Directed by

Douglas Hickox
Made by

Canterbury Film Productions
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Read the complete plot summary and ending explained for Entertaining Mr. Sloane (1970). From turning points to emotional moments, uncover what really happened and why it matters.
In a gray suburb of London, this darkly comic drama threads together murder, sexuality, and power as it follows a young, amoral drifter with a shadowy past. Kath Beryl Reid is a lonely middle-aged woman living with her aging father, Kemp Alan Webb, known to the neighborhood as DaDa. When she encounters Mr. Sloane Peter McEnery sunbathing and exercising on a grave in the cemetery near her home, she invites him to become a lodger, and soon she seduces him.
Her brother, Ed Harry Andrews, who is closeted, makes Sloane the chauffeur of his pink 1959 Pontiac Parisienne convertible, complete with a tight leather uniform. Kemp recognizes Sloane as the man who killed his boss years before and lashes out, stabbing him in the leg with a gardening tool.
Sloane revels in playing the two siblings against each other and in tormenting the elderly Kemp. He inflames Kath’s desire and the jealousy of Ed, eventually getting Kath pregnant and drawing Ed’s warning to stay away from her. When Sloane murders Kemp to protect his own secret, the siblings blackmail him, threatening to expose him to the police unless he agrees to a dangerous ménage à trois. In this arrangement, Sloane becomes not only a sexual partner but also a prisoner of the pair’s coercive dynamic.
As the trio’s twisted bargain unfolds, the story probes how power, attraction, and secrecy can fuse into a dangerous and unsteady alliance. The film balances sharp wit with unapologetic discomfort as it examines taboo appetites and the shifting loyalties of two siblings and their ruthless guest.
Follow the complete movie timeline of Entertaining Mr. Sloane (1970) with every major event in chronological order. Great for understanding complex plots and story progression.
Kath meets Mr Sloane in the cemetery
Kath discovers a sunbathing drifter, Mr Sloane, in the cemetery near her home. She invites him to become a lodger, setting in motion a dangerous liaison. The encounter introduces the film's central dynamic of desire and secrecy.
Sloane becomes Kath's lodger and begins the seduction
Sloane accepts the lodger arrangement; Kath seduces him, deepening their volatile chemistry. The relationship shifts from neighborly hosting to intimate attraction, pulling Kath into a morally charged romance. Tension between affection and manipulation starts to simmer.
Ed enlists Sloane as chauffeur for a pink 1959 Pontiac Parisienne
Ed, Kath's brother, uses Sloane as the chauffeur, complete with a tight leather uniform. The three-way power dynamic forms on the road and at home as Sloane moves between Kath and Ed. The distinctive car becomes a symbol of control and performance.
Kemp recognizes Sloane as the killer of his boss
Kemp, the elderly father, identifies Sloane as the man who killed his former boss years earlier. A confrontation leads Kemp to stab Sloane in the leg with a gardening tool. The knowledge seeds mistrust and foreshadows violent consequences.
Sloane toys with Kath, Ed, and Kemp
Sloane revels in pitting Kath and Ed against each other while tormenting Kemp. His manipulations sow simmering tension as loyalty fractures within the household. The drifter's past and charm mask a dangerous temperament.
Kath becomes pregnant by Sloane
Sloane's affair with Kath results in pregnancy, raising the stakes for all three. Kath's secret forces her to navigate desire, guilt, and the fear of exposure. The family dynamic becomes more entangled as the stakes grow higher.
Ed warns Sloane to stay away from Kath
Jealous Ed voices a warning, increasing the threat of a violent outcome. The warning signals the fragility of their arrangement and the impending clash between the siblings and the outsider. Tension escalates as loyalties are tested.
Sloane murders Kemp to protect his secret
Sloane kills Kemp to prevent the old man's knowledge from coming to light and jeopardizing his hold on Kath. The murder shifts the balance of power within the household and deepens Kath and Ed's vulnerability. The body count cements Sloane's status as a dangerous predator.
Kath and Ed force Sloane into a ménage à trois
Facing exposure, Kath and Ed blackmail Sloane into participating in a ménage à trois, turning their precarious alliance into an even more twisted arrangement. Sloane becomes not only a sexual partner but also their prisoner as well. The power dynamic becomes legally and morally ambiguous.
Sloane loses autonomy but maintains control through fear
The trio's dynamic cements Sloane as both participant and captive. He is compelled to perform and endure, balancing his own dark past against the siblings' demands. The arrangement thrives on manipulation, secrecy, and fear.
The drifter's past continues to haunt the household
Sloane's past actions and capabilities haunt Kath, Ed, and themselves, ensuring a perpetual state of unease. The deadly secret and the sexual power game keeps the household in disarray. The drifter remains a catalyst for chaos.
Conclusion: the dangerous ménage persists
With Kemp dead and the secret kept, the household adapts to a new, precarious balance under Sloane's influence. Kath and Ed's relationship with Sloane remains fraught, marked by control, desire, and fear. The film closes on an unsettling note about how far people will go for passion and secrecy.
Explore all characters from Entertaining Mr. Sloane (1970). Get detailed profiles with their roles, arcs, and key relationships explained.
Kath (Beryl Reid)
A lonely, manipulative woman who lures the drifter into her home, then wrestles with desire, fear, and control. Her charm masks a readiness to cross moral lines, making her both vulnerable and dangerous.
Ed (Harry Andrews)
Kath’s protective but volatile brother who treats Sloane as both rival and pawn. He exerts controlling power at home, revels in the chauffeur role, and grows increasingly ruthless to secure his sister’s interest.
Mr. Sloane (Peter McEnery)
A mysterious, amoral drifter who thrives on manipulation and cruelty. He toys with Kath and Ed, exposing their vulnerabilities while concealing a dangerous past and an unsettling sexual aura.
Kemp ('Dadda') (Alan Webb)
The aging father who recognizes the killer in Sloane and resists losing control of his family. He becomes a casualty of the escalating game, turning the tension into tragedy.
Learn where and when Entertaining Mr. Sloane (1970) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1950s
Set in postwar Britain, the late 1950s backdrop anchors social norms and taboos that drive the story. The period detail—cars, fashion, and manners—frames the characters' bold desires against conservative expectations. The era's shifting mores provide a charged atmosphere for black comedy and suspense.
Location
London suburbs, United Kingdom
The action unfolds in a quiet London suburb with a cemetery nearby, setting a stark contrast between domestic life and latent danger. The cemetery scenes punctuate family tensions and the unraveling of the sister-brother dynamic. The suburban backdrop underscores the film's dark, claustrophobic humor and moral ambiguity.
Discover the main themes in Entertaining Mr. Sloane (1970). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Sexuality
The film uses dark humor to probe sexual desire, repression, and clandestine affairs within a bourgeois British home. Kath's seduction of Mr Sloane exposes manipulation, vulnerability, and the blurred line between affection and coercion. Relationships are tested as desire collides with loyalty and control.
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Violence
Murder and threat loom over the trio, turning flirtation into danger. The revelation of past killings and the present dangers heighten the sense of peril. The black comedy tone keeps violence provocative rather than straightforward, highlighting the characters' moral decay.
⚖️
Power dynamics
A web of manipulation pits Kath, Ed, and Mr Sloane against one another as they vie for control. Sloane's ambivalent charm and their coercive pranks reveal how power shifts through seduction, blackmail, and exploitation. The ménage à trois proposal crystallizes the fragile balance of authority and submission.

