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Asami, actor
Actor · Best movies

The Best Asami Movies, Ranked

47 credits from 2006 to 2020, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. Antiporno (2017) comes out on top with a score of 68. The biggest box office hit is Girl In Captivity: Psycho Torture Chamber (2008) with $41.6M worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.

Full Asami profile & filmography

One pick per genre

The Best Asami Movie in Every Genre

The best-rated film in each genre Asami has worked in, the genres with the most films first. Horror leads with 12 films, and Sky Sharks (2020) is the pick of them.

One pick per decade

The Best Asami Movie of Each Decade

One pick per decade of Asami's career, newest decade first: the best-rated film of each ten years, from 2000s to 2020s.

FAQ

The Best Asami Movies: Questions & Answers

The best-rated, highest-grossing, most awarded and newest Asami films, answered from the rankings on this page.

What is the best Asami movie?

Antiporno (2017) is the best-rated Asami film, with a Movie Echo Score of 68, ahead of Sky Sharks (2020) (35). The Movie Echo Score blends critic reviews, audience ratings and how well a film has lasted.

Antiporno: cast, ratings & box office

What is the highest-grossing Asami movie?

Girl In Captivity: Psycho Torture Chamber (2008) made the most at the box office, with $41.6M worldwide, followed by Karate-Robo Zaborgar (2011) with $162K. Together, Asami's films with box office figures have made $41.7M.

What is the best Asami horror movie?

Sky Sharks (2020) is the best-rated of Asami's horror films, with a score of 35. In other genres: Karate-Robo Zaborgar (action), Girl In Captivity: Psycho Torture Chamber (thriller) and Antiporno (drama).

What is the newest Asami movie?

The newest film on Asami's filmography is Sky Sharks (2020), with Asami as Fumiko Katsube.

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Best-of lists by year, decade and genre, all-time box office records and the films on the trending list.

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