Clelia Matania: Movies & Box Office
- films
- 24
- on screen
- 1945–1975
- box office
- $116K
- Born
- March 28, 1918
- Birthplace
- London, England, UK
- Citizenship
- Italian
- Occupations
- film actress, voice actress, stage actress
- Years active
- 1936-1981
- Spouses
- Guido Odierna
Clelia Matania's Career in Numbers
Clelia Matania's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Clelia Matania works in most and the milestones along the way. The filmography runs from The Rape of the Sabine (1945) to The Baby Sitter (1975), and the 1950s were the busiest decade.
Clelia Matania Movies by Decade
- 1940s 2
- 1950s 9
- 1960s 9
- 1970s 4
The 1950s were Clelia Matania's busiest decade, with 9 films.
Clelia Matania Movies by Genre
- Comedy 10
- Drama 5
- Crime 2
- Music 2
- Romance 2
- Action 1
- History 1
- War 1
Comedy is the genre Clelia Matania has worked in most, with 10 films, ahead of drama (5).
Clelia Matania Career Milestones
- First film
- The Rape of the Sabine 1945
- Biggest box office hit
- Don't Look Now $116K worldwide
- Newest film
- The Baby Sitter 1975
Clelia Matania Filmography: Every Movie
Every film Clelia Matania is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.
- 1975
The Baby Sitter as Old Neighbour · Crime - 1973
Don't Look Now Drama Worldwide box office: $116K - 1973
Bequest to the Nation as Francesca · Drama - 1971
Just Before Nightfall as Mme Masson · Crime - 1969
The Tough and the Mighty as Graziano's Mother · Action - 1966
Perdono as Adelina, la segretaria · Comedy - 1966
No One Can Judge Me as Adelina, la segretaria · Music - 1962
Escapade in Florence as Aunt Gisella · Comedy - 1961
Pecado de amor as Sor María · Music - 1961
Nefertiti, Queen of the Nile as Penaba · History - 1961
The Policeman on Horseback as Mutter · Comedy - 1961
The Wastrel as Betsy · Drama - 1961
Five Golden Hours as Rosalia · Comedy - 1957
Seven Hills of Rome as Beatrice · Romance - 1956
The Monte Carlo Story as Sophia · Drama - 1955
The Hussars as Mme Luppi · War - 1954
Neapolitan Carousel as Donna Concetta · Comedy - 1953
Easy Years as Rosina · Comedy - 1953
Man, Beast and Virtue as Grazia · Comedy - 1953
Indiscretion of an American Wife as Mother of Annoying Children on the Train (uncredited) · Romance - 1952
Toto and the Women as La cameriera · Comedy - 1951
Seven Hours of Troubles as Angelina - moglie di Totò · Comedy - 1949
Campane a martello as Bianca · Drama - 1945
The Rape of the Sabine as Rosina · Comedy
Who Is Clelia Matania?
Clelia Matania was born in London, England, UK in 1918. Credited on films since 1945, as an actor. The background, training and the roles that shaped the career.
Clelia Matania was a versatile Italian performer whose career spanned both the golden age of Italian cinema and the vibrant post‑war theater scene, earning her a reputation as one of the most beloved character actresses of her generation. Born on 28 March 1918 in London, she was the daughter of the renowned Capri‑born painter Fortunino Matania, a naturalised Briton who was affectionately known as Saturnino, and from an early age she was immersed in an artistic milieu that shaped her future path; she studied at the prestigious Royal Academy of Dramatic Art, complemented by training in ballet, singing and music, which gave her a solid foundation for a multifaceted career. After the family’s return to Italy, Matania joined Anton Giulio Bragaglia’s Arts Theater company, quickly becoming one of the most requested young actresses of the Italian prose scene in the late 1930s and throughout the war, and by the early 1940s she was also starring in successful revues, showcasing her comedic timing alongside legends such as Totò and Eduardo De Filippo. Her fluency in English opened doors to international productions filmed in Italy, leading to memorable supporting roles in films like Quo Vadis (1951) and The Secret of Santa Vittoria (1969), while her distinctive voice made her a prolific dubbing artist who contributed to the Italian versions of numerous foreign movies. In addition to her screen work, she brought Italian theatrical flair to English audiences, touring the musical comedy Enrico ’61 in Liverpool and London and even performing at a Royal Presentation before the British Royal Family, underscoring her cross‑cultural appeal. Married to painter Guido Odierna, Matania balanced a vibrant professional life with her personal one, and although she left no documented children, her legacy endures through the countless performances that captured her charismatic presence and the admiration she continues to receive from cinema historians and theatre enthusiasts alike.
Clelia Matania: Questions & Answers
How many movies Clelia Matania has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.
How many movies has Clelia Matania been in?
Clelia Matania is credited on 24 films, from 1945 to 1975. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.
What is Clelia Matania's highest-grossing movie?
Don't Look Now (1973) is Clelia Matania's biggest box office hit, with $116K worldwide. Across every film with box office figures, Clelia Matania's movies have made $116K.
Clelia Matania's biggest hits What is Clelia Matania's newest movie?
The most recent film on Clelia Matania's filmography is The Baby Sitter (1975), in the role of Old Neighbour.
Who does Clelia Matania work with most often?
Clelia Matania shares the most films with Vittorio De Sica (2 films), Aldo Giuffrè (2 films) and Terence Hill (2 films).
The Best Clelia Matania Movies, Ranked
Top rated, most awarded and biggest box office hits from 24 credits.
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