
Three inmates scheme to escape one day before their scheduled release so they can pull off a high‑stakes jewel heist, planning to secure an airtight alibi by slipping back into prison after the robbery. Their breakout is complicated by the arrival of a new, stricter prison officer who makes getting out far more difficult.
Does Two-Way Stretch have end credit scenes?
No!
Two-Way Stretch does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Two-Way Stretch (1960) via JustWatch.
Explore the complete cast of Two-Way Stretch, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Peter Sellers
Dodger Lane

Lionel Jeffries
Chief P.O. Sidney Crout

Bernard Cribbins
Lennie Price

Irene Handl
Mrs. Price

Beryl Reid
Miss Pringle

David Lodge
Jelly Knight

George Woodbridge
Chief P.O. Jenkins

Maurice Denham
The Governor

Liz Fraser
Ethel

Warren Mitchell
Tailor

Noel Hood
Miss Prescott

Thorley Walters
Col. Parkright

Edwin Brown
Warder Charlie

Wilfrid Hyde-White
Soapy Stevens

Wallas Eaton
Gate Warder (Night)

Cyril Chamberlain
Gate Warder (Day)

Arthur Mullard
Fred

Myrette Morven
Miss Meakin

Andrew Downie
Garden Warder

Mario Fabrizi
Jones

Vivienne Martin
Fred's Wife
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Read the complete plot summary of Two-Way Stretch, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Three prisoners nearing the end of their sentences — Dodger Lane, [Peter Sellers], Jelly Knight, [David Lodge], and Lennie the Dip, [Bernard Cribbins] — find their lives tugged toward a startling proposal when a slick vicar arrives seeking to help them readjust to life on the outside. In reality, the conman Soapy Stevens, [Wilfrid Hyde-White], pitches a daring plan: break out, rob a valuable diamond stash, and then return to the prison to preserve flawless alibis. The trio are encouraged by the prospect of a clean getaway, and they dash from the cell block into a carefully crafted escape route.
With the help of Dodger’s girlfriend, Liz Fraser as Ethel, and Lennie’s mother, Irene Handl as Miss Price, they slip out in a fake prison van orchestrated by Soapy Stevens, turning a routine day into a high-stakes caper. The plan hinges on timing and misdirection, and for a while the pieces click into place as they maneuver past wary guards and a system that trusts nothing and questions everything.
Yet trouble arrives in the form of a new chief authority, a disciplinarian known as “Sour” Crout, played by Lionel Jeffries. His strict oversight and sharp eye threaten to unravel the entire operation, leading to a near disaster that forces the group to improvise one more time. Their route back into the prison is cunningly designed: they slip into a garbage truck scheduled for an early-morning pickup, only to be buried under a rough heap of refuse that could bury their chances as well.
Back inside, the diamonds are hidden away in the Governor’s office, awaiting their moment to leave the compound. The plan falters, though, when the precious cargo ends up scattered along a railway line after a chaotic sequence of events. Stevens is eventually recognized and arrested, but not before Crout’s intervention—an overbearing clash that even results in him throttling an actual Vicar and igniting a tense, almost riotous atmosphere around the prison.
The surviving trio refuse to concede, continuing to chase a second chance to reclaim the diamonds. Disguises, misdirections, and a climate of relentless pursuit propel them toward one final, surreal moment: the group is spotted at a ceremony where the Sultan is to be presented with his weight in jewels, a melodramatic finale that keeps the suspense tight and the tone buoyant. Across these twists and turns, the story remains both sly and comic in its approach, balancing bold capers with character-driven humor and a steady thread of daring ambition. The result is a brisk, entertaining caper that plays out with wit, warmth, and just the right amount of chaotic charm.

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