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Kyôko Ôbayashi, actor
Actor

Kyôko Ôbayashi: Movies & Box Office

films
3
on screen
1968–2019
box office
$224K
Career at a glance

Kyôko Ôbayashi's Career in Numbers

Kyôko Ôbayashi's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Kyôko Ôbayashi works in most and the milestones along the way. The filmography runs from Confession (1968) to House (1977), and the 1960s were the busiest decade.

Kyôko Ôbayashi Movies by Decade

  1. 1960s 1
  2. 1970s 1

The 1960s were Kyôko Ôbayashi's busiest decade, with 1 films.

Kyôko Ôbayashi Movies by Genre

  • Horror 1
  • Drama 1

Horror is the genre Kyôko Ôbayashi has worked in most, with 1 film, ahead of drama (1).

Kyôko Ôbayashi Career Milestones

First film
Confession 1968
Biggest box office hit
House $224K worldwide
Newest film
House 1977
3 credits

Kyôko Ôbayashi Filmography: Every Movie

Every film Kyôko Ôbayashi is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

Kyôko Ôbayashi in Documentaries & Specials

1
  1. 2019 Seijo Story: 60 Years of Making Films (2019) movie poster Seijo Story: 60 Years of Making Films as Self · Documentary
FAQ

Kyôko Ôbayashi: Questions & Answers

How many movies Kyôko Ôbayashi has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Kyôko Ôbayashi been in?

Kyôko Ôbayashi is credited on 3 films, from 1968 to 2019. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Kyôko Ôbayashi's highest-grossing movie?

House (1977) is Kyôko Ôbayashi's biggest box office hit, with $224K worldwide. Across every film with box office figures, Kyôko Ôbayashi's movies have made $224K.

Kyôko Ôbayashi's biggest hits

What is Kyôko Ôbayashi's newest movie?

The most recent film on Kyôko Ôbayashi's filmography is Seijo Story: 60 Years of Making Films (2019), in the role of Self.

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