, then at the wanted poster he is holding, and says, “He’s the man we’re after alright.” > He’s the man we’re after alright. Mark then says that he will testify for Larsen/Kincaid at his trial.

Face of a Fugitive Timeline

Follow the complete movie timeline of Face of a Fugitive (1959) with every major event in chronological order. Great for understanding complex plots and story progression.


Jim Larsen overpowers deputy on the train

Jim Larsen, handcuffed to Deputy Marshal George Allison, overpowers his guard aboard the prison train and seizes the pistol. He handcuffs the deputy to the rear car to prevent pursuit and escape. This violent opening sets the escape plot in motion.

En route to prison Train

Danny frees Jim; deputy and Danny die

Danny arrives with a horse and frees Jim, enabling the escape. The deputy mortally wounds Danny, who then kills the deputy in a final act of defiance. They board a second train, and Danny dies; Jim hides his body in a mail sack and dumps it off the train.

Between towns

Jim re-enters train as Ray Kincaid

At the next stop, Jim changes into his father's business suit and boards the train again under the alias Ray Kincaid. He sits beside Alice, a curious six-year-old girl visiting her grandfather, and uses the cover to gather information about the forthcoming town. The disguise helps him move toward Tangle Blue without attracting suspicion.

Train

The train reaches Tangle Blue; search ordered

In Tangle Blue, Mark Riley and a posse stop the train to search for the deputy's killer. They accept Ray Kincaid the mining inspector thanks to Alice's company, but warn that a wanted poster will arrive on the next day's train. The town braces for the poster and the man it will identify.

Next day Tangle Blue, Wyoming

Larsen meets Ellen; a romance begins

Larsen/Kincaid meets Ellen Bailey in town and attends a dance with her, trying to keep distance from his mission. They fall in love despite his best efforts, complicating his disguise. Ellen expresses a wish to leave Tangle Blue.

Tangle Blue

Mark confronts Williams over fencing; Larsen helps

Mark Riley struggles with Reed Williams, a landowner fencing off government land. Larsen/Kincaid proves his deputy skills by preventing a direct showdown between Williams' gang and Mark. The conflict underscores how land and power drive the town.

Tangle Blue

Larsen volunteers to help cut Williams' fence

That morning, Larsen/Kincaid agrees to accompany Mark to cut down Williams' fence. They find the fence unrepaired, prompting Mark to plan a train-side search with the poster; Larsen realizes he could leave town along the road he guards. Purdy soon arrives and repairs the fence, testing Larsen's resolve.

Daytime Open range near Tangle Blue

Purdy's failed shot and barbed wire trap

Purdy repairs the fence, prompting Mark to return and cut it again. Purdy draws a gun to shoot Mark, but Larsen disarms him and snaps the barbed wire, tangling Purdy in the process. The action draws Williams' men while a tense standoff develops.

Same day Open range near town

Pursuit forces Larsen back to town

Williams' gang closes in and shoots at Larsen as he escapes on horseback back to town. He defends himself as he rides, using makeshift cover until he reaches a boarded-up house. The pursuit continues as he fights to survive.

Evening Town outskirts

Rooftop battle and Purdy's death

Within the boarded-up house, Larsen fights for his life as Williams' men close in. Purdy, the last Williams man, jumps down through the hole in the roof and reaches the top of the dark stairs just as Williams opens the door. Williams shoots the figure in the dark, killing Purdy.

Night Boarded-up house, town

Larsen kills Williams and survives

Larsen/Kincaid retrieves Purdy's gun and uses it to kill Reed Williams. The town's pursuit ends with Williams' death and Larsen's precarious status.

Immediately after the fight Town

The aftermath and a plan for trial

Mark and others arrive to assess the prisoner. One man recognizes the poster but Mark delays judgment with a cautious, ambiguous line. Mark vows to testify for Larsen/Kincaid at his trial.

After rescue Town/Doctor

Face of a Fugitive Characters

Explore all characters from Face of a Fugitive (1959). Get detailed profiles with their roles, arcs, and key relationships explained.


Jim Larsen a.k.a. Ray Kincaid (Fred MacMurray)

Bank robber Jim Larsen is handcuffed to a deputy on the way to prison, overpowers the deputy on the train, and escapes with his brother Danny. He assumes the name Ray Kincaid and dons a disguise to learn about Tangle Blue, blending in as a visiting inspector while moving toward his own moral code. He gradually acts as a capable, principled force within the town, navigating danger from Williams and his gang. His actions drive the plot’s balance between outlaw cunning and frontier justice.

🗡️ Outlaw 🛡️ Lawman 🔀 Identity

Ellen Bailey (Dorothy Green)

Widowed mother of Alice, Ellen is wary of staying in Tangle Blue but is drawn to Larsen and forms a tentative romance. She seeks a safer, better life beyond the town while grappling with her feelings and responsibilities. Ellen’s bond with Larsen anchors the human stakes of the frontier conflict. Her choices reflect the tension between personal safety and new possibilities in a harsh landscape.

💘 Love 🏚️ Small-town life 🕊️ Hope

Mark Riley (Lin McCarthy)

An earnest but inexperienced sheriff who must keep order in a volatile town. He partners with Larsen to challenge Williams’ fence operations and to defend open land, relying on unconventional methods at times. Mark’s idealism is tested as he recognizes the value of Larsen’s practical skills and leadership. He vows to testify for Larsen at the trial, illustrating a fragile but present sense of justice.

