
In a near‑future world where the Eastern and Western blocs have abandoned standing armies and nuclear arsenals, their rivalries are resolved through organized contests. Each side fields teams of highly trained combat specialists, pitting them against one another in deadly, sanctioned battles to settle political disputes.
Does The Gladiators have end credit scenes?
No!
The Gladiators does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Gladiators, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

George Harris
Nigerian officer

Pik-Sen Lim

Hans Bendrik
Capt. Davidsson

Arthur Pentelow
British general

Frederick Danner
British officer

Jürgen Schilling
East German officer

Björn Franzén
Swedish colonel

Daniel Harle
French officer

Kenneth Lo
Chinese colonel

Hans Berger
West German officer

Rosario Gianetti
American officer

Tim Yum
Chinese officer

Stefan Dillan
Russian officer

Ugo Chiari
Italian officer

Chandrakant Desai
Indian officer
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Challenge your knowledge of The Gladiators with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the sophisticated system used to run Peace Game number 256?
Read the complete plot summary of The Gladiators, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The story opens with an interviewer posing questions to contestants from different nations, each offering a distinct reason for joining the contest. In parallel, a multinational assembly gathers at a castle near Stockholm where Peace Game number 256 is prepared by the Swedish Army using a sophisticated system called ICAROS-system. A French student, known only as B-3, infiltrates the Games with the aim of dismantling the setup from within, and despite his stated mission, he is allowed to move into the battlegrounds.
Inside, the game dynamics are laid out. The Allied Team is given two hours to reach the Control Room, while the Communist Team works to hinder them. As the Allied Team lingers, points are deducted for delays, and bombs are detonated to provoke a faster response. The team presses forward along red-lit corridors, faces machine-gun fire, and unexpectedly captures a female Chinese member from the opposing side. Along the way they encounter a troupe of scantily dressed hippie-ladies, and one of their own members is hurt. In response, the officers and colonels award points for the team’s persistence and risk. The melee of strategy and danger tests every participant’s nerve, and the tension around the Control Room grows with each passing moment.
At one point, a Swedish official enters into a conversation with B-3. The student confesses that his aim is to replace the current system with a fairer one, but when pressed on how he would accomplish this, the official surprisingly offers him a place at the Control Room rather than a direct path to change. The exchange underscores the ambivalence of the system’s guardians and hints at the idea that the status quo may be more flexible than it appears.
As the Communist Team advances, a member of the Allied Team unexpectedly begins to communicate with the captured female prisoner. This development is viewed by the room’s leadership as a grave threat to global stability, and it leads to a dangerous standoff over whether the game should declare an honorable tie. In response, the ICAROS-system is put on autopilot and police are dispatched to neutralize potential traitors, but the situation also spirals as the system begins to malfunction. The tension escalates as loyalties are tested and the fragile balance of control hangs in the balance.
Eventually B-3 reaches the Control Room and articulates a wish to replace the system with a model that does not exploit people. The operator counters that the system exploits everyone, including B-3, and explains that because the student had previously activated the system to guide himself to that point, he inadvertently sealed the fate of the traitors who posed the real danger to the structure. In the operator’s view, the lesson is sobering: all systems share a similar flaw, and no single design can claim moral superiority.
Across the proceedings, the cast of officers and generals from multiple nations threads through the narrative, illustrating a tapestry of perspectives and competing interests. The presence of diverse figures—Nigerian, British, Swedish, French, East and West German, American, Chinese, Italian, Indian, Russian, and Swedish officers and officials—adds a layered backdrop to the high-stakes contest, underscoring the global dimension of power, control, and the ethics of competition. The dialogue and events emphasize a restrained, observational tone while revealing the murky ethics at the heart of a system meant to govern human behavior under pressure.
Key moments pulse with strategic choices, moral ambiguity, and the ever-present question of who benefits from a game that claims to unify or stabilize a fractured world. The story invites readers to consider how systems of control govern not just actions, but the incentives and loyalties of those who operate within them. In the end, the central tension remains: whether a new, more equitable framework can truly replace an existing one that influences every participant, or whether all such systems are, at their core, built on comparable compromises.

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