
Doug Holloway (David de Vos), a family man on the verge of financial collapse and marital breakdown, embarks on a search for his estranged birth father, Dr. Eugene Holland (Victor Lundin). Holland, a dedicated physicist, is consumed by his quest to formulate the Theory of Everything, convinced that proving this ultimate law could finally demonstrate the existence of God, intertwining personal redemption with a profound scientific pursuit.
Does The Theory of Everything have end credit scenes?
No!
The Theory of Everything does not have end credit scenes. You can leave when the credits roll.
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Challenge your knowledge of The Theory of Everything with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Doug's profession at the start of the film?
Flight instructor and owner of a pilot school
Chef at a downtown restaurant
Corporate lawyer
Medical doctor
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Read the complete plot summary of The Theory of Everything, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Doug [David de Vos] is a flight instructor and the owner of a pilot school. He, his wife [Frances Black] Abby, and their two daughters, Lindsay and Amanda de Vos Amanda, face serious financial problems, essentially on the brink of ruin, and they desperately need $300,000 to expand the school.
Doug toils away, often arriving home late on Christmas Eve, leaving little room for the family he cherishes. At the holiday meal, a lawyer interrupts with staggering news: Doug was adopted through an open arrangement, and his biological parents’ history now demands attention. The lawyer invites him to a meeting to discuss his biological father and the tangled past that follows.
In this meeting, Doug meets his half sister Delilah, who was cut off by their father. Delilah’s motive is complicated and self-serving: she wants their father judged unfit so she can reap control of his property. The lawyer suggests that if Doug and Delilah take responsibility for him, they might also acquire the estate. Doug chooses to proceed, but without first consulting Abby.
Driven by a mix of curiosity and obligation, Doug travels to confront his biological father, Dr. Gene Holland, who initially fires at him with a gun before recognizing him as his son. The household is chaotic, and Gene appears to be lost in a larger, almost obsessive pursuit: he is chasing a solution to the Theory of Everything, a long-sought equation he hopes could demonstrate the existence of God.
Doug shares his dire financial situation with Gene, who steps in with a plan to help. Together they assemble investors who provide the capital Doug needs. Celebration quickly turns to crisis, however, when Gene collapses and is rushed to the hospital. A physician who knows Gene well reveals that Gene is suffering from prion disease. This diagnosis reshapes everything: Doug and Abby decide to move in with Gene, aware that his life will be shortened, possibly to six months to a year.
Gene becomes a bridge between past and present, befriending Doug’s family and recounting the life of Doug’s biological mother, Lory, whom Gene loved and who died of cancer. Gene explains that the reason he gave Doug up for adoption was a painful choice tied to his wife’s decision to pursue treatment she ultimately could not endure.
The illness derails Gene’s scientific work, and Delilah secures a verdict that incapacitates him, prompting police to remove him to a hospital. Doug salvages Gene’s research and carries it back to the hospital, seeing in Doug a last hope to complete his father’s work. He assists Gene in his project until Gene loses consciousness again.
Time passes, and Doug finds Gene in the hospital garden, barely able to remember him. With Abby by his side, Doug decides to take a drastic step: they whisk Gene away by private plane to Alaska so he can behold the aurora borealis. The spectacle seems to give Gene a final clarity, and he declares that death no longer scares him because he believes he has found a path to Jesus and his late wife, Lory. In the end, Doug passes Gene’s papers to physics researchers, ensuring the ideas live on beyond his father’s final days.
This story weaves themes of family ties, the pressure of financial survival, and the delicate line between science and faith, culminating in a bold, emotional odyssey that tests love, loyalty, and the cost of pursuing truth.
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