The Man from Colorado 1948

In this Western drama, Col. Owen Devereaux [Glenn Ford] orders his Union regiment to open fire on a Confederate detachment that signals surrender with a white flag, a reckless action that echoes long after the clash ends. As the shooting stops and the soldiers learn the war is over, celebrations erupt, yet the aftermath reveals a man whose judgment is increasingly in question. Sergeant Jericho Howard [James Millican] drinks on duty and is arrested, while the town council approves Devereaux’s ascent to a federal judge position. He then proposes to Caroline Emmet [Ellen Drew], a union of minds and futures that she accepts, setting the stage for a fragile partnership built on power and history.

The wounded conscience beneath Devereaux’s authority surfaces when a Confederate veteran confronts him about the white flag incident. Devereaux disarms the man and shoots him again, despite the man’s subdued state, a lapse that Del Stewart [William Holden], Devereaux’s closest ally, witnesses with growing concern. Del begins to question whether the new judge’s mind has truly been unraveled by the war’s shadows. Nonetheless, he agrees to continue serving as Devereaux’s marshal, balancing loyalty with a creeping sense of unease.

Devereaux’s first major case as judge involves the contested mines left in limbo after soldiers march home. Soldiers want their property back, while businessman Ed Carter [Ray Collins] argues that law favors his claim. Devereaux sides with Carter, upholding the legal right to the mines, a ruling that sets into motion a series of robberies led by the insubordinate Jericho Howard and a cadre of ex-soldiers and miners who hope to cripple Carter’s mining venture. The town’s nerves tighten as Devereaux’s decisions appear to favor order over equity, even as the miners feel the weight of postwar injustice pressing down on them.

Tensions escalate when Devereaux threatens to hang Jericho’s younger brother Johnny [Jerome Courtland] based on circumstantial evidence, despite Johnny’s noninvolvement in the gang’s activities. Del cautions Devereaux not to cross that line, and Jericho himself agrees to surrender. Yet Devereaux goes ahead with the hanging, a move that shatters Del’s faith in his friend’s fitness to dispense justice. In a moment of stark break, Del resigns as marshal and leaves to join Jericho’s faction, signaling a rupture that will test every bond in this fragile postwar world.

As unrest swells, the territorial governor becomes aware of the troubling sequence of events, and the community watches for a reckoning. The story builds to a dramatic confrontation between Devereaux and Jericho, each man entrenched in a worldview born from shattered loyalties and crushed opportunities. The climax arrives when a wall toppled from a burning building traps both of them, yielding a grim, intertwined end that underscores how power misused can lead to communal collapse.

In the aftermath, Del sets his sights on Washington, D.C., stepping onto a stagecoach to plead the cause of the dispossessed miners and to seek redress in a system that may yet prove to be their only recourse.