
After serving in World War II, a veteran tries to re‑enter the advertising world on his own terms, but faces pressures that test his success and personal integrity, highlighting the clash between ambition and ethics, while Deborah Kerr emerges as the film’s new leading lady alongside Clark Gable.
Does The Hucksters have end credit scenes?
No!
The Hucksters does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Hucksters, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Marie Windsor
Girl on Train (uncredited)

Deborah Kerr
Kay Dorrance

Chief Yowlachie
Indian (uncredited)

Adolphe Menjou
Mr. Kimberly

Ava Gardner
Jean Ogilvie

Clark Gable
Victor Albee Norman

John McIntire
Radio Announcer (uncredited)

Joseph Kearns
Radio Voice (uncredited)

Aubrey Mather
Mr. Glass, Valet

Lillian Randolph
Violet (voice) (uncredited)

Keenan Wynn
Buddy Hare

Douglas Fowley
Georgie Gaver

John Albright
Assistant Photographer (uncredited)

Sydney Greenstreet
Evan Llewellyn Evans

Richard Gaines
Cooke

George O'Hanlon
Freddie Callahan (uncredited)

Edward Arnold
David 'Dave' Lash

Clinton Sundberg
Michael Michaelson

Connie Gilchrist
Betty - Switchboard Operator

Robert Emmett O'Connor
Frank - Hotel Doorman (uncredited)

Ransom M. Sherman
George Rockton (uncredited)

Gloria Holden
Mrs. Kimberly

Sam Ash
Man at Inn (uncredited)

Richard Abbott
Elevator Starter (uncredited)

John Daheim
Taxi Driver (uncredited)

Edwin Cooper
Harry Spooner (uncredited)

John Hiestand
Radio Announcer (uncredited)

William Benedict
Bellboy at Blue Penguin Inn (uncredited)

Mahlon Hamilton
Businessman (uncredited)

Wilbur Mack
Man at Inn (uncredited)

Rudy Germane
Club Patron (uncredited)

Fred Howard
Elevator Operator (uncredited)

Frank Albertson
Max Herman

Agnes Steele
Flower Woman (uncredited)

Joan Valerie
Receptionist (uncredited)

Lillian Bronson
Miss Hammer - Secretary

Jack Rice
Tie Sales Clerk (uncredited)

Vangie Beilby
Flower Woman (uncredited)

Fred Sherman
First Taxi Driver (uncredited)

Kathryn Card
Miss Regina Kennedy

Jimmy Conlin
Blake - Blue Penguin Inn Proprietor

Frank Leigh
Man in Kimberly's Office (uncredited)

Theodore von Eltz
Radio Voice (uncredited)

Erin Selwyn
Girl at Inn (uncredited)

Jean Ransome
Maid (uncredited)

Virginia Dale
Kimberly Receptionist

Vera Marshe
Gloria, West Coast Secretary

Henry Blair
Sonny (voice) (uncredited)

Tom Stevenson
Paul Evans (uncredited)

Harry Cheshire
Joe Lorrison (uncredited)

Eddie Marr
Pitch Man (uncredited)

Mary Stuart
Model in Elevator (uncredited)

Almeda Fowler
Woman in Elevator (uncredited)

Sammy McKim
Western Union Messenger (uncredited)

Bert Davidson
Man at Inn (uncredited)

Drew Demorest
Man at Inn (uncredited)

Gordon Richards
Conrad (uncredited)

Phil Dunham
Man in Elevator (uncredited)

Jerry Miley
Second Taxi Driver (uncredited)

Cedric Stevens
Man in Kimberly's Office (uncredited)

Cathy Lewis
Wanda Jean (voice) (uncredited)

Byron Morgan
Radio Soundman (uncredited)

Violet Seton
Flower Woman (uncredited)

Anne Nagel
Teletype Operator (uncredited)

David McKim
Photographer's Assistant (uncredited)

Nellie Farrell
Flower Woman (uncredited)

Frank Bingman
Radio Voice (uncredited)

Nan Bennett
Girl at Inn (uncredited)

Barrett Whitelaw
Man in Elevator (uncredited)

Sydney Logan
Girl at Inn (uncredited)

Robert Skelton
Man at Inn (uncredited)

Florence Stephens
Secretary (uncredited)

Charles Peck
Elevator Operator (uncredited)

Dink Freeman
Man at Inn (uncredited)

Ralph Bunker
Allison

Charles Abraham
Arabian Rug Peddler (uncredited)

