Directed by

Ángel Gómez Hernández
Made by

Kowalski Films
Read the complete plot summary and ending explained for Don’t Listen (2020). From turning points to emotional moments, uncover what really happened and why it matters.
Daniel Rodolfo Sancho and Sara Belén Fabra, who renovate and resell houses, move into a sprawling new home with their 8-year-old son Eric Lucas Blas. Eric is troubled by insomnia and hears voices that push him toward eerie crayon drawings. They bring in a psychologist Beatriz Arjona, who explains that the disturbances stem from a lack of stability, and expects him to settle down. Yet Eric produces a bloody branch, and while the psychologist drives home, a supernatural fly harasses her until she crashes into a tree and dies. The house is so large, and Eric’s bedroom so distant from his parents’ that they rely on walkie-talkies to stay in touch. Daniel discovers the home is infested with flies and struggles to eliminate them. Unexplained events begin to pile up: inexplicable stigmata-like scratches appear on their skin; a locked gate opens by itself; Eric’s toy robot activates and speaks; and he believes his father expresses hatred for him through the walkie-talkie. One night, Daniel finds Eric drowned in the pool.
Sara leaves for a few days. The hauntings then focus on Daniel: he leaves a voice message for her, then hears Eric crying for help when he replays it, and the walkie-talkie crackles with static whenever he approaches it. He buys a book, Sounds from the Great Beyond (Sonidos de Más Allá), at a signing by parapsychologist Germán Domingo and asks for his help. Germán Ramón Barea and his daughter Ruth Ana Fernández arrive, Ruth armed with ghost-hunting gear—monitors, infrared cameras, EMF meters, headphones, and thermal imagers. Almost at once she orders Daniel out, but her equipment detects someone invisible in Eric’s room; Germán investigates, and Ruth pleads for him to leave, because there is a specter before him; a burst of noise in his headphones convinces him to join the others.
That night, Germán is awakened by the apparition of his dead wife, Sofia Nerea Barros; in the vision, she knives his arm, telling him he will join her. Ruth wakes him, and he discovers he has sleepwalked and cut himself. Meanwhile, Sara receives a phone call from Eric, who says he is hiding under his bed and begs her to help him against Germán, who wants to hurt him. She drives to the house and sees men burying the corpses of cats that had been found hanged in a tree. She goes to Eric’s bedroom, where she sees his ghost playing with his toy robot; he vanishes, and she encounters a corpse-like witch. Ruth arrives and tells them that the house sits on the grounds of a courthouse used for Spanish Inquisition trials. Sara’s body crashes through the window; she has hanged herself. Ruth tells Germán that they are leaving and begins packing, but he wants to stay to uncover the estate’s historical truth. In Eric’s room, Daniel sees the ghosts of his wife and son, then is attacked by an invisible malevolent force.
They realize that the evil is caused by the ghosts of those immured in the dungeon, the source of the flies, so Daniel breaks down the basement wall he had repaired. They discover a caged skeleton of a woman whom the Inquisitors used the pear of anguish on to prevent her from cursing. Daniel goes to fetch gasoline so they can burn the skeleton and free the demon. Ruth is visited by Sofia’s ghost but refuses to approach; Sofia takes on a demonic wraith form and possesses her. The ghosts of Eric and Sara beg Daniel to join them, and he pours gasoline over his head to immolate himself. Ruth stabs Germán, but he burns the skeleton just in time to free her. While she tends to him, he jokes that he’s looking forward to an exorcism his priest friend invited him to attend. Daniel visits Eric’s room one last time, then sees the disturbing drawings on the walls: they depict parts of the hauntings and deaths that afflicted them, including one that shows him possessed and drowning Eric and another of him shooting himself. Daniel takes his gun down to the pool and kills himself. A post-credits scene shows Germán and Ruth watching footage of the exorcism.
Follow the complete movie timeline of Don’t Listen (2020) with every major event in chronological order. Great for understanding complex plots and story progression.
Family moves into a large new house
Daniel and Sara relocate with their 8-year-old son Eric into a sprawling house. Eric is plagued by insomnia and hears voices that drive him to make creepy crayon drawings. A psychologist visits and says the disturbances stem from a lack of stability but hopes they will settle with time.
Eric's disturbing drawing and the first sign of danger
Shortly after the psychologist's visit, Eric draws a bloody branch, signaling something malign beneath the surface. The parents grow uneasy as the drawings become more ominous. The psychologist warns that the issues may be psychological, but the family remains unsettled.
