Throne of Blood 1957

Deep in the Spider’s Web Forest, two samurai generals, Minoru Chiaki as Yoshiaki Miki and Toshirô Mifune as Taketoki Washizu, serve under Tsuzuki, Hitoshi Takagi, the local lord who rules from a formidable castle carved into the trees. After a hard-fought victory over the lord’s foes, they return through the dense, whispering woods, where fate seems to murmur in the wind. A figure appears among the branches—a spirit who speaks in riddles and foresight. It proclaims that Washizu will be named Lord of the Northern Garrison, and that Miki will command the first fortress that very day. The vision doesn’t stop there: Washizu will ascend to lordship of Spider’s Web Castle, and ultimately, Miki’s own son will inherit the throne. The men listen, unsettled, as the forest seems to lean closer with every word.

Back at Tsuzuki’s estate, the prophecy begins to take shape in tangible rewards and rising status. Washizu receives news that seems to confirm the spirit’s words, and the two friends are swept into a sense of destiny that feels almost inescapable. As Washizu discusses these turns of fortune with his wife, Isuzu Yamada in the role of Asaji, she moves from supportive confidante to a chilling architect of the fate foretold. Asaji’s influence twists the men’s trust and pushes them toward the darker path the spirit hinted at. With a calm, dangerous pragmatism, she calls into question loyalty and seed doubt, nudging Washizu toward action that will seal Tsuzuki’s fate.

The moment of that fateful action comes when Asaji orchestrates a deadly slip in Tsuzuki’s castle. Drugged sake causes Tsuzuki’s guards to drift into sleep, letting Washizu stroll into the sleeping lord’s bedchamber and strike in his sleep. The bloodshed is swift and chilling, and as Washizu recoils in shock, Asaji hastily creates the illusion of an intruder by placing a bloody spear in the hands of an unconscious guard, crying out that an invader has breached the castle. Washizu, overwhelmed by fear and guilt, kills the sleeping guard before anyone can plead innocence. In the wake of the murder, Kunimaru—Tsuzuki’s son, and Hiroshi Tachikawa in the role—along with Noriyasu, one of Tsuzuki’s advisers, begin to suspect the truth and warn Miki. Yet Miki, whose loyalty is strained by the growing paranoia around him, refuses to accept the treachery he’s hearing about his closest ally.

Under Asaji’s manipulative influence, Washizu becomes uncertain about Miki’s loyalty, even as he chooses Miki’s own son as his heir because he and Asaji have no child of their own. He starts planning a grand banquet to reveal his decision and secure the line of succession. But the shadow of the prophecy deepens when Asaji coldly reveals that she is pregnant, creating a terrifying alternative: if she bears a child, the choice of heir becomes even murkier, and both Miki and his son could be seen as threats to Washizu’s future.

At the banquet, Washizu grows increasingly unsettled as Miki and his son fail to appear. In a haze of drinking, his mind spirals, and Miki’s ghost seems to emerge, or at least the fear of it gnaws at him. In a frantic moment, Washizu proclaims his willingness to slay Miki a second time. To cover the moment, Asaji declares that Washizu is drunk and orders the guests to retire for the night. A messengers arrives with the severed head of Miki, revealing that the alliance between Miki and his son has crumbled, and that Miki’s child escaped. Washizu murders the messenger in a desperate bid to erase the horrifying truth.

Rumors begin to circle through the castle and the forest beyond. Some whisper that Miki’s son Yoshiteru, Kunimaru, and Noriyasu have aligned with a rival, Inui, leaving Washizu increasingly isolated. Desperate for certainty, Washizu returns to the forest to seek out the source of the prophecy—the malignant spirit itself. The spirit speaks of a coming battle and warns that Washizu will not be defeated until “the trees of the Spider’s Web Forest rise against the castle.” Bolstered by this terrifying omen, Washizu shares the prophecy with his troops, who respond with a dangerous, shared confidence that borders on fanatic certainty.

Dawn arrives with a new sense of dread. Washizu finds Asaji in a state of semi-catatonia, scrubbing at imaginary stains, as if the very act of murder has stained her beyond cleansing. The castle hums with the trace of fear as his soldiers sound out rumors of betrayal and impending attack. When the rising threat finally comes, it does so not as a battalion of soldiers but as a nightmarish illusion: trees, cut from the forest the previous night, seem to mobilize as if they themselves had risen to assault Spider’s Web Castle. Washizu orders his men to stand fast, but they ignore his commands. The attackers press forward, arrows tearing through armor, and Washizu is struck down. He dies with the sense of a fate long foretold, the forest turning from a prophecied ally to a merciless executor.

In the end, the illusion folds back into the dark truth: the trees did not literally rise, but the forest’s ominous omen had already closed around Washizu’s empire. The castle falls to a covert siege, and the spider’s web that once protected it entangles not only its leaders but the entire lineage that believed in the prophecy. The haunting image lingers—a reminder that power won through fear, cunning, and deception can unravel as swiftly as a whispered forecast in a forest thick with specters of fate.