Hoffis Better
Arabian Rug Peddler (uncredited)

Harriett Brest
Flower Woman (uncredited)

Betty Callender
Stewardess (uncredited)

Eugene Baxtor Day
Hal Dorrance (uncredited)

Madge Erwin
Flower Woman (uncredited)

Eugene Lay
Hal Dorrance (uncredited)

Vera Martin
Girl at Inn (uncredited)

David Merritt
Arabian Rug Peddler (uncredited)

Dianne Perrine
Ellen Dorrance (uncredited)

Joe Sawaya
Arabian Rug Peddler (uncredited)
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Read the complete plot summary of The Hucksters, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Victor Norman, Clark Gable, is a World War II veteran who returns home with a determination to reenter the radio advertising field, yet he doesn’t want to appear desperate. To project casual disinterest, he splurges a few dollars and ends up with only fifty to his name, then spends part of his journey to a crucial interview at the Kimberly Advertising Agency on a hand-painted necktie to seem earnest. A chaotic phone call from Evan Llewellyn Evans, the feared head of the agency’s biggest client, Beautee Soap, disrupts his plans, and Victor seizes the moment by proposing a clandestine strategy: recruit Kay Dorrance, Deborah Kerr, a poised widow of aristocratic British birth and the widow of a U.S. general, to spearhead a Beautee Soap campaign aimed at Manhattan’s social elite.
Victor lands a needless-but-clever appointment by pretending to represent the Charity League, and in the meeting he quickly wins Kay over with his mix of confidence and charm. The real work begins at the photo shoot, where the art director’s bold concept—an intimate depiction in a negligee—is vetoed by Victor. He pushes for a more dignified image: Kay portrayed in an evening gown, surrounded by her children, a tableau that feels real and respectful to her life. The next day, Evans and Mr. Kimberly confront the changes, yet Victor’s overnight radio commercial plays perfectly for them, and Evans announces that Victor has earned the job. The alliance is charged with electricity as Victor finds himself drawn to Kay, and a double date with the Kimballs deepens the personal stakes.
At a nightclub, a chance encounter with Jean Ogilvie, Ava Gardner—a torch singer and a former flame—stirs old passions and tests Victor’s commitment to Kay. To smooth things over, he invites Kay on a romantic Connecticut getaway, hoping the change of scenery will heal any lingering doubt. But the trip backfires when they discover the property has changed hands, and they’re assigned adjoining rooms with a connecting door. A sense of disillusionment settles over Kay, who leaves in frustration, her faith in Victor shaken.
Back in the mix of deals and deadlines, Evans pushes for a new radio variety show featuring Buddy Hare, Keenan Wynn, a volatile comedian with a string of tired jokes. Victor agrees to secure Hare by maneuvering Lash, Dave Lash, Edward Arnold, who will be leaving on an evening train, into the arrangement. Before the departure, a visit to Kay’s home makes the personal stakes clear once more; a train ride with Jean renews a complicated tug-of-war between past and present, and Victor enlists Jean’s help to seal the deal with Hare at a lower price. Lash, sensing the ruse, chooses to honor the bargain, even as he suspects manipulation.
The project moves to Hollywood, where Victor and his team assemble the show, but Hare is kept off the air due to his abrasive humor. A dinner with Jean rekindles the chemistry, yet Victor’s heart remains tethered to Kay. Returning to Kay after the trip, he recognizes that his affection for her runs deeper than ambition, and the two share a quiet reconciliation. Victor visualizes himself as a provider who can blend practicality with taste for Kay and her children, and this new self-image becomes a compass for his choices.
Yet the path to success proves morally fraught when a legal snag threatens the Hare contract. Victor, driven by the pressure of numbers and deadlines, uses innuendo and implied pressure against Lash to secure the deal, a decision he immediately regrets. He returns to New York to pitch the updated show to Evans, only to find that the old tactic—groveling for a break—no longer suits him. He confronts Evans, condemning the way the system operates, and chooses to walk away from the pressure to conform.
Outside, Kay waits in her car, and Victor delivers a candid verdict about their future: they will postpone marriage until he can establish financial stability. She retorts that money is not everything, as long as he can sell with dignity and taste, and in a symbolic final gesture, he tosses his last scraps of change into the street. The moment signals a fresh start—an honest partnership built on mutual respect rather than merely chasing success, and a quiet affirmation that their journey forward will be defined by integrity and shared dreams, not just the next big campaign.

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