The psychologist's death in a car crash
On the way home from treating Eric, the psychologist is harassed by a supernatural fly and crashes into a tree; a branch appears to cause the fatal impact. The incident shocks the family and deepens the sense that the house is haunted.
Escalating hauntings and isolation
The distance between Eric's room and his parents forces them to rely on a walkie-talkie for contact. Unexplained events begin to pile up: stigmata-like scratches appear on skin, a gate unlocks, and the toy robot starts speaking. The family tries to maintain normalcy while the house seems to watch them.
Eric drowns in the swimming pool
One night Daniel discovers Eric drowned in the swimming pool, a shocking proof that the haunting may reach physical danger. The family is rocked by grief and fear as they try to understand what is happening.
Sara departs; Daniel becomes the focus of the haunting
Sara leaves for a few days, leaving Daniel to confront the growing malevolence alone. Daniel leaves a message for Sara, then hears Eric crying for help when he replays it. The walkie-talkie crackles with static as he approaches; the haunting seems to target him.
Investigators Germán Domingo and Ruth arrive
Daniel buys the book Sounds from the Great Beyond and attends a signing by parapsychologist Germán Domingo, accompanied by his daughter Ruth and their ghost-hunting gear. They come to help, though Ruth immediately tries to eject Daniel from the house. The equipment detects a presence in Eric's room.
The haunting in Eric's room intensifies
The investigators confront the haunting in Eric's room; Germán investigates and Ruth begs him to leave, sensing a specter in front of him. A burst of noise in the headphones convinces him to join the others as the presence becomes undeniable.
Sofia's ghost and a grisly cat-eating burial
Sara returns and receives a desperate call from Eric, begging for help against Germán. She drives back to the house and discovers men burying the corpses of cats that had been found hanged from a tree, a grim sign of the estate's history. In Eric's room she sees his ghost playing with the toy robot and encounters a corpse-like witch.
Sara's death and the split among the investigators
Sara's body crashes through a window and she hangs herself, plunging the family into trauma. Ruth insists they will leave, but Germán chooses to stay to uncover the estate's history. Daniel's continued presence becomes a liability as he endures ghostly assaults.
The basement revelation and the pear-skeleton
The truth emerges as Daniel confronts the ghosts and an invisible force; they realize the evil comes from prisoners immured in a dungeon. Daniel breaks through the basement wall and uncovers a caged skeleton of a woman subjected to the pear of anguish. The discovery explains the swarm of flies and the hauntings.
Burning the skeleton and Ruth's possession
Daniel sets out to burn the skeleton by pouring gasoline, attempting to free the demon. Sofia's ghost visits Ruth and possesses her, complicating the plan. Germán is attacked by Ruth as the conflict escalates, but the team manages to burn the skeleton in time to free Ruth.
Daniel's final act and the end of the haunting
In Eric's room Daniel confronts more disturbing drawings that hint at his own possession and drowning of Eric. He takes his gun to the pool and kills himself, a final act of surrender to the ghosts. A post-credits scene shows Germán and Ruth watching footage of an exorcism, hinting the battle continues beyond the film.
Explore all characters from Don’t Listen (2020). Get detailed profiles with their roles, arcs, and key relationships explained.
Daniel
A practical house renovator and family man who moves his family into a new home. As the haunting escalates, his resolve dissolves under stress, leading him to dangerous, self-destructive decisions in a desperate bid to free his son and end the torment. His arc traces a collapse from protector to tragic figure overwhelmed by forces beyond control.
Sara
Daniel’s wife and Eric’s mother, she becomes consumed by fear as the hauntings intensify. After discovering the depth of the danger, she confronts the supernatural directly, culminating in a fatal confrontation that aligns her fate with the house’s terrible past. Her struggle reflects the fragility of maternal protection under external pressure.
Eric
The 8-year-old son whose insomnia and hearing voices trigger the haunting. His drawings and behavior signal a link between his inner turmoil and the external supernatural events. His fate and the family’s efforts to protect him drive the plot through moments of fear, care, and tragedy.
Germán Domingo
A parapsychologist who arrives with his daughter to study the phenomena and uncover the truth behind the house’s hauntings. He pushes for explanation and rational investigation, yet he becomes entangled in the very forces he is trying to understand. His presence anchors the investigation and the moral complexities of intervening with the dead.
