
A true chronicle of the most notorious crime family, following Stephen Sayers as he climbs from the backstreets of Newcastle’s West End to the summit of the criminal underworld, while law enforcement mounts a relentless campaign to topple him and dismantle his empire.
Does A New Breed of Criminal have end credit scenes?
No!
A New Breed of Criminal does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A New Breed of Criminal, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sharon Percy
Detective Iceton

Alfie Dobson
John Henry Sayers

Nicholas Ball
Charlie Kray

Michael McKell
Vic

Alfie Williams
Young John Henry Sayers

Eddie Webber
Cockney Ed

Adam Saint
Pat

Steve Wraith
Stephen Sayers

Tony Hodge
Uncle Albert

Christopher Connel
Detective Scott

Lesley Saint-John
Aunt Vera

Melvyn Barnes
Michael Sayers
Discover where to watch A New Breed of Criminal online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how A New Breed of Criminal is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where A New Breed of Criminal stands among top-rated movies in its genre.
The film delivers a markedly subpar cinematic experience across all measured dimensions. Production values appear rushed, with inconsistent period details and amateurish visual execution that undermine any narrative intent. Performances are uniformly wooden, and the script fails to provide coherent motivation or engaging progression. Consequently, the work offers minimal appeal for repeat viewings or broader audiences, resulting in a score that reflects its pervasive deficiencies.
The Movie Echo Score Breakdown for A New Breed of Criminal
Art & Craft
In terms of art and craft, the film shows limited technical competence. Lighting is frequently flat, and cinematography suffers from inconsistent framing and dated equipment visible on screen. Production design includes anachronistic vehicles and props that break temporal immersion. Editing appears abrupt, contributing to a fragmented visual flow. The aggregate effect is a decidedly unrefined aesthetic that detracts from any potential merit.
Character & Emotion
When evaluating character and emotion, the performances are largely ineffective. Lead actors deliver wooden portrayals, and supporting cast members exhibit poorly executed accents that strain credibility. Emotional resonance is absent, with interactions feeling forced rather than organic. The lack of depth in characterisation prevents audience investment, resulting in a markedly weak impression of the film's human element.
Story & Flow
The story and flow suffer from incoherent plotting and uneven pacing. Narrative jumps occur without clear transitions, and key events are introduced without sufficient context. Originality is limited, and the script offers little in the way of compelling conflict or resolution. These structural flaws combine to produce a disengaging viewing experience that fails to sustain audience interest.
Sensory Experience
Sensory experience is hindered by inconsistent sound design and an unfocused musical backdrop. Dialogue clarity is compromised by poor mixing, while ambient noise often overwhelms crucial moments. Visual style lacks cohesion, with erratic color palettes and unnecessary narration that distracts rather than enhances. Although a few fight sequences provide momentary energy, overall sensory execution remains unsatisfactory.
Rewatch Factor
Rewatch factor is notably low, as the film offers little incentive for subsequent viewings. The combined shortcomings in acting, script, and production diminish lasting appeal. While one reviewer noted occasional enjoyment of action elements, the prevailing consensus indicates that the effort required to re‑engage outweighs any potential entertainment value, resulting in minimal replay desirability.
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