
A Modern Aladdin Who Could make Women Do Things! An ordinary man, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them.
Does The Man Who Could Work Miracles have end credit scenes?
No!
The Man Who Could Work Miracles does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Man Who Could Work Miracles, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ralph Richardson
Colonel Winstanley

George Sanders
Indifference - a God

Torin Thatcher
Observer

Roland Young
George McWhirter Fotheringay

Michael Rennie
San Francisco Cop

Edward Chapman
Major Grigsby

George Zucco
The Colonel's Butler

Ernest Thesiger
Maydig

Sophie Stewart
Maggie Hooper

Joan Hickson
Effie

Wally Patch
Supt. Smithnells

Laurence Hanray
Mr. Bamfylde

Robert Cochran
Bill Stoker

Mark Daly
Toddy Beamish

Joan Gardner
Ada Price

Wallace Lupino
Constable Winch

Lady Tree
Grigsby's Housekeeper
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Challenge your knowledge of The Man Who Could Work Miracles with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the ordinary man granted the ability to shape reality?
George McWhirter Fotheringay
Colonel Winstanley
Mr. Maydig
Maggie Hooper
Show hint
Read the complete plot summary of The Man Who Could Work Miracles, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the celestial realms, three superhuman beings—gods, or perhaps angels—watch Earth with a mix of curiosity and doubt. They challenge one among them to conduct an experiment to see whether humans, these “animals,” might earn a place among the stars by wielding real power over reality, while preserving free will as decreed by a higher authority. A random subject is chosen, and the power to shape reality lands with George McWhirter Fotheringay, an English middle-class haberdasher’s apprentice.
In a pub, Fotheringay faces friends who debate miracles, and he tests his will by performing a striking demonstration: an oil lamp turns upside down and burns downward, untouched by hands. At home, the same trick unfolds with a candle, and he soon moves objects—lifting a table, raising a bed—and even conjures a playful cornucopia of fruits and rabbits from his turned bed. His growing miracles spill into the clothing store where he works, where he briefly makes freckles vanish and other minor wonders occur. But a dangerous slip of his power follows a careless curse that coats a policeman in flames, and the man is inexplicably relocated to San Francisco.
Realizing the scope of what he has unlocked, he seeks guidance from the vicar Mr. Maydig, who hatches a sweeping plan: abolish famine, plague, war, poverty, and the ruling class itself. Fotheringay’s feats draw the attention of the authorities, including Colonel Winstanley, whose skepticism soon hardens into alarm as the vicar’s grand design comes into play. The Colonel and his men attempt to shoot him, but Fotheringay discovers a startling invulnerability that turns every assault into a near-miss.
A turning point arrives when the young man decides not to let others comingle his power with their own agendas. Instead, he creates an old-fashioned realm in which he stands at the center of the universe. He dons kingly garb and crowns the woman he loves, Maggie Hooper, as queen, while summoning leaders from around the world to fashion a utopia free of greed, war, famine, jealousy, and toil. Yet this experiment teeters on catastrophe: Maydig begs him to wait, and to buy time Fotheringay halts Earth’s rotation. The consequence is catastrophic—everything and everyone not bound to him is cast into chaos, vanishing from the planet’s surface as civilization tears apart in a dizzying, airborne crash.
Overwhelmed by the destruction and guilt, Fotheringay calls upon his powers once more to restore the world to its prior state and to relinquish his miraculous abilities. He reappears in the same pub, attempting the lamp trick anew, only to find it fails. A celestial observer notes that the episode leaves humanity with “negativism, lust and vindictive indignation,” yet the power’s giver argues that humans were animals yesterday and still have a spark of indignation against wrongness in their hearts. The beings decide to give humanity power gradually, so wisdom can keep pace with growth, and they vow to return years later to see how the experiment has progressed.
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