
Fleeing an arranged marriage in China, Peony travels to America under contract, becoming a “flower girl.” There, she encounters Tom, a Chinese-American cook whose father helped build the Transcontinental Railroad. Their romance is threatened by a Hong Kong Triad boss attempting to expand his influence into America. The story explores the challenges and passions of the first wave of Chinese immigration to the United States, set against the backdrop of bigotry and the largest mass lynching in American history, in Los Angeles’ Chinatown, 1871.
Does The Jade Pendant have end credit scenes?
No!
The Jade Pendant does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Jade Pendant, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Tzi Ma
Yu Hing

Brian Yang
Sam Yuen

Christine Ko
May

Raymond Ma
Dr. Tong

Mark Boone Junior
Captain Wynne

Tsai Chin
Madame Pong

Jamie Harris
Robert Thompson

Cici Lau
Grandma

Chen Tang
Joe Lee

Perry Yung
Bai Qiang

Kami Christiansen
Well-Dressed Lady

Chelsea Jurkiewicz
Townsperson

Russell Wong
Mr. Wong

Duy Beck
Bodyguard

Clara Lee
Peony

Godfrey Gao
Tom

Edward Zo
Mei Song

Matthew Ziff
Officer Matt

Chad Wright
Mob Leader

Devin Hansen
Manservant

Nina Wu
Lily

Soo Yeon Lee
Rose

Sheila Orey Sorensen
Townsperson

Sue Wong
Po Ping

Jake Tase
Townsperson

Victor Monroy
Townsperson

Leia Choi
Peony (Age 4)

Leo Faulkner
Franz

Tingting Guan
Young Chinese Woman

Brian Hin
Chinese Man

Song Hanz
Rough-Looking Man

Marc Liu
Chinese Man
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Read the complete plot summary of The Jade Pendant, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The Jade Pendant is a 2017 historical Western drama directed by Leong Po-Chih. The film follows a tragic love story between two Chinese immigrants against the backdrop of rising anti-Chinese sentiment in the American West, culminating in the events surrounding the 1871 Chinese Massacre in Los Angeles.
In the 1870s, Peony flees her home in Guangdong to escape an arranged marriage. She and Lily are tricked into signing exploitative labor contracts, believing they are headed for a better life in America. Upon arrival in California, they discover the grim reality: they have been sold into servitude as “flower girls,” a euphemism for prostitution, for the powerful and ruthless Yu Hing, the Hong Kong Triad boss.
Peony, determined and trained in martial arts, fiercely resists her fate. Her refusal attracts Tom, an American-born Chinese man who works as a cook, the son of Mr. Wong, a laborer who worked on the First Transcontinental Railroad. A romance blossoms between Peony and Tom, a reversal of traditional gender roles, and together they marry and have a child, building a fragile happiness amid mounting danger.
Throughout her journey, [Peony] continues to wear a circular green jade pendant, a gift from her Grandma meant to provide luck and protection.
The threat remains from [Yu Hing], who is determined to expand his criminal empire in America and remains fixated on reclaiming Peony. His relentless pursuit forces Peony and Tom into a desperate struggle to protect their family.
Their personal turmoil unfolds within the volatile and racially charged atmosphere of Los Angeles’ Chinatown. The film depicts tensions between the Irish American police force, rival Chinese tongs, and white resentment, which ultimately erupt into mob violence. While the narrative centers on the fictional lives of Peony and Tom, their fates become interwoven with the real historical tragedy of the 1871 Massacre, when a mob of over 500 people stormed Chinatown, resulting in the lynching of 19 Chinese immigrants—one of the largest mass lynchings in American history.
The film was released on the anniversary of the massacre and was shot on location in Utah.
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