
The Jews of Jerusalem are driven out by their Syrian rulers. They gather their forces, and return to drive out their oppressors.
Does The Old Testament have end credit scenes?
No!
The Old Testament does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Old Testament, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Mara Lane
Diotima

Brad Harris
Simon

Isarco Ravaioli
Giovanni

Giuseppe Mattei

Irena Prosen

Gianfranco Parolini

Đorđe Nenadović
Giuda

Jacques Berthier
Apollonio

Ivano Staccioli
Antioco

Carlo Tamberlani
Mattatia

Philippe Hersent
Namele

Vladimir Leib

Ivy Holzer
amante di Apollonio

Ray Martino

Vladimir Bačić

Franca Parisi
Miza
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Read the complete plot summary of The Old Testament, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The film offers a loose, free retelling of the Maccabean Revolt, framing a faith-driven upheaval that tests tradition and freedom. It centers on Mattathias as the aging Jewish priest who calls his people to resistance after the Greek-Syrian rulers demand worship of Zeus within the Temple in Jerusalem. The confrontation pushes the community to flee into the desert, where the harsh wilderness becomes a proving ground for resolve and survival. In the opening chapters, the clash between Syrian forces and Mattathias’s followers grows in intensity, laying the groundwork for a long, drawn-out struggle.
In the wilderness, leadership within the revolt shifts as the story follows a line of bold figures. Judas Maccabeus temporarily takes command after his father, but he falls in battle, paving the way for his brother to lead. The mantle eventually passes to Simon Thassi, who becomes the central architect of the movement and the campaign to reclaim control of the land. The narrative follows his decisions, the strategic moves of his fighters, and the fragile alliances that sustain them as they push back against the Syrian forces.
With Simon at the helm, the Jews recapture Jerusalem and drive the Syrians from the city. The culmination is a moment of communal triumph, as Simon celebrates the victory with his people, and a Syrian bride stands by his side, signifying a shift toward reconciliation and the human costs of victory. In a gesture echoing mercy as much as power, he proclaims the release of captured Syrian soldiers so they can bear witness to the Jews’ strength and generosity.
A notable difference the film emphasizes is its portrayal of Antiochus IV Epiphanes as more of a local governor than a distant king, a framing that keeps the antagonist present throughout much of the story. This reinterpretation stretches his authority and influence across the entire narrative, rather than marking a single climactic confrontation. The movie also broadens its scope by weaving romance threads and giving women a more visible role than the traditional account typically offers, painting a richer, more relational picture of a society under pressure. The result is a story that remains faithful to core events while inviting viewers to see the era through a gentler, more human lens, where faith, resilience, and leadership intertwine with personal loyalties and love.

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