
A coast‑to‑coast comedy that serves as the final film pairing Jerry Lewis and Dean Martin. The story satirizes Hollywood life. Con artist Steve Wiley dupes Malcolm Smith by claiming he also won a car. To steal it, Steve tells Malcolm he lives in Hollywood next to Anita Ekberg’s home. Intrigued, Malcolm follows, and the two embark on a chaotic Hollywood adventure.
Does Hollywood or Bust have end credit scenes?
No!
Hollywood or Bust does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Hollywood or Bust (1956) via JustWatch.
Explore the complete cast of Hollywood or Bust, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Dean Martin
Steve Wiley

Chief Yowlachie
Chief Running Water

Maxie Rosenbloom
Bookie Benny

Torben Meyer
Waiter

Anita Ekberg
Actress Anita

Leon Alton
Casino Patron

Jerry Lewis
Malcolm Smith

Richard Alexander
Western Actor

Valerie Allen
Undetermined Secondary Role

Paul Bradley
Audience Member (uncredited)

Nick Borgani
Casino Patron (uncredited)

Franklyn Farnum
Audience Member

Sam Harris
Man in Hotel

Thomas Martin
Audience Member (uncredited)

Del Moore
Photographer

Michael Ross
Paramount Studio Gate Guard

Pat Crowley
Terry Roberts

Cosmo Sardo
Actor in Tuxedo

Beach Dickerson
Bellboy

Bernard Sell
Casino Patron

Carl M. Leviness
Elderly Casino Patron

Minta Durfee
Miss Pettywood

Jack Del Rio
Casino Patron (uncredited)

Adolph Faylauer
Man at Movie Premiere

Ben Welden
Boss

Robert Haines
Audience Member (uncredited)

Tom Ferrandini
Audience Member (uncredited)

Mike Lally
Audience Member (uncredited)

Jeffrey Sayre
Crap Table Stickman

Chet Brandenburg
Stagehand

Rudy Germane
Casino Patron (uncredited)

Charles Sullivan
Audience Member

Hal Taggart
Man at Movie (uncredited)

Paul Cristo
Audience Member (uncredited)

Richard Karlan
Sammy Ross

Frank Wilcox
Director

Suzanne Ridgway
Woman at Craps Table

Kathryn Card
Old Lady

Joe Gray
Gambler

Jack Deery
Audience Member (uncredited)

Ralph Peters
Truck Driver

Willard Waterman
Manager Neville

Adelle August
Dancer

Jean Ransome
Casino Patron

Tracey Roberts
Redhead

Joanne Arnold
Usherette (uncredited)

Catherine Brousset
Undetermined secondary role (uncredited)

Drew Cahill
Photographer (uncredited)

Nancy Lee Davis
Gambler (uncredited)

Dominic Fidelibus
Gas Station Attendant (uncredited)

Raoul Freeman
Audience Member (uncredited)

Gretchen Houser
Specialty Dancer (uncredited)

Freda Jones
Casino Patron (uncredited)

Lorna Jordon
Photographer (uncredited)

Claudia Martin
11 Year Old Girl (uncredited)

Gail Martin
9 Year Old Girl (uncredited)

Jack McElroy
Stupid Sam (uncredited)

Dede Moore
Girl at Mailbox (uncredited)

Wendell Niles
Wendell Niles (uncredited)

Tommy Summers
Undetermined (uncredited)

Loreli Vitek
Undetermined (uncredited)

Rose Westlake
Sheep-haired Woman in Balcony (uncredited)

Sandra White
Dancer (uncredited)

Bob Whitney
Casino Patron (uncredited)
Discover where to watch Hollywood or Bust online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or JustWatch.
Read the complete plot summary of Hollywood or Bust, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Malcolm Smith wins a brand-new automobile, a 1956 Chrysler New Yorker convertible, at a movie theatre raffle. Steve Wiley, Dean Martin, a gambler from New York, obtains a counterfeit of the winning ticket and also claims that the car is his. The theatre manager declares them both winners and that they can split the car any way they want.
Steve needs to sell the car to pay off a gambling debt, but Malcolm wants to drive it to Hollywood to meet actress Anita Ekberg. In a bold move, he aims to turn the prize into a path toward stardom, while Steve keeps a more practical plan in mind. The situation grows tense as the two men press their case, each convinced they deserve the car for different reasons.
Steve claims to know Ekberg, and agrees to drive to Hollywood with Malcolm, secretly planning to steal the car. Along the way, Malcolm brings his formidable dog, a huge Great Dane named Mr. Bascomb, who consistently foils Steve’s attempts to slip away with the prize.
Their road trip takes an unexpected turn when they pick up Terry, Pat Crowley an aspiring dancer, who has a job waiting for her in Las Vegas. On the open road, the trio faces a string of comic mishaps and close calls as they navigate the lure of show business and the pressure of two rival ambitions.
In Las Vegas, Malcolm falls into a stretch of luck, feeling the casino’s lucky atmosphere, and wins $10,000. The hotel where he lands also hosts the woman of his dreams, Anita Ekberg, who is there at the same time, leading to a meeting that carries both charm and chaos and delivers a few humorous moments.
Steve begins to show a change of heart. He not only agrees to go along with Malcolm to Hollywood without stealing the car, but he also proposes to Terry, signaling a shift in loyalties and a step toward a more straightforward future.
Malcolm spoils the mood by telling them that he no longer has any of his casino winnings, having used it on a gift for Anita. This revelation shifts the tone of their mission and rekindles tension about the gift, loyalty, and what they owe to each other.
Steve decides to retrieve the gift and they head to Paramount Pictures to locate her. The group traverses a series of back-lot adventures, encountering various cast and crew members, until they finally reach Anita and negotiate the terms of the gift’s return.
After some back-lot adventures, they find Anita, who agrees to return the gift in exchange for the services of Mr. Bascomb in her next movie. The resolution brings a comedic wrap-up to their cross-country drive, with a new sense of partnership emerging from the mismatched plans that originally brought them together.

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