
Based on true events, this film explores the exploits of London's infamous Kray brothers, Reggie and Ronnie. The story centers on their daring plan to break Frank Mitchell, known as 'The Mad Axeman,' from Dartmoor Prison in December 1966. The brothers' criminal empire and their audacious prison break are brought to life in this portrayal of a notorious chapter in London's history.
Does The Krays: Dead Man Walking have end credit scenes?
No!
The Krays: Dead Man Walking does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Krays: Dead Man Walking, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Josh Myers
Frank Mitchell

Nicholas Ball
Harry Webster

Christopher Ellison
Albert Donohue

Leslie Grantham
Nipper Read

Marc Pickering
Reggie Kray

Guy Henry
Lord Boothby

Steve Wraith
Hartnell Harris

Darren Day
Don Dunn

Nathanjohn Carter
Ronnie Kray

Rita Simons
Lisa Prescott

Linda Lusardi
Sally Mitchell

Triana Terry
Frances Kray

Gary Lammin
Barman

Charlie Woodward
Teddy Smith

Lacey Bond
Petula Watts

Lowri Watts-Joyce
Mavis Mortimer

Ayda Kay
Maitre d'

Adrian Videla
Waiter
Discover where to watch The Krays: Dead Man Walking online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
See how The Krays: Dead Man Walking is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Krays: Dead Man Walking stands among top-rated movies in its genre.
The Krays: Dead Man Walking garners a low overall impression, driven primarily by widespread criticism of its casting, acting, and period authenticity. While a minority of reviewers commend the film's focus on the Frank Mitchell storyline and commend certain performances, most find the production values and narrative execution lacking. Consequently, the film registers as a largely unfavourable entry in the Krays‑related canon.
The Movie Echo Score Breakdown for The Krays: Dead Man Walking
Art & Craft
In terms of art and craft, reviewers highlight numerous shortcomings. The cinematography and production design are described as amateurish, with costume choices and set details failing to convey the 1960s era convincingly. Editing receives little praise, and the overall visual execution is seen as substandard. These deficiencies lead to a markedly weak artistic impression.
Character & Emotion
Character and emotion are dominated by negative feedback concerning casting and performance. Many find the leads unconvincing and the accents inauthentic, reducing credibility. Nonetheless, a few reviewers note standout portrayals, particularly by Josh Myers and supporting actors, providing isolated strengths. Overall, the acting landscape remains uneven and largely unsatisfying.
Story & Flow
Story and flow receive mixed reactions. Critics argue the plot drifts away from the promised prison‑break premise, leading to confusion over narrative focus. Conversely, some praise the film's deviation from typical Krays tales, highlighting tension and occasional compelling scenes. This blend of criticism and modest approval situates the storyline in a lukewarm zone.
Sensory Experience
Sensory experience is modestly praised. The soundtrack, attributed to Craig Gannon, is cited as a positive element that enhances mood. While visual style is not extensively discussed, the film's brutal tone and occasional effective atmospheric moments earn some merit. Nevertheless, the lack of broader sensory acclaim keeps the rating in the mid‑range.
Rewatch Factor
Rewatch factor reflects a divided audience. Detractors deem the film a waste of time and unlikely to be revisited, whereas others express enjoyment and recommend another viewing for its tension and unique focus. This split results in a moderate replay value, suggesting limited but present appeal for certain viewers.
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