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The Last Days of Pompeii 1959

Demobilized centurion Glaucus returns to his hometown of Pompeii only to discover his father has been slain by a gang of black‑hooded Christian robbers who terrorize the city. Determined to uncover the truth, he launches an investigation even as the looming volcano threatens a catastrophic eruption.

Demobilized centurion Glaucus returns to his hometown of Pompeii only to discover his father has been slain by a gang of black‑hooded Christian robbers who terrorize the city. Determined to uncover the truth, he launches an investigation even as the looming volcano threatens a catastrophic eruption.

Does The Last Days of Pompeii have end credit scenes?

No!

The Last Days of Pompeii does not have end credit scenes. You can leave when the credits roll.

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Challenge your knowledge of The Last Days of Pompeii with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Last Days of Pompeii (1959) Quiz: Test your knowledge of the 1959 adventure film "The Last Days of Pompeii" with these ten mixed‑difficulty questions.

Which actor portrayed the centurion Glaucus Leto?

Full Plot Summary and Ending Explained for The Last Days of Pompeii

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Read the complete plot summary of The Last Days of Pompeii, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Glaucus Leto, Steve Reeves, a seasoned centurion returning to Pompeii after service in Roman Palestine, saves Elena / Ione, Christine Kaufmann, the Consul’s daughter, when her chariot careens out of control. He then continues his journey, but not before stepping in to defend Antonius, a thief condemned under orders from Gallinus, Mimmo Palmara, a ruthless Praetorian Guard. The encounter leaves Glaucus unsettled and wary of the shadowy forces tearing at the city’s fabric.

Back in Pompeii, Glaucus discovers that his father’s house has been looted and his father murdered by hooded thieves who leave a cross painted on walls—a grim calling card that signals a wave of terror haunting the city. He swears revenge and begins to connect the killings to a broader conspiracy, even as the city markets buzz with rumor and fear. The cross marks each crime, a symbol that gnaws at Glaucus and motivates him to pursue truth through danger.

In a bid to calm public unease and persuade the Emperor that the killings do not herald an uprising, Ascanius, Consul of Pompeii, Guillermo Marín, orders a grand citywide festival. The celebrations spill through the streets, offering a spectacle of power and order, even as the conspirators weave their own networks in the shadows. In the midst of the revelry, Antonius robs a drunken soldier and steals his money bag, which contains a ring that belonged to Glaucus’s father and a black hood identical to those worn by the hooded killers. Antonius brings the ring to Marcus, Glaucus’s ally and a Military Tribune, Mario Morales, who trails the thief to Pompeii’s Temple of Isis. But Marcus is killed before he can reveal what he has learned, his body left with a cross carved into it and the truth buried with him. Arbaces, the High Priest of Isis, Fernando Rey, claims the murder as a terrible accident or perhaps a sign of larger danger, leaving Glaucus more determined than ever to uncover the plot.

During Ascanius’s party, Gallinus tries to enact violence against Nydia, the Consul’s blind slave, a moment witnessed by the crowd and celebrated by some for its brutality. Nydia, portrayed by Barbara Carroll, endures, and Glaucus rises to defend her, defeating Gallinus in a fierce clash. The attack exposes the cruelty underneath Pompeii’s polished surface and tightens Glaucus’s resolve to fight the corruption worming its way through the city’s institutions.

As Marcus’s funeral unfolds, Antonius remains hostile to Christians, while Nydia—who has converted to Christianity—speaks softly of a hidden gathering where change might begin. She urges the anti-Christian crowds to open their hearts, but Gallinus overhears the conversation and uses it to justify a brutal sweep against all Christians, imprisoning and torturing them as scapegoats for the city’s ills. Glaucus, convinced that the Christians are innocent, plans to intervene with the support of Ascanius and others, even as he and Ione fall increasingly in love amid the turmoil.

Glaucus and Ione’s budding romance gives him a personal stake in defending the Christians, and he heads toward Herculanum to plead their case with Ione’s father, who has left Pompeii. Along the way, he is ambushed by hooded men but survives, arriving at Ascanius’s retreat injured. Antonius, having traced the hooded network, arrives with new information: the conspiracy is orchestrated under Arbaces’s orders, and the hidden treasure caches ring through the temple. With this knowledge, Antonius summons Helios and Caius, Glaucus’s loyal army friends, to help.

At the temple of Isis, Glaucus fights Arbaces and Gallinus, but is hurled into a secret ditch and finds himself in a waterlogged chamber wrestling a crocodile. He survives, barely, and makes his way out as Julia, the Consul’s Egyptian mistress, unveils her true role. Julia, Anne-Marie Baumann, is the mastermind behind the crimes and the dirty dealings that funded an uprising against the Roman rule. She confesses this to Ascanius and then stabs him, trying to pin the murder on Glaucus.

Accused of murder, Glaucus is imprisoned near the Christians; Ione, now a Christian, is also jailed. The Christians are condemned to the arena, where a lions’ roar awaits them. Glaucus, however, breaks free, slays the lion, and defeats gladiators sent to destroy him. Bow-men—Antonius and Glaucus’s masked friends—open fire on the royal box, killing Gallinus. As troops arrive to restore order, Mount Vesuvius erupts, and chaos erupts across Pompeii. Julia and Arbaces are crushed beneath the temple’s toppled idol while trying to retrieve their treasure, and Nydia is mortally wounded by falling debris. Antonius remains with her as the city collapses around them, and Glaucus swims through a blazing harbor to reach safety. With Ione by his side, he sails toward the open sea, leaving Pompeii’s ashes behind and walking toward an uncertain but hopeful future.

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The Last Days of Pompeii Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


sword and sandal historysword and sandal actionvolcanic ashlion wrestlingpugilismchariotconcubineslave girlmount vesuviuspompeiibare chested male bondageegyptian deitycampcampycityfatherbare chested maleshot with a bow and arrowfire and waterfalling buildingmolten lavaspeared to deathsecret conspiratorwhippingtorture rackblind womansecret compartmenttemplehigh priestchristianityflaming arrowbow and arrowmurder of fatherreturn homeroman arenavolcanic eruptionstabbed in the stomachsword fightinggladiatorancient romemale male relationshippsychotronic filmdisaster film

The Last Days of Pompeii Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Last Days of Pompeii across different regions and languages. Understand how the film is marketed and recognized worldwide.


Los últimos días de Pompeya DIe letzen Tage von Pompeji Les derniers jours de Pompéi Die letzten Tage von Pompeji Os Últimos Dias de Pompéia Последните дни на Помпей Ostatnie dni Pompei 폼페이 최후의 날 庞贝城的末日 Els últims dies de Pompeia Pompeijin viimeiset päivät

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