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Isabel Coixet, actor & director
Actor & Director · Best movies

The Best Isabel Coixet Movies, Ranked

29 credits from 1989 to 2026, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. Elisa & Marcela (2019) comes out on top with a score of 69. The biggest box office hit is Paris, je t'aime (2007) with $17.5M worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.

Full Isabel Coixet profile & filmography

One pick per decade

The Best Isabel Coixet Movie of Each Decade

One pick per decade of Isabel Coixet's career, newest decade first: the best-rated film of each ten years, from 2000s to 2020s.

FAQ

The Best Isabel Coixet Movies: Questions & Answers

The best-rated, highest-grossing, most awarded and newest Isabel Coixet films, answered from the rankings on this page.

What is the best Isabel Coixet movie?

Elisa & Marcela (2019) is the best-rated Isabel Coixet film, with a Movie Echo Score of 69, ahead of The Bookshop (2018) (68) and It Snows in Benidorm (2020) (40). The Movie Echo Score blends critic reviews, audience ratings and how well a film has lasted.

Elisa & Marcela: cast, ratings & box office

What is the highest-grossing Isabel Coixet movie?

Paris, je t'aime (2007) made the most at the box office, with $17.5M worldwide, followed by Elegy (2008) with $14.9M. Together, Isabel Coixet's films with box office figures have made $72.6M.

Which Isabel Coixet movie won the most awards?

The Bookshop (2018) is the most decorated Isabel Coixet film, with 2 wins from 15 nominations across the Oscars, Golden Globes, BAFTA and the other ceremonies in the awards database.

What is the best Isabel Coixet drama movie?

The Bookshop (2018) is the best-rated of Isabel Coixet's drama films, with a score of 68. In other genres: It Snows in Benidorm (comedy), The Yellow Ceiling (documentary) and Elisa & Marcela (romance).

What is the newest Isabel Coixet movie?

The newest film on Isabel Coixet's filmography is Aída y Vuelta (2026).

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