
A rich young society girl falls in love with a car mechanic. Her family is appalled and stops her seeing him. The girl attempts to commit suicide and then decides to elope.
Does Now and Forever have end credit scenes?
No!
Now and Forever does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Now and Forever, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jack Warner
Mr. J. Pritchard

Kay Walsh
Miss Muir

Pamela Brown
Mrs. Grant

Ronald Squire
Waiter

Wilfrid Lawson
Gossage

Charles Victor
Farmer Gilbert

George Woodbridge
Policeman (uncredited)

Harold Goodwin
Lorry Driver (uncredited)

Thora Hird
Maggie the Maid (uncredited)

Carol White
Girl (uncredited)

Brian Wilde
Policeman (uncredited)

Hattie Jacques
Woman in Sports Car with Dog (uncredited)

Martin Wyldeck
Master of Ceremonies (uncredited)

Janette Scott
Janette Grant

Moultrie Kelsall
Doctor

David Kossoff
Pawnbroker

Guy Middleton
Hector

Vernon Gray
Mike Pritchard

Sonia Dresdel
Miss Fox

Marjorie Rhodes
Farmer's Wife Aggie

Henry Hewitt
Jeweller

Michael Pertwee
Reporter

Jean Patterson
Rachel
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Challenge your knowledge of Now and Forever with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the 17‑year‑old female protagonist?
Read the complete plot summary of Now and Forever, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a market town in central England, Janette Grant Janette Scott is a 17-year-old daughter of a wealthy, divorced couple whose father, Mr. J. Pritchard Jack Warner, rarely visits and whose mother, Mrs. Grant Pamela Brown, is often absorbed in her own world, leaving Janette feeling lonely and unseen. When a school performance opportunity arises, she initially hopes for her mother’s presence and support, but the moment she learns a slot has opened for a golf club competition, she agrees to take part with a sense of resolve. Mrs. Grant arranges a lift for Janette from Mellingham Motors, hoping to keep things smooth, while Janette quietly braces herself for whatever nerves might arise.
Mike Pritchard Vernon Gray, a young man who has finished school and works in his father’s garage, arrives to collect her. He overhears Janette pleading for moral support, afraid she might freeze on stage, and though she begs him to turn around, he refuses to abandon her. On stage, Janette is initially blocked, but she searches the crowd for a friendly face and soon spots Mike. His steady encouragement helps her push through the fear, and she delivers a performance that surprises even herself. After the show, Mike offers to drive her home, insisting, despite the cost not being included, that he wants to look out for her. As they ride together, they share details about their lives: Mike has restored his own car and takes pride in his independence, while Janette explains that her father moved to Ireland after the divorce and she only sees him twice a year.
An invitation to a town hall dance follows, and Mike quietly asks if he should come along, but Janette initially declines, assuming she’ll be spending the evening with her mother. She does attend, dressed up and hopeful, but a creep won’t leave her alone, and Mike steps in to protect her, fighting him so they’re asked to leave together. He manages to drive her back to her home, and she slips into her mother’s house without causing alarm. The next morning, however, Mrs. Grant delivers devastating news: her father has died of a heart attack. Although Janette is crushed, her mother insists she must continue with school, urging normalcy as a coping mechanism. In class, a teacher chastises her for distraction, and a moment of vulnerability leads Janette to wander toward the school’s tower. Mike follows, and when she finally opens up about her father’s death, he consoles her with the promise that she isn’t alone anymore, and they share a quiet embrace.
The two begin seeing each other in secret while Mike grapples with how to tell Janette’s mother, and Janette urges him to wait for the right moment. They plan a night out to see Romeo & Juliet in a neighboring town, and though a teacher catches a note Janette writes, the principal decides there’s little point warning her mother. After the performance, car trouble delays their return, and they arrive in the early hours of Friday morning. Mrs. Grant catches Mike leaving Janette’s room, and her reaction is swift and stern; she resolves to send Janette to Toronto the next day to protect her from what she calls a dangerous affair.
Refusing to be separated, Mike and Janette make the bold choice to elope, slipping away to Scotland. They hide at a small B&B, where the nosey owner soon phones the newspaper, drawing attention to their clandestine romance. Mike knocks out the overreaching host and, with the help of a sympathetic reporter, the couple begins a perilous escape that sees them losing their car and belongings along the way. They press on on foot, close to a bridge that would take them into Scotland, while the public spectacle grows around them—police, press, and parents all converge. In a poignant moment of resolve, they vow to return home if they can stay apart no longer, and in a final, symbolic gesture of commitment, Mike carries Janette over the border as if crossing a threshold, signaling their belief that love can endure even in the face of family opposition and public scrutiny.

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