🛡️ Sheriff 🤝 Partnership 🧭 Moral growth

Danny Larsen (Ron Hayes)

Larsen’s younger brother who helps execute their escape plan, bringing a horse to aid their flight. He dies after being wounded during the pursuit, and his death intensifies the quest against Williams. Danny’s loyalty drives the brothers’ decisions and the narrative’s emotional core. His sacrifice reinforces the frontier’s cost of survival and justice.

💔 Loyalty 🕊️ Sacrifice 🏁 Bravery

Purdy (James Coburn)

A hired gun for Reed Williams, Purdy represents the brutal enforcement arm of Williams’ regime. He attempts to shoot Mark and engages Larsen in the climactic confrontations, ultimately dying as the plan unravels. Purdy embodies the violence used to maintain power on the frontier. His fate underscores the consequences faced by those who stand with Williams.

🪖 Henchman 💥 Violence ⚖️ Consequences

Reed Williams

A wealthy landowner whose barbed-wire fences encroach on open range, Williams embodies the economic and legal leverage opposing Larsen and Mark. He wages a campaign to maintain control through force and influence, clashing with town efforts to reclaim open land. The final showdown with Larsen reveals the high stakes of frontier power and land disputes.

💼 Wealth 🧱 Fence oppression ⚔️ Showdown

Face of a Fugitive Settings

Learn where and when Face of a Fugitive (1959) takes place. Explore the film’s settings, era, and how they shape the narrative.


Time period

Late 19th century

The events take place in the era of westward expansion and frontier justice, when railroads, open ranges, and barbed wire fencing shaped conflicts between settlers and landowners. The town’s rhythms involve sheriff patrols, gunfights, and surges of law enforcement amid growing wealth disparities. It’s a period where individual courage and improvised justice often determine outcomes more than formal legal procedures.

Location

Tangle Blue, Wyoming

Tangle Blue is the frontier town where much of the story unfolds, positioned in the open Wyoming countryside. The town sits at the edge of open range, with fences and gates reflecting the era’s land disputes. Its atmosphere blends small-town social life, tense confrontations between landowners and locals, and the constant presence of trains bringing news and trouble.

🏜️ Frontier town 🛡️ Lawless frontier 🐎 Open-range land

Face of a Fugitive Themes

Discover the main themes in Face of a Fugitive (1959). Analyze the deeper meanings, emotional layers, and social commentary behind the film.


🗡️

Justice

Frontier justice drives the narrative, with lawmen and outlaws occupying shifting roles. Larsen navigates the line between criminal and guardian, using deception to protect the town and pursue a form of rough justice. The clash with Reed Williams’ power shows that justice in this world is messy and earned through courage and consequence. The sheriff’s eventual pledge to testify underscores a fragile faith in due process amid chaos.

🪪

Identity

Larsen adopts the alias Ray Kincaid and works as a mining inspector to gather information, blurring who he is and what he’s fighting for. The disguise allows him to move through town and influence events while protecting others, notably Ellen and Alice. This constant masquerade creates tension between his true self and the role he must play to survive. The plot hinges on how identity shapes trust, danger, and moral choice.

💘

Love

A romance between Larsen and Ellen becomes a personal stake that humanizes the frontier’s violence. Ellen’s wish to leave the town tests Larsen’s priorities between personal safety and the fight against Williams’ oppression. Their relationship adds emotional weight to the pursuit of justice and to the sacrifices required by life on the edge of civilization. Love here acts as both a refuge and a source of moral conflict.

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Face of a Fugitive Spoiler-Free Summary

Discover the spoiler-free summary of Face of a Fugitive (1959). Get a concise overview without any spoilers.


In a restless stretch of land that straddles the United States and Mexico, a man on the run must carry the weight of a false murder charge wherever his footsteps lead. Jim Larsen—a seasoned outlaw whose reputation precedes him—has been forced to abandon a life of crime for one of uneasy anonymity. The constant shadow of the law, embodied by relentless sheriffs who never forget a face, turns each sunrise into a silent standoff, and every small town he enters becomes a precarious refuge where safety is always a few breaths away.

The dusty border town at the heart of the story is a place where the heat of the desert meets the grit of frontier justice. Its streets echo with the chatter of weary travelers, the clatter of horse‑drawn wagons, and the low hum of a community trying to survive between two nations. Within this brass‑tacks backdrop, lawmen and locals move with a wary respect for one another, aware that a single misstep could draw the attention of the men who still hunt Larsen. The town’s rugged charm, punctuated by wooden saloons and open‑range horizons, creates a stage where tension hangs as thick as the dust, and every encounter hints at deeper, unseen currents.

Against this backdrop, the fugitive’s attempts to carve out a new existence are complicated by the connections he makes with those around him—a widowed mother seeking a fresh start, a curious child who sees the world with unguarded honesty, and a quietly determined sheriff whose sense of duty clashes with his own moral compass. These relationships give Larsen fleeting moments of respite, yet also remind him that the past is never far behind. The film’s tone blends stark western austerity with an undercurrent of restless hope, keeping the audience poised between the lure of redemption and the ever‑present danger of being caught.

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