The Best Martin Zandvliet Movies, Ranked
7 credits from 2009 to 2023, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. The Outsider (2018) comes out on top with a score of 57. The biggest box office hit is A Funny Man (2011) with $5.77M worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.
Biggest Martin Zandvliet Box Office Hits
Martin Zandvliet's films have made $9.49M worldwide in total. A Funny Man (2011) is the biggest hit at $5.77M, ahead of Land of Mine (2016) ($3.17M). Lifetime grosses, with each film's domestic share.
The Best Martin Zandvliet Movie of Each Decade
One pick per decade of Martin Zandvliet's career, newest decade first: the best-rated film of each ten years, from 2000s to 2020s.
The Latest Martin Zandvliet Movies
The most recent films Martin Zandvliet is credited on, newest first — starting with Tove’s Room (2023). Open any of them for the cast, ratings, box office and where to watch.
The Best Martin Zandvliet Movies: Questions & Answers
The best-rated, highest-grossing, most awarded and newest Martin Zandvliet films, answered from the rankings on this page.
What is the best Martin Zandvliet movie?
The Outsider (2018) is the best-rated Martin Zandvliet film, with a Movie Echo Score of 57, ahead of The Marco Effect (2021) (34). The Movie Echo Score blends critic reviews, audience ratings and how well a film has lasted.
The Outsider: cast, ratings & box office What is the highest-grossing Martin Zandvliet movie?
A Funny Man (2011) made the most at the box office, with $5.77M worldwide, followed by Land of Mine (2016) with $3.17M. Together, Martin Zandvliet's films with box office figures have made $9.49M.
What is the best Martin Zandvliet drama movie?
The Outsider (2018) is the best-rated of Martin Zandvliet's drama films, with a score of 57. In other genres: The Marco Effect (thriller).
What is the newest Martin Zandvliet movie?
The newest film on Martin Zandvliet's filmography is Tove’s Room (2023), directed by Martin Zandvliet.
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