
An enterprising petty crook makes his living by gallantly consoling affluent widows, turning his modest scams into a respectable trade. His smooth routine is upended when he falls for a striking baroness, a fellow schemer versed in get‑rich‑quick plots, leading to a witty battle of hearts and hustles.
Does Five Golden Hours have end credit scenes?
No!
Five Golden Hours does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Five Golden Hours, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Finlay Currie
Father Superior

Ron Moody
Gabrielle

George Sanders
Mr. Bing

Clelia Matania
Rosalia

Martin Benson
Enrico

Reginald Beckwith
Brother Geronimo

John Le Mesurier
Dr. Alfiera

Cyd Charisse
Baroness Sandra

Dennis Price
Raphael

Sydney Tafler
Alfredo

Leonard Sachs
Mr. Morini

Riccardo Garrone

Ernie Kovacs
Aldo Bondi

Marianne Stone
Tina

Joy Shelton
2nd Lady Guest

Georgina Cookson
Lady Passenger

Bruno Barnabe
Cesare

Kay Hammond
Martha

Avice Landone
Beatrice

Gordon Phillott
Old Monk

Hy Hazell
1st Lady Guest

Maya Fabio
Aldo's Nurse
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Read the complete plot summary of Five Golden Hours, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Aldo Bondi is a professional pallbearer and mourner in Rome who thrives on the extravagant gifts he receives from the wealthy widows he comforts. His life takes a dramatic turn when he falls for the seemingly penniless Baroness Sandra, a woman who is in fact a rich “black widow” whose husbands have all died under suspicious circumstances. To secure a comfortable future, Bondi hatches a Ponzi-style scheme, coaxing three widows to part with their money by promising to invest it during the “five golden hours” — the brief window between Rome’s stock exchange closing and the New York Stock Exchange opening.
Yet the plan unravels when the Baroness absconds with the cash, leaving Bondi in hock to the widows. Desperation drives him to drastic measures: he attempts to kill the widows, but the scheme collapses and he pretends to have gone insane to escape their wrath. In the sanatarium, his roommate is another debtor feigning madness, Mr. Bing, a fellow con-warbler in the same precarious situation.
As the scheme falters, fate introduces a macabre twist: one of the three widows dies, leaving Bondi a fortune that he can only claim if he continues to play the role of an insane man; if he reveals sanity, the inheritance would go to a monastery. To secure a share, Bondi strikes a grim arrangement with the brothers to divide the money.
Back in Rome, Mr. Bing makes contact with the Baroness and, for a fee, passes along the message that Bondi is now rich. This news catalyzes a marriage between Bondi and Sandra, and before long he becomes her seventh dead husband, a chilling testament to the perilous web of deception he has woven around his own life.

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