The Quatermass Xperiment 1955

The British-American Rocket Group, led by Brian Donlevy as Professor Bernard Quatermass, launches its first crewed rocket into outer space. Soon after liftoff, contact is lost with the three-man crew—Richard Wordsworth as Carroon, Stanley Van Beers as Ludwig Reichenheim, and Green—and the vehicle vanishes into the void. The rocket later returns to Earth, crashing into a quiet English country field, and Quatermass, Marsh, and the local emergency services, along with Carroon’s wife Judith Margia Dean, arrive at the site. When the hatch is opened, Carroon staggers out in shock, barely able to speak beyond the single, haunting word, > “Help me.” Inside the capsule, Quatermass and Marsh find only the empty, fastened spacesuits of Reichenheim and Green.

Carroon is taken to Dr. Gordon Briscoe’s laboratory on the grounds, where conventional hospitals would likely be ill-equipped to treat him. Under Briscoe’s care, Carroon remains mute and largely immobile, yet fully aware. A disfigured patch appears on his shoulder, and Briscoe notices changes in Carroon’s facial bone structure, suggesting a mutation at the skeletal level. Meanwhile, Inspector Lomax of Scotland Yard begins to investigate the disappearances of Reichenheim and Green, and, after fingerprinting Carroon, he informs Quatermass that the prints bear no human origin.

Judith grows increasingly worried that Briscoe isn’t helping her husband, and Quatermass agrees to have Carroon moved to a regular hospital, still under guard. Marsh, meanwhile, develops the rocket’s camera film and the trio—Quatermass, Lomax, and Briscoe—watch the footage. It shows the crew at their duties, until something within the ship seems to buffet the cabin, followed by a wavering distortion of the atmosphere as if an unseen presence has joined them. One by one they collapse, Carroon the last to fall.

What enters the ship is alive in space and begins to dominate Carroon from within, dissolving Reichenheim and Green in their suits and feeding on their life forces. Unaware of the alien influence, Judith hires a private investigator named Christie [Harold Lang] to uncover the truth, while Carroon, now increasingly transfigured, smashes a potted cactus in his hospital room, causing the plant to fuse with his flesh. In a grim lift ride, Carroon kills Christie, absorbing the investigator’s life force and leaving behind a shriveled husk. Judith discovers the horror within her husband and, terrified, he slips away into the night.

Inspector Lomax orders a full-scale manhunt for Carroon, who heads toward a nearby pharmacy. There he murders the chemist with his cactus-touched hand, becoming a longer and more animalistic husk as the life force drains away. He escapes onto a river barge, then hides in the zoo, leaving behind a trail of disturbed wildlife and flattened carcasses. The investigators find a small living remnant of Carroon, which is brought back to Briscoe’s lab for examination. Quatermass concludes that a predatory alien life has taken root, with the intention of releasing reproduction spores that could threaten the entire planet.

The remnant, now a much larger organism, breaks from its protective glass enclosure and dies of starvation on the floor. A tip from a vagrant leads Lomax and his men to Westminster Abbey, where Carroon’s mutation has climbed high into the metalwork scaffolding. The scientists devise a plan to redirect London’s electrical power—pulling heavy duty cables to the base of the scaffolding—and incinerate the creature before it can release its spores. The blast is spectacular, and the threat is eliminated, though Quatermass emerges from the Abbey with a stark, solitary resolve. When Marsh asks what he will do next, Quatermass answers, “I’m going to start again.” He walks away, leaving the world to its quiet, watching skies.

In the aftermath, a second rocket streaks into outer space, hinting at the continuous cycle of exploration and the constant possibility of unseen dangers beyond the pale of human understanding. The film blends clinical science with a growing sense of cosmic dread, and through it all, the core questions linger: what is humanity’s place in the vastness of space, and how will we confront forces that exceed our current means of control?