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In the gray monotony of a London suburb, a darkly comic drama unfolds, centering on a household brimming with unspoken desires and peculiar habits. Kath, a lonely, middle-aged woman, encounters Mr. Sloane, a young, amoral drifter, sunbathing atop a gravestone in a nearby cemetery. Intrigued by his charm and mystery, she invites him to become a lodger, drawn to the vitality and disruption he brings to her quiet life. Her aging father, Kemp, resides there as well, a fixture of the neighborhood known as “DaDa,” observing the world with a wariness born of experience.
The arrival of the stranger quickly upsets the delicate balance of the home. Ed, Kath’s closeted brother, finds himself equally captivated by Sloane, hiring him as a chauffeur for his prized pink Pontiac Parisienne and insisting on a tight leather uniform. The siblings’ competing interests in their new tenant create a charged atmosphere, as both vie for his attention and loyalty. Sloane, seemingly adaptable to the shifting expectations of his hosts, settles into his role, navigating the peculiar domestic arrangement with a confidence that masks his shadowy past.
However, the tension escalates when Kemp recognizes Sloane as the man who killed his former boss years ago. While the revelation strikes fear into the old man, the siblings view the situation through a different lens, seeing an opportunity to leverage his secret. They hope that past sins can be forgiven—or at least overlooked—if Sloane agrees to meet their specific demands. As the household becomes a crucible for power, attraction, and coercion, the characters enter a dangerous game where the rules are constantly shifting.
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