Ruth
Germán’s daughter and an audio/tech ghost hunter who operates sophisticated equipment to detect invisible presences. She is initially skeptical yet becomes deeply involved, ultimately becoming part of the haunt’s danger as she is possessed by a ghost. Her character embodies the tension between science and the unknown.
Sofia
The ghostly figure of Germán’s wife who appears in visions and possesses Ruth. Her presence is a violent, guiding force that drags the living into the past and into danger. Sofia embodies the personal grief and vengeance that drive the haunting forward.
Psicóloga
The psychologist who diagnoses the disturbances as a lack of stability rather than supernatural activity, setting up the initial skepticism. She becomes a casualty of the house’s malevolent forces after a grim encounter, highlighting the danger faced by those who try to rationalize the haunting.
Learn where and when Don’t Listen (2020) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Present day
Set in contemporary Spain, the events unfold with modern technology and everyday family life colliding with supernatural forces. The family relies on walkie-talkies and a range of ghost-hunting equipment to communicate and investigate. The historical backdrop of the Inquisition remains a shadow that informs the haunt, blending past cruelty with present fear.
Location
Spain, a large family home on the grounds of an old courthouse used for Spanish Inquisition trials
The story unfolds in a sprawling, decaying family house built on the grounds of a historic courthouse associated with the Spanish Inquisition. The mansion’s basement dungeon and infestation of flies create a claustrophobic atmosphere that amplifies the family’s fear. The location’s grim past bleeds into the present, making the house itself a character in the haunting.
Discover the main themes in Don’t Listen (2020). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🕯️
Family Trauma
Insomnia, fear, and unresolved grief fracture the family, turning a routine renovation into a survival ordeal. Daniel and Sara confront mounting paranoia as Eric’s disturbances intensify, pushing them toward desperate choices. The house’s oppressive atmosphere mirrors the internal fractures within the family. The film probes how trauma and unstable bonds invite haunting forces to take hold.
👻
Haunted Past
The hauntings are inseparable from the estate’s grim history with the Spanish Inquisition, including imprisoned individuals whose suffering lingers in the walls. Ghosts manipulate the living to reveal truths or to enact vengeance, forcing the family and investigators to confront a brutal history. A hidden skeleton and the pear of anguish reveal how the past remains a living force in the present. The past’s cruelty becomes the film’s driving motive for the haunting.
🧪
Science vs Supernatural
Parapsychology and high-tech ghost hunting collide with a malevolent, elusive force that resists measurement. Ruth and Germán bring empirical tools, yet the spirits defy verification, highlighting the limits of scientific inquiry when faced with genuine horror. The investigators’ methods uncover evidence of the supernatural, but cannot avert tragedy. The film juxtaposes rational investigation with fear and belief.

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Explore the mobile appDiscover the spoiler-free summary of Don’t Listen (2020). Get a concise overview without any spoilers.
In the quiet outskirts of a historic town, a young family of renovators has just moved into an expansive, centuries‑old house they plan to restore and resell. After a sudden, devastating accident on the construction site, Daniel begins to hear a faint, desperate plea echoing from somewhere beyond the walls—a sound that refuses to be explained by the ordinary noises of a house settling or a tired mind. The call awakens a lingering unease that seeps into every corner of the home, turning routine repairs into a series of unsettling moments.
The house itself feels alive, its vast rooms and shadowed corridors amplifying the sense that something unseen watches from the darkness. Sara, Daniel’s partner, and their eight‑year‑old son Eric try to keep normalcy, but the lingering presence subtly distorts everyday life, carving cracks in their confidence and pulling at the threads of their familial bond. The family’s reliance on walkie‑talkies to stay in contact across the sprawling floorplan underscores both the physical distance and the growing emotional divide as they each sense an invisible pressure building around them.
Compelled to understand the source of the whispered cries, Daniel reaches out to a renowned parapsychologist, Germán Domingo, whose reputation for probing the unknown precedes him. Accompanying Germán is his technically adept daughter, Ruth, whose equipment and methodical approach contrast sharply with Daniel’s frantic desperation. Their arrival brings a new layer of tension, as scientific curiosity meets raw, personal terror, and the house’s hidden history begins to surface in fragments.
The story unfolds in a measured, atmospheric rhythm, blending the dread of a haunted setting with the intimate strain of a family confronting forces they never imagined. As the line between seen and unseen blurs, the characters must decide whether the answers they seek will bring peace or plunge them deeper into the house’s enigmatic, unsettling silence.
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